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The "Bleach" Anime Is Back, But Why Was It Ever Canceled?

The Bleach anime is finally returning with the Thousand-Year Blood War arc.

Official Trailer #1 | BLEACH: Thousand-Year Blood War | VIZ

Few anime series have had as depressing a trajectory as Bleach.

If you were an anime fan in the early-mid 2000s, three shonen series dominated the medium: One Piece, Naruto, and Bleach. In time, these series became known as "The Big Three"—a term encompassing everything from the massive length of their long-running stories to the size of their fanbases to their obvious influence on the culture surrounding anime.

One Piece, which is still running strong today, has gone on to become the top-selling manga series of all time, and also the third best-selling comic series overall (currently edging up on Batman's number two position's number two position). Naruto remained a flagship title through the end of its anime run in 2017, and then immediately spawned Boruto, a spin-off series following Naruto's son. Bleach, by contrast, just kind of fizzled out, with the anime getting canceled in 2012 right before the final arc.

Bleach's cancellation was a blow from which its most loyal fans never truly recovered. But now, eight years later, the seemingly impossible is happening. Bleach's final arc, "Thousand-Year Blood War," is getting an official adaptation. Moreover, so is Burn the Witch, a Bleach spin-off manga by series creator Tite Kubo. 2020 is quickly shaping up to be the year of Bleach's revival, but this begs the question: Why was the Bleach anime canceled in the first place?

To answer that, it's important to understand how publication works in Weekly Shonen Jump, the Japanese manga magazine where all of these titles are serialized.

Unlike American comic series, which typically debut as single chapter comic books before being compiled into multi-chapter graphic novels, manga chapters usually debut in magazines. Of these manga magazines, Weekly Shonen Jump is the longest-running (since 1968), best-selling, and most prestigious. Success in Weekly Shonen Jump means taking a seat alongside global phenomena like Dragon Ball.

Perhaps the main reason that Weekly Shonen Jump has been so successful is its reliance on weekly "reader surveys" to determine which series people are most enjoying. As such, it's not just hyper-competitive for manga artists to get their series published in the pages of Weekly Shonen Jump; it's also hyper-competitive to continue being published in Weekly Shonen Jump. Any series that consistently performs poorly in reader surveys becomes more likely to get cut, as is currently happening to Naruto creator Masashi Kishimoto's newest series, Samurai 8.

On the other side of the coin, any series that consistently hits the top of the reader surveys is encouraged to run for as long as possible. Thus, while many shorter series complete full runs while maintaining their status in the middle-ground of Weekly Shonen Jump's rankings, the goal is usually to create a top-ranking series that readers can stick with for years and years.

Unfortunately, the pressure to consistently create new story content for an indeterminate period of time doesn't necessarily mesh well with every franchise. One Piece works incredibly well in the context of Weekly Shonen Jump, because its narrative impetus revolves around a pirate adventure, which means author Eiichiro Oda can spend as much time as he wants focusing on elaborate world-building and epic-scale battles. Naruto, too, succeeded in its ability to follow its heroic young ninja from childhood to adulthood, allowing him to grow up alongside the readers. But Bleach didn't have the world-building of One Piece or the character development of Naruto.

Ichigo Thousand Year Blood WarShueisha

What Bleach had was a whole lot of style. Following a teenager who gets shinigami (soul reaper) powers, Tite Kubo managed to create a world that felt edgier, more mature, more punk rock than its contemporaries. The series had an incredibly strong hook and a phenomenal first arc, too. After Ichigo Kurosaki becomes a shinigami, he learns that Rukia, his shinigami mentor who transferred her powers to him in order to save his family, has actually committed a cardinal sin according to the leaders of Soul Society (the shinigami world). As punishment for transferring her powers to a human, Rukia will be sentenced to death. This leaves Ichigo with the task of infiltrating Soul Society, defeating its most powerful captains and rescuing Rukia.

To this day, Bleach's Soul Society arc still holds up as one of the best shonen arcs of its genre. The tension is always palpable, and the battles are phenomenal. The problem, though, is that Kubo didn't really seem to know what to do with the series afterwards. The characters in Bleach weren't as strongly defined as the characters in One Piece and Naruto, and the world-building for Soul Society was never especially prominent. So Bleach tripled down on style, essentially repeating similar "rescue" arcs again and again with cool new villains who were, indeed, very stylish.

