Stay calm in quarantine with these transporting albums
Music impacts us differently these days.
The albums we usually listened to on our daily commutes suddenly bring us pangs of bitter nostalgia now that there's nowhere to go. Bright optimistic tunes suddenly sound hollow, and we can't help but feel especially resentful towards songs that make us wanna dance and party.
Feet of Clay by Earl Sweatshirt<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="476b1a1228281791a6155c4950bc8294"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/uxdY_6JTIO4?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Thebe Kgositsile's fourth project as Earl Sweatshirt is a thematically dense, albeit brief, collection of cynical poetry. The 15-minute project takes the Lo-Fi/Avant-Garde Jazz offerings of <em>Some Rap Songs</em> and mutates them, grading them down into woozy, reticent fragments that feel as if they're strung together by a shoestring. Sweatshirt unapologetically yanks us into a hallucinatory world and spits us out at the other end with very little clarification as to what just happened. From quarantine, Sweatshirt's withdrawn distortions are more palpable than ever. Kgositsile <a href="https://pitchfork.com/reviews/albums/earl-sweatshirt-feet-of-clay/" target="_blank">described <em>Feet of Clay</em></a> as "a collection of observations and feelings recorded during the death throes of a crumbling empire," which feels eerily fitting for the current climate. </p>
NEGRO by Pink Siifu<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="6f7b34a0809a5a24bbc53bf708247572"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/CNYKet2GWfQ?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Alabama-based polymath Pink Siifu has captivated the underground in the last few years with his enigmatic collections of hazy lo-fi and hushed storytelling, but on <em>NEGRO</em>, Siifu's rage boils over. Siifu rages against the machine, screaming with unabashed fury at the police and his experience as a black man in America. "White man tryna take my sh*t," he howls through suffocating white noise on "SMD." "Landlord tryna take my sh*t! Tell the police he can eat a d*ck!" As the anger for our current political climate boils over, Siifu's <em>NEGRO</em> is a perfect outlet for all that pent up rage.</p>
FOTO by KOTA The Friend<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="a2194161a71961f65b65f0a4de787de5"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/C9p_hejpVZI?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>KOTA The Friend thrives on good vibes. Backyard barbecues, bagel dates, looking through photographs–the emcee helps us focus on the little joys that life has. "F*ck an umbrella, cus I like it when it rains," he raps with a shrug on "Sedona." On KOTA's wholesome debut, <em>FOTO</em>, the rapper steers away from any negativity and over 19 tracks nostalgically reminisce about growing up in Brooklyn and all the emotions that come with growing up. "Love is everything and everything is love," he says on "Chicago Diner." <em>FOTO</em> is like a burst of Vitamin C on a cloudy day.</p>
Pray For Paris By Westside Gunn<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="6931de97664fb56a3dab01392e898ebd"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/kmhgibIoJj0?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Westside Gunn has had one of the most unlikely glow-ups in Hip-Hop. The grimy Buffalo-based emcee and his Griselda constituents are a product of no-frill rappers like Mobb Depp and Method Man. Their production is kinky and rough, their swagger is timeless yet malicious, and their lyricism is merciless. "Ain't no eye for an eye, you take an eye we take your whole head," Gunn says on "Party with Pop Smoke" with his rugged, confident vibrato. On <em>Pray For Paris</em>, Gunn aims to ditch the niche underground aesthetic of Griselda's past efforts and establish them instead as an act of sophisticated grandeur. The album cover was designed by Virgil, the introductory adlib an<a href="https://pitchfork.com/reviews/albums/westside-gunn-pray-for-paris/" target="_blank"> excerpt from the record-breaking sale</a> of Leonardo da Vinci's <em>Salvator Mundi.</em> The self-proclaimed high stakes make for a transporting journey, with Westside Gunn and his friends offering some of the best bars of their careers. To indulge in <em>Pray For Paris</em> is to indulge in high art.</p>
The Price of Tea In China By Boldy James<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="cfe96ff00750b50c6a37667be65dd61e"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/0s76k0nRdxw?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Complex and arresting, The Alchemist's cinematic instrumentals are enhanced by Boldy James' captivating storytelling. Written by one of the most underappreciated lyricists in modern-day hip-hop, <em>The Price of Tea In China</em> is an enthralling journey, with James' mid-tempo narrative flow guiding us through the streets of Detroit in explicit detail. "Jail tats that linger from teenage years, insomniac drives down to Kentucky," wrote <a href="https://pitchfork.com/reviews/albums/boldy-james-the-price-of-tea-in-china/" target="_blank"><em>Pitchfork</em></a>. "Gloved hands clutching guns...Pyrexes full of dope that looks like oatmeal." The emcee's web of details make for a remarkably visual listening experience, and James' provocative images are only enhanced by The Alchemist's technical prowess.</p>
One Texas couple became a meme after they went 18 minutes without shredded cheese on their fajitas. What could be worse?
Karens. Even if you don't know them by name, you know who they are.
Karens have been asking to speak to managers all over American suburbia ever since Kate Gosselin debuted her infamous reverse-mullet on Jon and Kate Plus 8 in 2007. "Karens"—the collective nickname for middle-aged entitled white women who love nothing more than being pains in your ass—have been walking among us for quite some time, but as shelter-in-place orders and mask mandates have taken over the world, the presence of Karens has become even more apparent.
