Women need to support women, but we have to keep our eyes on the prize.
In 2019, E. Jean Carroll published an op-ed in New York Magazine accusing Donald Trump of raping her in a dressing room in New York.
This week, Carroll said that ELLE Magazine—where she worked as an advice columnist for over 30 years—fired her because of the insults she had received from Donald Trump.
"Because Trump ridiculed my reputation, laughed at my looks, & dragged me through the mud, after 26 years, ELLE fired me," she Tweeted. "I don't blame Elle. It was the great honor of my life writing 'Ask E. Jean.'"
Carroll is currently embroiled in a lawsuit against Trump. In the 2019 op-ed, she said that Trump assaulted her in a Bergdorf Goodman dressing room. The essay was an excerpt from her book, What Do We Need Men For?
Trump denied the allegations, stating, "She's not my type."
Carroll sued the president for defamation after he accused her of lying last year. Since then, the trial has stalled as Trump's lawyers have insisted that before it can proceed, New York's Court of Appeals must decide if a sitting president can be sued. Carroll's lawyer is attempting to counter the delay, which could extend the case past the presidential election in November.
If Trump's lawyers fail to win their client further exemptions due to his position as president, Trump may be forced to submit a DNA sample. Samples from the black dress which Carroll was wearing during the alleged assault have been linked to an unidentified male.
"Our client filed this lawsuit to prove that Donald Trump lied about sexually assaulting her and to restore her credibility and reputation. From the very beginning, Trump has tried every tactic lawyers can think of to halt this case in its tracks and keep the truth from coming out," said Carroll's lawyer, Roberta Kaplan. "His latest effort—a motion to stay our client's case until the New York Court of Appeals decides the Summer Zervos case likely after November 2020—is yet another obvious delay tactic that is not grounded in the law and, like his previous attempts to stall this case, will be rejected by the court."
Regardless of the truth about any of this, what's happening is clear. E. Jean Carroll accused a man of rape, and she lost her job, at a women's magazine, no less, while he not only kept his position—he also maintained credibility with over half of the country, and he may well be re-elected. This indicates a much deeper problem with the way that the nation views rape, assault, and women's voices, even in this supposedly post-#MeToo time period.
While much has been written about the damaging effects that sexual abuse allegations can have on men, it turns out that an abuse allegation often fails to significantly damage men's careers, while it can destroy women's lives. What can be done about this? Women need to support other women, yes—but we have to keep our eyes on the prize: electing a non-blatant misogynist in November.
ELLE Magazine has not yet commented on the events.
- ELLE.com Advice Column - Ask E. Jean for Love, Relationship ... ›
- E. Jean Carroll says she was fired from Elle after Trump rape ... ›
- There's a Lot More to E. Jean Carroll's Book than Trump | The New ... ›
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- E. Jean Carroll (@ejeancarroll) | Twitter ›
- E. Jean Carroll - Wikipedia ›
- An Excerpt From E. Jean Carroll's 'What Do We Need Men For?' ›
The Cocteau Twins' 1990 masterpiece is still the blueprint for dream pop.
For a band whose lyrics were famously difficult to make out most of the time, the Cocteau Twins left an indelible impact on the world of pop music.
The Scottish trio emerged in the 1980s as some of the most notable pioneers of dream pop, a subgenre of alternative rock defined by airy, sublime sonic textures. But it was their sixth album, Heaven or Las Vegas—which turns 30 today—that truly withstood the test of time, affirming the Cocteau Twins' status as perhaps the most important dream pop act of all time.
Now that Banksy's "Flower Thrower" trademark has been revoked, anyone can profit off his work.
This week anonymous street artist Banksy officially lost the European trademark to his "Flower Thrower" mural.
The guerrilla graffiti artist had engaged in a prolonged legal battle with the small greeting card company Full Colour Black—which was selling products featuring the image of a Palestinian man throwing a bouquet of flowers. But now a panel at the European Union Intellectual Property Office has announced their decision to revoke the artist's trademark on the grounds that he could not definitively prove himself to be the mural's creator.