Celebrate the show’s return with these delicious new wines
In honor of the highly anticipated premiere of Westworld's third season, Warner Bros and Tasting Room have crafted a limited edition collection of wines to celebrate the series' return.
Directly inspired by the show's thrilling third season, the three eye-catching bottles are each uniquely curated and inspired by characters in the show, each offering a vastly different tasting experience. Check out the wines below, and be sure to get yourself a bottle before they sell out!
Think you know Australian Shiraz? Think again. This tantalizing red will leave you longing for sip after sip — if it doesn't knock you off your feet completely. Like Maeve, it's intriguing and complex, with concentrated flavors of blackberry, vanilla, and cedar culminating in a lingering finish that you won't soon forget. While enjoying this alluring wine wouldn't qualify as a violent delight, it will certainly bring you pleasure that you don't find every day.
There's a path for everyone — consider yourself lucky to be on the path that's brought you to this enchanting and layered blend of Pinot Gris, Chenin Blanc, Roussanne and Viognier. Inspired by Dolores, this white may seem mild and pleasant at first, but one sip reveals that it packs a punch of vibrant green apple and pear flavors, deftly woven with notes of baking spices. Choose to see the beauty in the world through this captivating wine.
Packed with vibrant green apple and pear flavors, deftly woven with notes of baking spices.
Like a maze you desperately want to solve, this compelling Cabernet Sauvignon will take you on some twists and turns. It's a red worth discovering, with its rich, layered flavors of black cherry, coffee bean and dried herbs — just as the Man in Black enjoys a game worth playing. Each taste reveals something new, until you find yourself completely immersed in the wine's brooding, dark profile. Go ahead: Take a sip and unleash your true self.
The Westworld Wine sale is live now: Order a case before the next episode today!
- 'Westworld' Season 3: What to know as HBO's twisty thriller returns ›
- Westworld: Season 3 - Rotten Tomatoes ›
- Westworld Season 3: Watch the Official Trailer ›
- 'Westworld' Season 3 Review: Same As It Ever Was - Rolling Stone ›
- Westworld Season 3: Release Date & Everything To Know | HBO ›
- WESTWORLD Season 3 Comic-Con Trailer (2020) - YouTube ›
- Westworld | Season 3 – Date Announce | 2020 (HBO) - YouTube ›
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The rocker celebrates his 45th birthday today
Jack White almost became a priest.
But then again, did he? The iconic rocker has regularly beguiled the press. "I'd got accepted to a seminary in Wisconsin," he told 60 Minutes Mike Wallace back in 2005 in what seemed like a moment of genuine candor. "At the last second, I thought, 'I'll just go to public school."
Whether you believe that story or not, the blues-rock polymath, who turns 45 today, has led an undeniably punk life and crafted some of the most sacred rock music in history. Two decades after The White Stripes' self-titled debut, Jack White has remained purposefully slippery with the public. He told publications that he and Meg White, his then-wife and White Stripes-cohort, were the youngest of ten siblings and claimed that his label, Third Man Records, used to be a candy company, among other outlandish claims.
Dodge & Burn by The Dead Weather<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="59052057d58747fe96735fc4bb4c2b46"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/98oMvKF-78Y?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Cocked and loaded, The Dead Weather's 2015 effort, <em>Dodge and Burn,</em> finds the band at their most calamitous. "I got a bloodhound tooth hanging like a dagger," Kills vocalist Alison Mosshart cackles on "Let Me Through" with distorted hisses. With White on drums, The Dead Weather is White at his most implacable. </p><p>When he announced no touring would be done in support of <em>Dodge & Burn</em>, the implication was that TDW was formed as a sort of catharsis for White, somewhere to put all the rock-and-roll tar that he's built up over the years. The Captain Beefhart inspired super-group all but detonated on <em>Dodge & Burn</em>, with their slinky grunge guitars and feral growls all sounding extra crunchy.</p><p>The band reflects on the inevitable apocalypse with a bombastic snap that gladly welcomes violence and destruction ("Open Up") and rolls their eyes at anyone who threatens to ruin their demolition, even if its Jesus himself ("Buzzkill(er)." <em>Dodge & Burn</em> is reserved exclusively for those who need to let off a little steam...or start a bar fight.<br></p>
Consolers of the Lonely by The Raconteurs<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="a8ba051ea61ebd21775ad6dc743cd0b3"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/7lL1CW140FQ?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Before Beyonce's surprise album redefined the marketing of new releases, The Raconteurs rushed the arrival of 2008's <em>Consolers of the Lonely</em>, all but upending press coverage and flipping mass media the bird in the process. Announced and released within a week, <em>Consoler's</em> remains one of The Raconteur's grittiest records. </p><p><em>Broken Boy Soldier's</em> light-hearted buoyancy was nowhere to be seen. "Haven't seen the sun in a week, my skin is getting pale," calls out Brendan Banson before cackling guitars snap the necks of anyone who has a problem with it on Consoler's intro. </p><p>Jack White is dripping in manic swagger as The Raconteur's co-frontman. He makes the big hooks sound comfortable and casual as if he's jamming with some friends in his garage. He morphs the country twang of "Top Yourself" into a crude, braggadocious declaration of anti-love, ("How you gonna get that deep, when your daddy ain't around here to do it to you?") and uses bright, uplifting horns on "Many Shades of Black" to affirm to the same lover that their tumultuous relationship was destined to end, so it's okay. </p><p>It's all so petty and punk, with White at times bordering on deranged, but it's what adds to The Racounter's unsettling charm. They refuse to be your favorite rock band.</p>
