Jenny Lewis (Opening for Harry Styles) - Love On Tour - Atlanta, GA - 10/28/21 - State Farm Arena

If there's one thing that could be said of our modern era, it's that nothing exists in isolation.

One could even say that nothing goes in just one direction anymore—instead, things are moving in multiple directions, operating in loops, often meeting at crossroads. For a long time, at least in the music industry, things appeared to be stratified, separated by genre, linear visions, and arbitrary categories. Rock artists toured with rock artists; indie stars opened for indie stars. Patrician music lovers looked down on pop-lovers, and pop-lovers bullied indieheads. Success could be purchased with a record deal and marked by a position on a top chart. Gender was divided between a man and a woman. Feminism was disconnected from race and class.

Times are changing. Pop, like fashion, has become fluid and multidimensional. Elton John can collaborate with Young Thug. Lady Gaga can ricochet from electronica to folk and back. Harry Styles has become a bisexual icon and a truly great songwriter, capable of drawing from multiple genres to create nuanced and political pop music.

And now he's going on tour with Jenny Lewis, Koffee, and King Princess. They'll all be opening for him on different stops on his 2020 "Love on Tour" tour, which will begin in April.


A little background: Jenny Lewis is an iconic songwriter who fronted the band Rilo Kiley before creating a body of intensely powerful solo work. Koffee is a singer-songwriter, rapper, and musician from Jamaica who's generated a huge amount of buzz in a short time by putting a fresh and experimental spin on reggae. King Princess is a dream pop star who may or may not be capitalizing on queer aesthetics but still embodies an inspiringly out and proud image.

Styles' choice of openers is brilliant because it brings together so many different devoted and passionate fan-bases. Queer fans will relish the chance to dance along to King Princess, while indie traditionalists and older millennials will come for Jenny Lewis, and Gen-Z fans of cutting-edge music will show up for Koffee. All these musicians are bound together by one common thread: Their music is really, really good. And isn't that what matters in the end?

Rilo Kiley - A Better Son/Daughterwww.youtube.com


King Princess - 1950www.youtube.com


Koffee - Toast (Official Video)www.youtube.com

Unfortunately, the existing tickets sold out with stunning speed and cost an exorbitant amount of money, sadly prohibiting many of Styles' fans from enjoying the experience. (Many of them feel scammed). If Styles were to truly embrace the ethos of his commitment to breaking down all genres and boundaries, he'd make his concerts free, but alas, one can only dream... Until then, let us keep listening to our descriptively titled crossover Spotify playlists (shoutout to "Creamy" and "Pollen"), saying "okay" to Boomers who insist that there are only two genders, checking Co-Star for evidence of discernible meaning, and praying for the day when everything and everyone will truly be free.

Harry Styles - Sign of the Times (Video)www.youtube.com

The holidays aren't for everybody.

Known in the media world as the "Christmas Creep," Christmas advertisements emerge quietly in October and are sometimes in full force by the time Halloween costumes are tucked away. The music industry is no different. "The straight answer is the physical market," RCA Records co-president John Fleckenstein told Billboard. "Christmas albums tend to be multigenerational, and thus, they skew very heavily on the physical side." If big market stores like Target and Walmart want the albums to take off in time for the Holidays, October is the month to stock up.

But thanks to streaming, the demand for Christmas music has exploded even more, breeding some shuddering renditions as a result. It began this year with John Legend and Kelly Clarkson's gauche attempt to revitalize "Baby, It's Cold Outside" for the MeToo era. "It's your body and your choice," Legend sings.

While Christmas music may be well-intentioned, the era of streaming has produced some uncomfortable and unnecessary Christmas music. Here are the strangest holiday albums to emerge so far in 2019.

Rob Halford, Celestial

"And when I look up to the sky and let my soul release," Halford croons passionately over synth and acoustic guitar. "A warm embrace comes gently down and fills this heart with peace." Who knew Christmas could rock so hard! The British "Metal God" released Celestial this October, and its gravitas is abrasive. But maybe that's the point? Maybe some people just wanna break sh*t on Christmas instead of sipping sissy eggnog.

MUSIC

A Brand-New Song, and All the Snippets Lana Del Rey Has Released from "Norman F**king Rockwell"

Fans are calling this the "messiest" Lana era ever. But it also could be the best, judging by the quality of the music. Here's everything we know.

