As is the case every year, the BET awards brought with it a night full of glamor and amazing moments.

Sure, Jack Harlow's multiple noms last night was perplexing and maybe a bit problematic; but for the most part, the night consisted of jaw-dropping performances that put on for the culture in a big way. Megan Thee Stallion gave a magnetic performance of her new single, "Thot Shit," as well as a heartwarming shout out to her late mother. Jazmine Sullivan duetted alongside Maxine Waters and Ari Lennox before taking home the award for Best Album, and some of rap's biggest icons took the stage to pay homage to the late DMX — and then, of course, there was Lil Nas X. Here are a few of the great moments that made up last night's awards.

Tyler, The Creator Performs "Lumberjack"

Tyler, the Creator's theatrical production of "Lumberjack" from his latest album, Call Me If You Get Lost, was one of the night's most unique performances. Pulling up in the back of a Rolls Royce, Tyler faced a vicious windstorm on stage as he rapped. He attempts to check his mail and grips onto the mailbox for dear life as the wind picks up and blows away his valet and the foundation of his house. It was a dramatic two minutes, to say the least.

Cardi B Pregnancy Announcement

One of the biggest moments of the night came with some shocking news, as Cardi B unveiled to the world that she was pregnant with her second child. During the Migos performance of "Straightenin'" and "Type Shit," the audience went wild when Cardi B gracefully swaggered onstage. She didn't even acknowledge the moment; instead she just rapped away and conquered her verse, allowing her massive baby bump to speak for itself. Not to mention she did all this blinged out in a Dolce & Gabbana onesie.

Lil Nas X's Steamy Make Out Session

Who else would be better to close out Pride Month with a bang? 2021 has seen Lil Nas X push the envelope as far as possible, as he continues to piss off conservatives everywhere with his unabashed homoeroticism. On Sunday night's performance on the BET Awards stage, Lil Nas X did not hold back, per usual, concluding his Egyptian-themed rendition of "Montero" with a steamy kiss with one of his male backup dancers. It was a hot and playful moment that shook the audience to its core and warranted standing ovations from Pose's MJ Rodriguez and others. He even got some incredible support on Twitter. "Lil Nas X did that," wrote Diddy. "Be Fearless!"

Another "Leave The Door Open" Performance

We've all heard it a million times at this point, but once again Bruno Mars and Anderson .Paak gave another amazing performance of the Silk Sonic hit "Leave the Door Open." As the song concluded, Paak asked a hyped audience if they wanted to hear a new song, but he quickly admitted he was joking. "We still in the Top 10, and until that change, we gonna do this again and again and again," he added. The pair would later take home the Best Group award, despite having only one song to their name.

Queen Latifah Getting The Lifetime Achievement Award

Queen Latifah was overcome with emotion on Sunday night as she was presented with BET's Lifetime Achievement Award. Introduced by MC Lyte, who referred to Latifah as "my sister in hip-hop but even more importantly, my sister in life," and added that Latifah is "a woman who has been creating magic for decades – an undeniable, unstoppable force of nature." From her moments on film to her iconic rap and producing career, Lyte called Latifah a creative "Swiss Army Knife." More shout-outs followed from Megan Thee Stallion, Jada Pinkett Smith, Mary J. Blige, Lil' Kim, and others before Latifah took the stage alongside her father.

"I am so extremely moved... I don't even know what to say," she said, choking up. She shouted out her late mother who passed in 2018, and showed the audience a picture of her, and she most importantly thanked her fans for supporting "every crazy-ass thing I've done over the years."

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Cardi B's "Press" Video Implies That Her Felony Charges Were a Publicity Stunt

Was Cardi B's 2018 assault a meticulously preplanned publicity stunt?

Cardi B

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On Friday, June 21, Cardi B entered a courtroom.

She wore a black pantsuit with pink lapels and high heels; her gleaming hair fell around her face in straight lines. She proceeded to plead not guilty to felony charges that stemmed from a 2018 fight in a strip club in Queens.

Five days later, she dropped the video for her song "Press," which also finds her in a courtroom. Dressed in a white suit with an extravagant neck ruff, she delivers the kind of searing verses that made her famous while a white man screams at her—until he starts bleeding from the neck. Carnage ensues.

Cardi B - Press [Official Music Video]www.youtube.com

Though the line between Cardi B's life and her art has always been blurred, the "Press" video erases that division entirely. The fact that the video so clearly parallels real events—along with the fact that Cardi refused to plead guilty to a misdemeanor charge that would've almost certainly gotten her no jail time—raises the question: Was Cardi B's decision to refuse to plead guilty just a publicity stunt?

After all, even the fact that news of Cardi B's felony charge and court date broke in the same week as this video's release hints at some sort of premeditation. Even more suspicious: The assault in question was apparently preplanned as well. According to her felony indictment, "The defendant used social media accounts to communicate and coordinate the date, time, location, and target of a planned assault. Tawana Jackson-Motel and Belcalis Almanzar discussed payment of money in exchange for the commission for a planned assault. Jeffrey Bush prepared to video record the assault." In light of this, if convicted, Cardi faces up to 4 years in prison. It seems like all this might be a kind of experimental art piece, or maybe one of the more complicated and risky marketing campaigns in recent memory.

Cardi B Surrenders to Police in Strip Club Fightwww.youtube.com

All this makes for a lot of media coverage, which is exactly what the ever-antagonistic Cardi B shouts that she doesn't need in "Press." The video finds its star completely in charge, declaring that she doesn't need any press or anyone at all to back her up as she ascends to the top.

Regardless of its messages, the video is a powerful visual counterpart to an already fantastic song. It's clearly designed to raise eyebrows: Beginning with a woman-on-woman kiss, featuring literally the maximum amount of nudity as YouTube's censors will allow, punctuated by gunshots, and bloodstained from beginning to end, it's a slideshow of Hollywood's most eye-catching pleasures but with a twist. For once, it's a woman pulling the trigger.

Like much of Cardi B's career, her new video and the possible publicity stunt surrounding its release are simultaneously empowering and destructive, magnetic and also undeniably messy. "Press" is full of mixed messages. She kills the white lawyers and jury who spew silent words of rage at her, which could be a pointed jab at the racial bias that leads to the mass incarceration of people of color; but later in the video, she seems to kill all the female dancers around her, backtracking on any themes of solidarity. In the end, there's only one clear point: This is all about the cult of Cardi B.

In some ways, Cardi acts as a kind of Lilith figure in the video—Lilith being the most notorious demon in Judaism. As the story goes, Lilith was Adam's first wife in the garden of Eden, but after refusing to submit to her husband's sexual requests, she wound up fleeing and embarking on a murderous rampage. In modern times, Lilith has been reclaimed as a feminist icon, an embodiment of the aggressive sexuality, freedom, and unassailable dominance that women are rarely given the tools to manifest, but which comprise the legacies of most of history's so-called "great men."

Like Lilith, Cardi B abdicates her role within the system and fights fire with fire in "Press." In that spirit, her possibly preplanned arrest may be a f**k-you to the criminal justice system, to white male-led hegemonies, and to the media at large. But it's not an ode to politically correct liberals, either, not exactly a feminist anthem. Ultimately, it's a battle cry, a declaration of independence at a distorted and violent moment in American history The point is clear: Cardi B isn't going to stop wreaking havoc, and we're not going to stop watching.