Last weekend, a Karen went viral in a since-deleted Tweet for a reason only Karens would empathize with. Jason Vicknair, a 40-year-old man from Allen, Texas, was just trying to enjoy his first date night out in three months with his wife at a Tex-Mex restaurant called Mi Cocina. Things took a turn for the worse.
The alternative rapper is finally seeing his work pay off, just don't try to box him in
Medhane prides himself on being a Hip-Hop antithesis.
Full Circle, the rapper's enigmatic new EP, is produced entirely by him, and the project's dense 15 minutes offer little breathing room. As the polymath sips on a Chai latte in a crowded cafe in Bed-Stuy, Brooklyn, he explains to me that his stream of consciousness raps are purposefully devoid of certain contexts. "It's open to your perception. It's just art," he said. "You don't look at a painting and say, "Oh this painting is about this." Like a painter, Medhane's music ebbs and flows moment to moment and portrays an artist unabashedly present in the art he's creating. I asked if he would describe his music that way, like a painting. "Kinda, but like not really. It is, but it's not, it's just expression." When I asked him who Dan Freeman was, he told me that he was the protagonist of Spook Sat by the Door, a profound 1964 novel about a black CIA agent trying to overthrow the white establishment. When I asked him why he named Full Circle's opening track "DAN FREEMAN," he smiled. "I don't know, that's just what I thought it should be."
As a Brooklyn native, Medhane was raised on the sounds of Soca and Reggae, along with acts like Nas and Indie.Arie. But when he was 11, he admits, he was mostly into screamo. "I forget the name of this band but they had a song called "Daddy's Fallen Angel," he said with a laugh, "and I just thought that was the hardest sh*t ever." After getting in trouble at school, Medhane's father took him to D.C. for the weekend to experience President Obama's inauguration. While they were in town, they also went to see Notorious, a buzzing new biopic about the late Biggie Smalls. "I just went fully down the rabbit hole after that." He started making freestyle videos on his phone, and by his senior year in high school (he graduated when he was 16 after skipping a grade) he was incredibly committed to the genre. But his mom insisted he get a college education, so he reluctantly applied and was accepted into Carnegie Mellon's civil engineering program. As he dragged his heels academically, his music started to buzz, and he recalls flying to London to perform at a sold-out show with Lex Records, only to fly back and return, nameless, to his classes. "That sh*t f*cked me up."
Medhane - Affirmation #1 (Dir. LONEWOLF) www.youtube.com
His free form art thrives on unpredictability, so as a result, Medhane can't stand when the press, myself included, tries to decipher it. His lyrical meandering is often boxed in with that of Earl Sweatshirt. The comparison is often intended as a compliment, but all of it just frustrates him. "They always try to be like, "This is about depression," or, "On this song [Medhane] recalls a three-day bender." He scoffed. "There was no 3-day bender that ever occurred in my life." He refers me to a lyric from "I WAS JUST IN THE MARA." "Still speaking in code, I know how them riddles go? That's kinda what that means."
Did you see things start to change after Pitchfork reviewed Ba Suba, Ak Jamm?
"Kinda, but not really. After that project, I went back to school and...I was just going through it. I stopped putting out music, I dropped "Sky," but I was just so stressed that I went ghost. No tweets, no music for like six or seven months."
What was that experience like? What did you do to take care of yourself?
"I ghosted a lot of my friends. I was just overwhelmed. I watched a lot of Blacklist, and that show sucks. I was watching bad TV, bro, when I should be making beats. I was on some self-doubt s*it. That's what I was doing."
When did all that start to change for you?
"I graduated and got back in touch with MIKE and Caleb [Giles] and just kinda started making tracks again. I also took a family trip to Kenya, and it restored me somehow. Just coolin' with my family really brought me back. When I got back from [that trip] it was go time."
Then you dropped Own Pace?
"Yeah, and that album did numbers. That was kinda me explaining what I had gone through during that time, and people really related to it."
So what's different now with Full Circle?
"It's totally self-produced, and it's just getting more in-depth. More in-depth with certain topics. I'm just exploring that time more and exploring what really happened.
Creatively, Full Circle is a lot denser than your previous work. What inspired you all to head in this alternative direction?
"I don't know, bro. I just try to mix everything I f*ck with. I feel like out of all the homies I'm the most versatile. I could play you five songs of mine that all sound different, that all slap, and I'm not switching my style on none of them. I listen to all types of sh*t.
What's next for you?
I'm tryna run it up this year. I'm 23, I gotta be on my Jordan s*it. I'm putting out three projects this year.
It seems like things are really changing for you.
"It seems like it. I don't know. There's always that skepticism that comes with life when good s*it starts to happen to you. But everybody just keeps telling me like just keep going, which is kinda what I'm doing. We not falling off no time soon, ever."
- Medhane: Full Circle Album Review | Pitchfork ›
- Medhane Is Powering Through Life at His Own Pace: Interview ›
- Medhane on Spotify ›
- Medhane - Albums, Songs, and News | Pitchfork ›
- Medhane ›
- Medhane's stream on SoundCloud - Hear the world's sounds ›
- Medhane (AFB) (@mehdonny) • Instagram photos and videos ›
- Medhane (AFB) (@mehdonny) | Twitter ›