Music Lists

Harry Styles' Sexiest Gender-Fluid Outfits

We love you, Harry Styles...perhaps a bit too much.

Harry Styles Gender Fluid Outfits

John Angelillo/UPI/Shutterstock

As we celebrate #NationalHonestyDay, it's time to be honest about how good Harry Styles looks in a dress.

Separate from his music, the barriers Harry has broken in recent years in terms of men's fashion have been extraordinary.

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Music Features

The Dark Implications of Calling Harry Styles the "Consent King"

The complicated connotations of a well-intended nickname, brought to you by "Watermelon Sugar."

Harry Styles via YouTube

This week, Harry Styles gifted us with the closest thing we'll get to human contact and summer shindigs for the foreseeable future: his long-awaited music video for "Watermelon Sugar."

Hardly the first sexed-up video to come from Styles, "Watermelon Sugar" shows the former One Direction heartthrob on the beach among a crew of beautiful women as they enjoy the titular fruit, the sunshine, and each other's close company. A song full of sexual innuendos deserves an equally steamy video to match, of course, and Styles has gone so far as to dedicate the "Watermelon Sugar" video to touching.

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MUSIC

Let's Not Overcomplicate Harry Styles' New Album, "Fine Line"

Fine Line isn't a creative reinvention of the wheel, but it's still a lot of fun

LOS ANGELES, CA. November 01, 2022: Harry Styles at the premiere for "My Policeman" at the Regency Bruin Theatre.

Photo by: Paul Smith-FeatureflashBy Featureflash Photo Agency / Shutterstock

Harry Styles has been on everyone's mind all 2019.

Harry Styles - Adore You (Official Video)www.youtube.com

The years have not been kind to a few of the One Directioners, but Styles has all but reinvented himself. He is now cool and collected, like a 2013 Alex Turner or Matty Healy, and as stylish as a millennial Elton John, all combined with the neighborhood quirkiness of the boy next door. "It all just comes down to I'm having more fun, I guess," he recently told Rolling Stone. His personal growth in the last two years has culminated in Fine Line, a joyful and colorful psychedelic pop record that respectfully dips its toes into the pop-sensibilities of its elders, without jeopardizing the youthful swagger of its young host.

As a handsome LGBTQ+ icon, Styles embodies what everyone hopes will happen when you embrace your identity. You'll get all tatted up, develop a colorful fashion sense, and become magnanimous towards your former self. "Step into the light," he begs his listeners as he flails among gorgeous naked bodies in the "Lights Up," music video. "Know who you are."

Fine Line is not the genre-redefining outing critics anticipated, but it is, as Styles said, incredibly fun. Its inspirations are portrayed quite literally, which certain critics take issue with. "She" is an obvious ode to Prince and Pink Floyd, with its soulful crooning and crisp rock edges; and the gentle folk pining of "Canyon Moon" is reminiscent of a young Joni Mitchell. It's all palpable and easily digestible. Fine Line isn't a creative reinvention of the wheel; songs like "To Be Lonely" and "Treat People With Kindness" feel stagnant and falter when compared to the shapeshifting tracks of "Golden" or "Sunflower, Vol. 6"; but it's all part of the process. Styles is 25 and spent his childhood as a teenage heartthrob whose identity was staked in album sales and how cute he was. As many 25-year-olds before him, Styles has learned to gravitate towards authenticity and is seen on Fine Line openly examining a wide range of styles and sounds, waiting to see which shoe fits.

On "Lights Up" and "Adore You," the shoe fits perfectly, but critics were quick to point out the fumbles. "Styles is here, buried underneath the fame and the fear," wrote Pitchfork. "I hear his sweetness, his charm...but mostly I hear a guy who's still afraid he'll never make a David Bowie record." Styles is still a 25-year-old, an amateur at living life. Is he not allowed to experiment with different directions amidst his new-found independence? Or have the short attention spans of the general public–and excessive demand for quality content–perforated the very real and grueling artistic process that is required to generate said content? Styles' sophomore album is not his magnum opus, but why are we saying it has to be? Is that his problem, or ours?

TV

Harry Styles in a Tutu Isn't "Performative Femininity"

The pop star posed in full ballerina garb for "Saturday Night Live," and the internet had conflicting thoughts.

SNL

Harry Styles further solidified his status as an international treasure over the weekend, pulling double duty as both the host and musical guest on Saturday Night Live.

The former One Direction heartthrob showed off his knack for precise joke timing and his best crack at multiple accents, using his monologue to poke fun at his own boy band history. To celebrate the momentous occasion, Styles shared a few photos from set on his Instagram, in which he's sporting an embroidered, bubblegum pink leotard, tights, and a full tutu. Combined with his moppy hair, chunky rings, black nail polish, and collage of tattoos, it's an unmistakable portrayal of what makes Styles so emblematic: his ability to take aesthetic inspiration from classic rock stars and mix it with his own campy flair.

But some took issue with Styles' ballerina ensemble. After a fan account shared the photos on Twitter, another user, @posebitch, retweeted them, commenting: "This performative femininity s**t has to stop, and what's worse is how y'all eat it up." The fan account has since deleted their tweet.