Photo by M. on Unsplash

In January 2019, Lana Del Rey told the world that her sixth album, Norman F**king Rockwell, was complete.

Since then, she's teased dozens of songs and visual clips—but the album's release date remains elusive, infuriating legions of devoted fans.

It's unclear whether the album is still undergoing a prolonged period of revision, if she's decided to scrap the whole thing, or if it's all beyond her control, though it's always hard to know with Del Rey, who has never been one to follow rules. Still, she's certainly given fans a fair amount of teasers to hold them over in the interim. Here's a timeline of every quote, whispered clip, and blurry visual we have so far.

In January 2018, in an interview withPitchfork, Lana mentioned that one of her newest songs was called "Bartender," and described it as "super weird."

Then on February 25, Del Rey uploaded a video that featured her hanging out with Jack Antonoff, prompting later-confirmed suspicion that they were working together on a new project.

On February 28, Del Rey visited the Ryan Seacrest Foundation, where she began writing a song called "Starry Eyed" on ukulele, which she promised to finish and dedicate to the foundation; it's also unclear whether this song will be on the album.

Live in Seacrest Studios with Lana Del Reywww.youtube.com

On March 5, 2018, Del Rey first teased the lyrics of a song called "Happiness is a Butterfly," a lullaby-like sigh of a track that has continued to reappear throughout Norman Fucking Rockwell's forked pathway to release. On March 30, she released a snippet of the song on Instagram, which she later removed and then un-archived.

On June 12, MTV released a list of upcoming albums, which featured an obviously false March 29 release date for Norman Fucking Rockwell.

A few months later, Del Rey teased and then premiered the psychedelic, Leonard-Cohen-quoting "Mariner's Apartment Complex," which was released on September 12.


Lana Del Rey - Mariners Apartment Complexwww.youtube.com

Then on September 18, she released the equally trippy, luxurious "Venice Bitch" on an interview with Zane Lowe for Beats 1. [links] Regarding the song's length, Del Rey said, "I played it for my managers and I was like, 'Yeah, I think this is the single I want to put out.' And they were like, 'It's 10 minutes long. Are you kidding me? It's called 'Venice Bitch.' Like, Why do you do this to us? Can you make a three-minute normal pop song?' I was like, 'Well, end of summer, some people just wanna drive around for 10 minutes [and] get lost in some electric guitar.'"

Lana Del Rey - Venice Bitchwww.youtube.com

In the same Zane Lowe interview, Del Rey also said, "Working with Jack [Antonoff], I was in a little bit of a lighter mood because he was so funny. So the title track is called 'Norman Fucking Rockwell' and it's kind of about this guy who is such a genius artist but he thinks he's the shit and he knows it and he, like, won't shut up talking about it… I just like the title track so much that I was like, 'OK, I definitely want the record to also be called that."

Several music sites later reported that these singles were "fan singles" and would not be on the actual album, though Del Rey has not confirmed this speculation.

Then on October 4, Del Rey posted an extended video of "How to Disappear," which she later deleted and subsequently unarchived.

On October 12, Del Rey posted a clip of her singing a song called "Cinnamon" on Instagram, which she later deleted and then reposted as well.

In response, a fan Instagram account posted a 2017 quote from an interview withPitchforkwhere Lana stated, "I had some people in my life that made me a worse person. I was not sure if I could step out of that box of familiarity, which was having a lot of people around me who had a lot of problems and feeling like that was home base. Because it's all I know. I spent my whole life reasoning with crazy people. I felt like everyone deserved a chance, but they don't. Sometimes you just have to step away without saying anything."

Del Rey commented on the post, "the quote [from Pitchfork] is a perfect quote to go along with cinnamon [sic]. Some people don't deserve a chance."

On October 30, Del Rey performed "How to Disappear" and "Venice Bitch" at an Apple special event in Brooklyn, a show that was widely praised by fans including CEO Tim Cook.

Lana Del Rey - How to Disappear and Venice Bitch Live at Apple Event 2018www.youtube.com

She also released the full audio for "How to Disappear."

On December 5, she officially announced the album's title at Jack Antonoff's concert for the Ally Foundation and performed two country songs which she announced would not be on the new album.