Sadly, style isn't enough on its own to carry a long-running shonen for years and years. While the battles continued to be very cool, Bleach's plot started to feel weaker and emptier, especially compared to One Piece and Naruto, both of which seemed to have clear narrative arcs that had been set-up far in advance. Eventually, Bleach began falling in the Weekly Shonen Jump ranking. Its solo manga sales dwindled. And while Kubo was allowed to see his series through to completion, the anime was canceled before the manga ever even finished.

The most depressing thing about Bleach is that if it had been allowed to wrap up shortly after Soul Society, it might still be remembered as a phenomenal series instead of a series that fell from grace.

So then why is the Bleach anime returning now, eight years later, to finish its last leg? Maybe demand from Bleach's most dedicated fanbase has finally paid off. Or maybe with recent resurgence of Dragon Ball with Dragon Ball Super, Shueisha (Shonen Jump's parent company) thought that exposing a younger generation of anime fans to Bleach might result in a similar outcome.

Regardless, as a Bleach fan, this is incredibly exciting news. Even considering how the source material fell off the map, the Bleach anime always deserved a proper conclusion. Modern animation can do wonders, too. Just look at how the Demon Slayer anime turned a formerly middle-of-the-rankings franchise into the most popular new series in years. Let's hope that Bleach's "Thousand-Year Blood War" arc will follow the same path.

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It's almost Thanksgiving, so here at Popdust we're trying our best to stop dwelling on the fact that our entire world is going to sh*t, and instead, be appreciative of all the pop culture stuff we're thankful for in 2019.

Here they are in no particular order:

1. The Lumineers New Album

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Instant Classic.

2. The constant whining of the Pokemon fanbase on Reddit and Twitter

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A week after the launch of Sword and Shield, the angry man-babies are still crying hard.

3. Baby Yoda

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Even cuter than a whole flock of Porgs.

4. Keanu Reeves still not getting #MeToo'd

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Keanu Reeves has continued to be infallible.

5. Veterans Day trending spelled wrong

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A boomer misspelled it "VeTRANS Day." Hilarious.

6. White Men arguing for more representation for White Men

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If there's one thing all white men have in common, it's constant oppression.

7. Our new writer Keith and also our other new writer Abby

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Keith brings me Combos to snack on. Abby is also nice.

8. That video of Amanda Bynes confirming that she was sincere about wanting Drake to murder her pussy

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This was important to clarify.

9. That none of us got famous for our famous moms paying for us to get into college

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We're all failures, but at least we're not Olivia Jade Loughlin.

10. Attack on Titan Season 3

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Attack on Titan still has my vote for absolute best TV season of 2019.

11. The optimistic hope that the FFVII Remake will actually be amazing

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I'M GOING TO RELIVE MY CHILDHOOD.

12. A New Half-Life game

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It might be a dumb VR game, but it gives us hope that Half-Life 3 is on the horizon.

13. Fleabag Season 2

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The second season was somehow even better than the first.

14. Another year without a Toby Keith hit

No matter how bad the rest of the year was, we can all take solace in the fact that Toby Keith doesn't have any hot new songs.

15. Harry Styles

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Our boy killed it on SNL.

16. A conclusive ending for the Marvel Cinematic Universe

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Mainly though, we're just done with Marvel.

17. That I can bring "OK Boomer" with me to Thanksgiving dinner

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Seriously though, shut your awful, racist boomer family down.

18. Dolly Parton's resurgence

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Dolly Parton will always be a national treasure.

19. The Angry Woman Vs Cat meme (the cat's name is Smudge, fun fact)

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Meme of the year.

20. The Cats trailer horror

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Scarier than any horror movie of the past twenty years.

21. Finding out 21 Savage is British

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Seriously?

22. That they still play 21 Jump Street and Superbad on TV

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Some things never change.

23. Tekashi 69 snitching on everybody

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Place your bets.

24. FKA TWIGs

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Robert Pattinson done goofed.

25. That Taylor Swift wrote the song Lover all by herself, and then didn't get nominated for a Grammy

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She has enough Grammys as is.

26. Jeffrey Epstein didn't kill himself

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Really though. It was an inside job.

27. Ronan Farrow proposing to his husband on a page of his own book

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Talk about balls.

28. Amanda Palmer's Antics

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Love her or hate her, at least she's interesting.

29. Dan's brief stint as a beloved ARMY spokesperson

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That time when I called out The Hollywood Reporter.

30. The Edne and Mack Feud of 2019

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CBD is bullsh*t.