To an extent, these concerns are valid. The trope of hypermasculine, presumably straight men dressing in traditionally feminine clothing for comedic purposes is growing more tired by the minute. But to those familiar with Styles, these ballerina photos shouldn't come off as performative: It feels like a genuine part of his brand as an artist, particularly considering his reputation for rocking statement jewelry, ruffles, and bold patterns and textures.

Styles has never explicitly defined his sexuality, but he's left clues in his music before that have led fans to believe he might not be straight: 2018's "Medicine" references him " messing around" with men and women, while a crowd of both are prominently featured caressing him in the music video for this year's "Lights Up." He's a recognized advocate for the LGBT+ community, going so far as to claim "we're all a little bit gay" onstage at a Los Angeles show in 2018, and even helping a fan come out as bisexual to her mother. Not to mention for the entirety of his solo career, his concert and event attire has famously erred on the side of flashy and feminine (he wore alternating pink and blue nail polish for the duration of his SNL episode). With all this context—enough to solidify Styles as a genuine supporter of queer folks and potentially a queer person himself—why would a photo of him in a tutu be considered "performative?" It's understandable that comedies like White Chicks, 2007's Hairspray, and Tyler Perry's Madea franchise might trivialize the experience of gender expression for trans women, but coming from Harry Styles, these photos feel like a (presumably cisgender) man genuinely expressing himself and not a man just putting on a dress for some cheap laughs.

It's also important to think of the flip side of this circumstance, as female stars have long been heralded for donning menswear-inspired looks. Of course, Styles' tutu is absolutely more costumey than an oversized blazer and slacks, but these women weren't chastised nearly as often for transcending fashion's gender norms. Why is it OK for women to embrace their masculine side, but when the reverse occurs like in Styles' case, it's accused of being a performance?

While cultural appropriation is unfortunately still alive and well among white artists, this instance of so-called "gender appropriation" is a non-issue. Part of what makes Styles so beloved as a public figure is that he doesn't restrict himself to the confines of traditional masculinity and manhood, and as a result, fans of all genders can hopefully feel a little more comfortable in their own individual gender expression. There are bigger things to worry about than a man in a tutu—especially if doing so helps that man feel more confident in his skin.

Jenny Lewis (Opening for Harry Styles) - Love On Tour - Atlanta, GA - 10/28/21 - State Farm Arena

If there's one thing that could be said of our modern era, it's that nothing exists in isolation.

One could even say that nothing goes in just one direction anymore—instead, things are moving in multiple directions, operating in loops, often meeting at crossroads. For a long time, at least in the music industry, things appeared to be stratified, separated by genre, linear visions, and arbitrary categories. Rock artists toured with rock artists; indie stars opened for indie stars. Patrician music lovers looked down on pop-lovers, and pop-lovers bullied indieheads. Success could be purchased with a record deal and marked by a position on a top chart. Gender was divided between a man and a woman. Feminism was disconnected from race and class.

Times are changing. Pop, like fashion, has become fluid and multidimensional. Elton John can collaborate with Young Thug. Lady Gaga can ricochet from electronica to folk and back. Harry Styles has become a bisexual icon and a truly great songwriter, capable of drawing from multiple genres to create nuanced and political pop music.

And now he's going on tour with Jenny Lewis, Koffee, and King Princess. They'll all be opening for him on different stops on his 2020 "Love on Tour" tour, which will begin in April.


A little background: Jenny Lewis is an iconic songwriter who fronted the band Rilo Kiley before creating a body of intensely powerful solo work. Koffee is a singer-songwriter, rapper, and musician from Jamaica who's generated a huge amount of buzz in a short time by putting a fresh and experimental spin on reggae. King Princess is a dream pop star who may or may not be capitalizing on queer aesthetics but still embodies an inspiringly out and proud image.

Styles' choice of openers is brilliant because it brings together so many different devoted and passionate fan-bases. Queer fans will relish the chance to dance along to King Princess, while indie traditionalists and older millennials will come for Jenny Lewis, and Gen-Z fans of cutting-edge music will show up for Koffee. All these musicians are bound together by one common thread: Their music is really, really good. And isn't that what matters in the end?

Rilo Kiley - A Better Son/Daughterwww.youtube.com


King Princess - 1950www.youtube.com


Koffee - Toast (Official Video)www.youtube.com

Unfortunately, the existing tickets sold out with stunning speed and cost an exorbitant amount of money, sadly prohibiting many of Styles' fans from enjoying the experience. (Many of them feel scammed). If Styles were to truly embrace the ethos of his commitment to breaking down all genres and boundaries, he'd make his concerts free, but alas, one can only dream... Until then, let us keep listening to our descriptively titled crossover Spotify playlists (shoutout to "Creamy" and "Pollen"), saying "okay" to Boomers who insist that there are only two genders, checking Co-Star for evidence of discernible meaning, and praying for the day when everything and everyone will truly be free.

Harry Styles - Sign of the Times (Video)www.youtube.com