Lana Del Rey - Hey Blue Baby [Live at Ally Coalition Talent Show]www.youtube.com


Lana Del Rey and Jack Antonoff - Ally Coalition Talent Show “I Must Be Stupid For Feeling So Happy"www.youtube.com

On January 1, 2019, Del Rey posted a video of her singing along to a song called "In Your Car," featuring the lyrics "In your car / I'm a star / and I'm burning through you."

The next day, she posted the audio for her song "Hope is a dangerous thing for a woman like me to have — but I have it."

Lana Del Rey - hope is a dangerous thing for a woman like me to have - but i have itwww.youtube.com

Producer Jack Antonoff tweeted his support, advising fans to "listen at night alone."

Then on January 11, 2019, she released an extended clip of a video for "Happiness is a Butterfly," which used the same visuals she had previously released alongside teasers for "Mariner's Apartment Complex" and "Venice Bitch." The video, relatively dreary and mellow compared to Del Rey's earlier work, featured Ashley Rodriguez and Alexandria Kaye and was directed by Lana Del Rey's sister Chuck Grant.

On March 23, 2019, Del Rey performed "Mariner's Apartment Complex" live for the first time in New Orleans, taking to an onstage swing and thanking the audience for "indulging [her] little folk sensibility" in the process.

Lana Del Rey @ Buku 2019 (Mariners Apartment Complex, Video Games, High by the Beach)www.youtube.com

Most recently, on April 3, 2019, Del Rey posted a snippet of a song that fans have named "You Don't Ever Have To." Some fans speculated that it's a part of "In Your Car," but this remains unknown.

In the midst of it all, she also released a Gucci ad with Jared Leto and has been teasing a book of her poetry, periodically releasing haikus and typewritten pages and even putting out a call for indie bookstores who might want to sell it. When asked about the price, Del Rey said that the book will cost $1, because "my words are priceless."

It's anyone's guess as to when Norman F**king Rockwell will drop, but Del Rey has always been adept at draping all of her work in auras of mystery. She's a master of contrasts, always throwing critics for a loop by combining kitsch and rawness, strength and vulnerability, apathy and passion. She's also always been great at making us wonder about the extent to which her appearance and art have been meticulously manufactured.

Maybe she's leaving a paper trail of sorts that resembles her own fractured consciousness. Maybe she's painting our schizophrenic reality, one defined by upheaval and exponential technological innovation. Or maybe she's just a free spirit whose artistic vision "gets messy" when it comes in contact with reality, as a friend once said.

Regardless, judging by the quality of the fragments that we do have, when the album finally does appear, it'll have been worth the wait.


Eden Arielle Gordon is a writer and musician from New York City. Find her on Twitter @edenarielmusic.


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MUSIC

#WomanCrushWednesday | Natalia Safran

From Family to Music to Acting and Beyond

"This business is super tough on everybody, really really tough, and requires crazy hard work and single-minded focus."

Women are killing it in the music industry, and song lovers couldn't be happier! In our column, #WomenCrushWednesday, each week, we'll feature an awesome lady whose tunes are blowing up our playlists and ask them about their musical journey.

This week we feature Natalia Safran of The Forevers, who shares about breaking through the industry as an independent artist, developing her interest in acting, plus what it is like to work with her brother in the band. Read on to discover more!

How did you become interested in music?

It's not such an easy question to answer because music has been a part of my life since I can only remember. It has always been my obsession and driving force. I vividly remember being a little kid in Poland where I grew up, obsessing over a vinyl of the Polish band Vox and Krzysztof Krawczyk, which I'd ask my dad to spin over and over again for hours on end. I remember teaching myself to dance to Johnny Hates Jazz, getting lost in the Doors and Pink Floyd, and falling madly for Bruce Springsteen at the age of about 12. That love has never died by the way ☺

I would pass my latest music fascinations on to my little brother Mick, who in return would hype me up to the discoveries on his new expanding musical journey. I have him to thank for my intro to Soundgarden, Alice in Chains, Pearl Jam, Faith No More, Tool, Deftones, or Stone Temple Pilots. My parents are both connected to art and are independent spirits themselves, so they would take us to events and concerts from the earliest age and let us go to hard rock gigs as teenagers. I remember seeing Marek Piekarczyk of the iconic Polish rock band TSA, Acid Drinkers, UFO, or Leonard Cohen play our hometown of Poznan and getting our minds blown by the power of their performances.

