Warner Bros.

The Oscars are bullsh*t, and it's hard to understand why anybody watches them anymore.

I say this as someone who absolutely adores movies. Heck, I majored in film and I write about entertainment every single day. But for the life of me, I just don't get why anybody who isn't a Hollywood celebrity would care about such a masturbatory award show.

Theoretically, an Academy Award should be the highest honor in film––an award given to the year's absolute best movie, as chosen by the people who best understand the medium. In practice though, the Academy is overwhelmingly white (84%) and male (69%), chock full of racist opinions, and heavily influenced by whichever movie's marketing team runs the most expensive Oscar campaign.

Want to hear a Hollywood secret? A large chunk of voters don't even watch every movie, especially for less high-profile categories like "Best Short Film (Live Action)." The truth is that, like many other things in America, the Oscars boil down to who has the most money and the most power.

Green Book winning "Best Picture" last year––the same year that Boots Riley's incredible Sorry to Bother You wasn't even nominated––should have absolutely crushed whatever faith anyone still held in the Academy's taste. Then again, Sorry to Bother You was a confrontational fable about racism and classism written from a black POV, and Green Book was a white guy's reassurance to other white guys that "I have a black friend" is a valid defense. It's no wonder the Academy loved it.

Thankfully, in 2020, some media outlets have finally had enough.

In a statement released by Bitch Media titled "#ByeOscars," the Bitch Media team explained why they are officially boycotting the Oscars. "Once again, the Academy Awards is white as ever, even as the ceremony is touted as the pinnacle of a production or an actor's success...Having a single year (or two) where the nomination pool is more diverse doesn't account for a long history of nominating white, straight people at the expense of people from oppressed communities, so why should we cover a ceremony that shuts out the communities we serve over and over again?"

The Mary Sue followed suit with a post titled "We're Joining Bitch Media in Boycotting the 2020 Oscars." Rallying behind #ByeOscars, The Mary Sue stated, "While we'll discuss any emerging issues surrounding the awards and are ardent in our support of Parasite and JojoRabbit, the Academy's failure to nominate more than one person of color (Cynthia Erivo for Harriet) in its sprawling acting categories, or any women for its top directing award, shows how out-of-touch the Oscars remain."

Plenty of other female media professionals agree.

Well, for what it's worth, this white male Internet writer agrees, too. To be clear, Parasite absolutely deserves "Best Picture" this year, by a longshot. I doubt that the Academy's voting body will allow an international film made by a non-white director to win the top award in their "Western Media Supremacy" circlej*rk, but I'd like to be wrong. Bong Joon-ho deserves all the accolades he can get. But even if I am wrong, even if Parasite really is the first ever international film to win "Best Picture," the larger point stands.

In many ways, boycotting the Oscars is an act of solidarity with underrepresented people who the Academy continues to ignore. By refusing to watch, acknowledge, or report on the winners, we can show the Academy that if they insist on upholding a majority-white hegemony, then they risk losing whatever influence we give them in the larger social sphere. Everything in Hollywood runs on money, and a large chunk of that money is based on perceived clout. If we take that clout away by refusing to engage, viewership numbers decrease, and profits do too.

The Academy Awards are no longer relevant, and despite the fact that movies are one of my biggest passions in life, I won't be tuning in.

#ByeOscars

Julia Roberts Was Once Considered To Play Harriet Tubman In A Film

Gregory Allen Howard's Harriet Tubman biopic opened at the end of October after nearly 25 years of discussion and work.

Recently, Howard dusted off a memorable quote from the 1990s, when the movie was first in talks. Apparently, a studio executive suggested Julia Roberts, a white woman, play Tubman, the legendary black abolitionist.

HARRIET | Official Trailer | Now Playingwww.youtube.com

"I was told how one studio head said in a meeting, 'This script is fantastic. Let's get Julia Roberts to play Harriet Tubman,'" Howard said in an interview with Focus Features, republished in the LA Times on Tuesday. "When someone pointed out that Roberts couldn't be Harriet, the executive responded, 'It was so long ago. No one is going to know the difference.'"

"The climate in Hollywood … was very different," Allen added, crediting two recent box office smash hits with creating space for change. "Two films really changed the climate in Hollywood to allow Harriet to be made," he said. "When 12 Years a Slave became a hit and did a couple hundred million dollars worldwide, I told my agent, 'You can't say this kind of story won't make money now.' Then Black Panther really blew the doors open."

Representation in Hollywood has long been a contentious topic, and despite performative diversity and major successes for actors and directors of color, recent studies have shown that the state of the film industry is still abysmal. In 2018, the Observer reported, "Not only do Hollywood films still disproportionately showcase white, cisgender, heterosexual men, executives and authority figures on every tier of the industry haven't even deigned to experiment with telling stories from different perspectives to any tangible degree."

Naturally, the Internet had a lot to say. Most lamented the utter horror of seeing Julia Roberts and Harriet Tubman in the same headline, but the story really only highlights what we already knew: Hollywood, like the nation at large, has a racism and whitewashing problem, and always has.