Get Behind Me Satan by The White Stripes<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="42a95cacb5b448443b5dcfaee6f342ff"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/Hrcum8DHDpo?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>While highly contested, <em>Get Behind Me Satan</em> is The White Stripes boldest album, taking the blues-rock sounds of <em>Elephant </em>and <em>De Stijl </em>that brought them national fame and throwing it to the wolves in favor of oddball piano arrangements, acoustic guitars, and many marimbas. It finds White spiraling into despair, with quirky tracks like "White Moon" and "Little Ghost" sounding like a real-time emotional breakdown, the latter's narrator performing obscure tasks like "dancing" with "the wall" as he falls in love with a ghost only he can see.</p><p>While the record left critics confused, it's jarring sound redefined The White Stripes' identity. Known for their hard-hitting arena rock, <em>Get Behind Me Satan</em> blew open the door for what came after. They were no longer confined to anything and were free to create whatever they pleased. It was inherently a move that was super rock and roll.<br></p>
Lazaretto by Jack White<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="8c43c41a2df22aba84ac16ddf5c1d9b5"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/qI-95cTMeLM?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p><em>Lazaretto</em> is Jack White as his most relentless. Each song on his magnetic sophomore work is a show of force. While Meg White's absence is notable and at times the album borders on Jack White just flexing his guitar chops, each song is full of intricacies that tumble into each other, redefining what's possible under the "blues-rock" moniker. It's inherently busy, with tracks like "High Ball Stepper" descending into chaos with its screams, crisp guitars, organs, and banjo slowly closing in on you–but <em>Lazaretto </em>found White pushing himself endlessly. What was he truly capable of when alone in a room with other bold musicians? The answer was: a lot. </p><p>The cover-art finds White sitting elegantly on a stone throne decorated by angels, a casual flex by White, who believed himself to be a tour-de-force, otherworldly musician, unconfined to the creative restrictions of the mortal world. It was a bold claim that only Jack White could make.</p>
Those goblins sure do love money, huh?
The Warner Bros Studio Tour in London has a thrilling attraction—the Gringotts Wizarding Bank set from the Harry Potter movies!
You too can experience the wonder of entering through vaulted bank doors and handing your hard-earned coin to greedy, money-grubbing little men with long, crooked noses, receding hairlines and shifty eyes.
Okay, when it's written out like that it sounds very anti-Semitic, but don't worry, these aren't Jews. These are goblins. Sure, the goblins' traits sound similar to Nazi-era propaganda, but that's probably because they both play off banking tropes. It's not like they look similar.
Oh damn. The Gringotts goblins are totally coded as anti-Semitic Jewish stereotypes.
Here's the thing. JK Rowling almost definitely didn't do this intentionally. If anything, the Harry Potter novels are, by and large, anti-fascist in nature. Voldemort is a dictator aiming to eradicate half-blooded wizards—it doesn't get more blatant than that. Rowling also borrowed and pastiched from all sorts of fantasy and folklore while writing Harry Potter, so it's likely that a lot of the goblins' more anti-Semitic features are actually related to older fantasy fare surrounding bankers. It just so happens that those were probably inspired by anti-Jewish propaganda.
Of course, the intention hardly matters. The fact of the matter is that the Gringotts Goblins are absolutely coded as anti-Semitic Jewish stereotypes, propelling an image that has been and continues to be used against Jewish people by supporters of racist and nationalist ideologies. This goes beyond mere physical imagery, too.
In Sorcerer's Stone, the caring Hogwarts groundskeeper, Hagrid, who raises monsters as a passion, warns Harry about goblins before he enters Gringotts: "They're goblins, Harry. Clever as they come, goblins, but not the most friendly of beasts." This is especially biting considering the fact that in the world of Harry Potter, goblins are not "beasts," but rather a fully sentient, intelligent race much like humans.
In Goblet of Fire, we learn about goblin creditors who hold debts in the highest regard and are willing to pursue a debtor to the end of the earth, taking everything he has if he cannot repay them, as was the case with Ludo Bagman.
In Deathly Hallows, Griphook, the only goblin we come to know personally, betrays Harry by turning him over to the Gringotts guards when Harry tries to destroy one of Voldemort's Horcruxes. This happens after Harry saves Griphook's life, showing that goblins have little loyalty outside of that to money.
Ultimately, the depiction of goblins in Harry Potter is extremely negative. Not only are they physically repulsive, but they are sneaky, dangerous, and disloyal, caring only about themselves and their money. These traits are identical to the anti-semitic propaganda that's been spread throughout history.
Again, none of this is to say that JK Rowling is anti-Semitic or even realized that she was propagating anti-Semitic stereotypes with the Gringotts goblins, although she did actively consult on all of the films (meaning the goblins' appearances definitely made it past her, but so did this TERF tweet).Therein lies the danger of prolific propaganda like that of the "Greedy Jew." Once evil imagery becomes widespread enough, it practically propagates itself.
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