But it's thanks to Mick (Jaroszyk, my brother) that I make music for a living. He became a musician and began writing his own songs before talking me into doing it as a duo. We gave it a try, sat down to write a tune together and it was so natural, there was no going back. He also talked me into opening our profile on a crowdfunding site Sellaband, which turned out to be an incredible adventure. We rose to the top of over ten thousand artists there in record time raising $50k to make our first album High Noon and we were off to the races.

What is it like working with your brother in your band, The Forevers?

It's absolutely fantastic. Not only have we known each other a long time and dig each other's parents, we share the same music fascinations, general life philosophy, and work ethic. That can be its own downfall when both of you are workaholics and end up with recording sessions that oftentimes go a solid 24 hours, but neither of us is good at calling it quits for the day. We're both night owls so no matter how early in the day we start, the good stuff starts happening towards late night and we carry on till morning. At which point we often end up in hysterics laughing uncontrollably over some silly thing, all likely caused by not having enough sense to go to bed before 7 AM. Mick is super smart, funny and pushes me to do my best. And you know, even on those super rare occasions when we might get on each other's nerves, he ain't heavy, he's my brother. It's pretty priceless to have unconditional support in each other.

You're also an actress. How did you get involved with that?

I am a huge fan of the theater and have done theater acting since my teens. But I've also always been a sucker for movies. A serious obsessive fan. I guess I can't do anything halfway. I think I learned the world by watching them. Growing up as a teenager in Poland we had these film clubs and got to watch all the classics of the world cinema from Italian Realism and the French New Wave to Hollywood oldies, Westerns, and everything else in between. I learned English from Gary Cooper and Humphrey Bogart and dreamt of going off to Hollywood and working in film. I think it gave me the drive to make it from Poland to the U.S. all by myself at the age of 20 without any friends or connections in America. I just knew I would feel at home in California. Living in the city, where all my idols lived and worked is a thrill I never get used to. Our house belonged to Vivian Leigh...I mean!

I get involved only in those film projects I truly love and believe in, especially if they involve my favorite artists. Music is my ultimate calling and I feel that I can exert most influence and control over a music track rather than a work of film, but I really love creating in film too.

Many of your songs have been featured in films. What is that experience like for you?

It's incredibly exciting! It's a dream for me, two of my beloved things, picture and music, our music, coming together. A good soundtrack is an integral part of a movie and can be key in helping it hit all the emotional marks. To have our music be chosen for a soundtrack is as rewarding as it is validating. It's just super nice to have somebody really good in their field, like a director or music supervisor, love what you do and want to use it in their project. Sometimes we are asked to lend our existing songs (like our most recent synch of "All I Feel" Dance Remix in Flatliners) and sometimes we are hired to write a song for a specific picture or scene – like "Daylight" for Nicholas Sparks's The Choice. That is my favorite job, because it focuses your creative process and helps narrow down the particulars, a luxury you don't have when creating in abstract, because when you write for yourself you have an unlimited freedom and the world of endless possibilities before you. That is as fantastic as well...endless and therefore sometimes daunting ☺

What has been your experience as a woman in the music industry?

I have always been quite sure of what I wanted both in business and creatively and I do not put up with any nonsense. I've been called tough a lot and there have been a few situations where people tried to take advantage or not take me seriously. But I hate being told I can't do something and I don't shy away from a challenge, so I don't have too many harrowing tales to tell. Most of them happened early on when I was not as certain of my worth and place in the world. To be honest I am not sure how much my career has been conditioned by my being a woman. I can better speak to my experience as an independent artist and that path is as tedious as it is rewarding. This business is super tough on everybody, really really tough and requires crazy hard work and single minded focus.

Luckily I've had my brother with me on this journey and he has been my constant ally and work companion. So all the bad stuff that happens is only half a setback and all the triumphs are twice as satisfying. Early on we decided we would not align with a major label. We had them all after us when we rose to the top of the Sellaband ladder and made our fully fan-funded album High Noon. But we already had our own style, music, independence, and all the new ways of promoting and connecting with fans. There was no way we were going to give that up, who would?! So we write, arrange, record, perform, produce, and publish all of our songs, we have all the control but also all the responsibility. I'll say it again – it's a giant load of work, but it's what we love to do, so we don't mind and I feel like bypassing the label route has saved us a lot of grueling experiences and the usual show business frustrations people go through.

