This is the lord's day. There is no body shaming on the lord's day.
First, God created the heavens and the earth; second, he made the sea and the animals; and then, he created people.
God quickly realized he'd made a mistake with the "people" recipe, so he tried again, a few billion years later, and thus was born the gift that is Lizzo. If there is anything that proves the presence of a loving and sentient god, surely it's Lizzo in all her flute-playing, note-hitting, body-positive glory. But, apparently, some would disagree.
On Sunday, Rapper and businessman Diddy hosted the "world's biggest dance-a-thon" on his Instagram account in an effort to raise money to benefit healthcare workers in underserved areas. Many big names and excellent dancers joined in, including Jennifer Lopez, Alex Rodriguez, and, of course, Lizzo.
As is her trademark, Lizzo started to twerk while Diddy's sons danced on his Instagram live stream. Diddy quickly shut it down, shouting, "Whoa, whoa, whoa!" jumping into the frame and stopping the music. "It's Easter Sunday, let's play something a little more family friendly." Lizzo appeared to be, understandably, embarrassed and said, "Sorry, sorry, sorry! Let's do something fun. Well, don't play that kind of... play something I can bop to."
If Diddy had found Lizzo's dance moves too suggestive for his sons, that would be one thing. But he soon proved that the twerking wasn't the problem when model Draya Michele danced similarly on the dance-a-thon just a few hours later.
"You killed that!" Diddy told Draya. "I think that was one of the top performances."
Twitter users, rightfully, had issues with Diddy's hypocrisy.
It's obvious that Diddy shutting down Lizzo's dancing had nothing to do with it being "the Lord's day" and everything to do with fat phobia. Online backlash was so severe that he later tried to excuse himself by claiming that he stopped Lizzo because of the song she chose: "When I stopped the music, it was 'cause it had a lot of curses in there," he posted on Instagram. "Not 'cause she was twerking. She's one of the best twerkers in the world, okay? So, let's keep that clear. You are allowed to twerk on Easter. There was a lot of cursing in the record and I don't need child services knocking on my door right now." Cursing on Instagram has never brought child services to anyone's door, but okay, Diddy.
It's sad that some people still can't see the divine miracle that is the female form in all its many variations—especially the holy gift of Lizzo's butt. Of course, so close to Easter, all we can do is pray for Diddy's hypocritical, fat phobic soul and twerk our hearts out, no matter what size we are.
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Canadian artist Lailien, aka Brad Shubat, releases "Fly With You," a track from his forthcoming LP, TA-DA!
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The new single from Nandi Rose deals with guilt from an ending friendship.
It's been argued time and time again that friendship breakups can sting worse than romantic ones.
Even if neither party is to blame, a fizzled companionship can lend itself to mournful guilt. It's these feelings of remorse that drive "In August," the latest single from Half Waif's Nandi Rose. According to the singer/songwriter, the pensive song "tracks the dissolution of a friendship over the course of a year, throughout every season." As she explains in a statement, "There's a particular kind of sadness to a friendship ending when there's no one to blame, just as there's something mournful about the inevitable change of weather. Sometimes it's not a big fight but a gradual growing apart that marks the end—how do we make sense of our role in that? This song is an attempt to recognize and accept mutual culpability in an effort to move on."
"In August" begins with a funereal piano introduction that soon gives way to Half Waif's unique brand of layered, shadowy synth-pop. Looming and somber, the track finds Rose contemplative on both sides of the friendship's end. "I wonder how you've been / Oh, I have lost your friendship / What does that say about me?" she sings. Later: "You've broken your promise / What does that say about you?"
"In August" is neither self-destructive or accusatory, instead weighing the mutual faults between herself and her subject. "If I can own / Up to what I've done / Then I'll get it together / Will you follow?" go the song's final lines, as the instrumentals fade out as seamlessly as a missed connection.
Half Waif - "In August" (Lyric Video) www.youtube.com
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