How do you balance your work and having a family?

That can get really tricky, especially since I tend to lose myself in work without realizing it. I firmly believe that family and friends come above all else, but in my case it's more family balancing me than me balancing the two worlds. My husband is a rockstar of husbands – forever supportive no matter how crazy my ideas are and with a wicked sense of humor. He is definitely my stabilizer and knows how to tell me when I've been working too much and how to crack me up. Our daughter Lou Lou totally rules our world. Thanks to her I've realized most stuff isn't worth the stress and she's taught me how to better live in the moment. I try to spend as much time with friends and family as I can and that keeps me sane. I've slowly learned that when I work too much I become less productive and less happy and nothing refuels me better than a little time with the ones I love.

Can you tell us anything about your role in the upcoming Aquaman film?

I play the queen of the Fisherman Kingdom, one of the seven underwater Atlantian empires. It is a very evolved kingdom, stunning visually and famous for its culture and arts, so a good match for a singer ☺

Playing Fisherman Queen was the most amazing experience. It took over five hours for a whole team of professionals to get me in all my custom prosthetics and make up each day, and half as long to get out of it. In between I got to work with director James Wan who is a true visionary and a perfectionist. I never tire of watching him in action. King of the Fisherman is Djimon Hounsou and being surrounded all day by actors like Willem Defoe, Patrick Wilson, Jason Momoa, Dolph Lundgren was just a dream. This movie is like nothing we have seen before. An epic adventure in the ultimate underwater fantasy. It will take your breath away.

Manimal PR

What about your most recent singles with The Forevers? Any plans for a full-length release in the future?

The Forevers is Mick and my new music venture and the most personal project. We sort of started to develop in a few different directions musically like our songs for movie soundtracks, acoustic tracks and electronica, which started as a collab with the iconic DJ Sandy Rivera and became a serious part of our material with a whole album of remixes last year (High Noon Remixes). The first single of that, "All I Feel" Dance Mix went all the way up to the top of Billboard's Top 20 Club Chart and we had unwittingly expanded into a new genre. We felt the need to separate these paths or distinguish them and get back to our original root sound under The Forevers. The first single is called "Frederique" and to me is like the perfect cool cocktail on a hot Summer night (in the South of France, cause some of it is in French ☺ ). One music critic just wrote that "Frederique" brought to mind the French New Wave for him, so I think it worked.

We are also releasing the "Frederique" music video which is an homage to the vintage vibes of the '70s Venice Beach. Check it out and see us zipping around the most iconic Venice spots and characters. It was such fun to film!

We have a bunch of new songs all ready for release under The Forevers in the nearest future.

What is coming up next for you?

We are almost done producing the next album of remixes of our songs, which will be out before the end of the year. I have a very special film project in development about a legendary American female folk blues singer that I cannot wait to bring it to screen. I just wish there were more hours in the day.

Follow The Forevers on Facebook | Instagram

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MUSIC

#WomanCrushWednesday | Nova Miller

A Swedish Singer, Actress, and Remarkable True Talent

novamillermusic.com

"I'm super-super lucky be surrounded by strong intelligent women (on) my team that take me seriously and care about me. We have to stand together and us girls have to support each other in order to make a change in the industry."

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MUSIC

#WomanCrushWednesday | BAUM

Conquering Uncensored Confessional Music From Coast to Coast

FANCY PR

"Sometimes it's also hard to know if people are treating you a certain way because of your age or the fact that you're starting out rather than the fact that you're a woman."

Women are killing it in the music industry, and song lovers couldn't be happier! In our column, #WomenCrushWednesday, each week, we'll feature an awesome lady whose tunes are blowing up our playlists and ask them about their musical journey.

BAUM has made a splashy debut at a time when strong women singer-songwriters are absolutely vital. Her coming-of-age is chartered across the deeply personal songs, tackling issues from cat-calling to identifying as a queer musician. She tells us about her experience in the industry, her favorite song from the EP, and much more!

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