31. Victoria's Secret fashion show canceled officially forever

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It's about time.

32. A$AP Rocky a point of discussion in impeachment hearings

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We truly live in the stupidest timeline.

33. Vastly improved Sonic trailer

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Conspiracy theory: They had the original design ready to go all along.

34. The incredible art in Demon Slayer

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Most gorgeous anime of 2019.

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How "Demon Slayer" Went From an Okay Manga to the Best New Anime of 2019

The Demon Slayer anime takes its source material to new heights.

Shueisha

With its first season having just finished airing and a new movie (Mugen Train) on the horizon for 2020, Demon Slayer: Kimetsu no Yaiba has never been more popular.

Although initially released to little fanfare, the anime picked up major steam around the latter third of its 26-episode run, generating massive hype within the anime community. Now it sits in the top 20 best anime seasons on MyAnimeList. Even more telling, Demon Slayer manga sales in Japan have recently started gaining on the all-time top-selling manga, One Piece (at least in terms of weekly sales during October). All this is to say that, as far as newer anime series go, Demon Slayer is having a real moment.

Demon Slayer Mugen TrainShueisha


But that wasn't always the case. Unlike fellow Weekly Shonen Jump darling My Hero Academia, whose manga volumes had been selling out even before the anime premiered in 2016, the Demon Slayer manga was well-liked by people who read it, but it wasn't necessarily generating buzz. The most obvious reason is that, while a series like My Hero Academia felt especially fresh with its Western superhero tropes-meet-shonen hook, Demon Slayer's story is a lot more standard within the realm of shonen: After his family gets slaughtered by a demon and his sister, Nezuko, turns into a demon, Tanjiro, a kind, empathetic young boy, must become a Demon Slayer in order to prevent further tragedies and, hopefully, find a cure for his sister.

Hunting demons (or any other supernatural monster, for that matter) is a pretty common story basis for shonen, and Demon Slayer doesn't try to reinvent the wheel. Moreover, the actual art in the Demon Slayer manga by first-time artist/writer Koyoharu Gotōge, while still very good, is arguably less polished than a number of other mainline Weekly Shonen Jump series. As such, Demon Slayer gained a large enough popularity to continue publication but not much else.

Demon Slayer MangaShueisha


Then the anime hit.

Produced by Ufotable (an anime studio best known for their adaptation of Fate/Zero), the Demon Slayer anime kept everything that made the manga enjoyable (likable characters, a solid plot, and creative battle concepts) while cleaning up and building upon all of the weaker points. Most specifically, the Demon Slayer adaptation features an incredibly strong, unique aesthetic that oftentimes resembles flowing ink paintings. Coupled with complex camera movements and brilliant battle choreography, every battle in Demon Slayer becomes a gorgeous, memorable event.

***DEMON SLAYER EPISODE 17 SPOILERS FOLLOW***

For example, take the battle between perpetual coward, Zenitsu, and the Spider Demon from Episode 17 (Chapter 34 of the manga)––a relatively minor fight within the context of the story.

In this battle, Zenitsu needs to cut off the Spider Demon's head before succumbing to a heavy dose of poison with which he's been injected. But the Spider Demon is high above the ground, and Zenitsu has only one chance to attack before inevitable doom. The Spider Demon believes that Zenitsu is weak and that the battle has already been won––right until he realizes that Zenitsu is preparing for his final move. Here's the build-up in the manga:

Zenitsu vs Spider DemonShueisha

The Spider Demon witnesses Zenitsu gearing up for his attack by stating its name. Then we get this single panel shot, tracking Zenitsu's attack path, from tree to tree, up into the sky, through the Spider Demon's den:

Zenitsu Thunder Clap FlashShueisha

Now, watch how the battle plays out in the anime:

Zenitsu vs Spider Demon ~ Demon Slayeryoutu.be

Instead of simply watching from up high as Zenitsu states the name of his attack, the anime builds up Zenitsu's total body shift with a multitude of interesting shots. The camera moves in close as the air around Zenitsu bristles with electricity. His eyes glow white as the screen gets doused in yellow light. Then as he names the attack, the electricity intensifies, shaking everything around him. We see Zenitsu's footwork as he leverages a taut string of web to gain air before following him as he soars into the sky. Then we move through a recreation of the single panel shot from the manga, tracking Zenitsu's actual path to the Spider Demon's decapitation. Finally, we land on a gorgeous shot of Zenitsu airborne in front of the moon.

The single lightning track shot from the manga, in context, was a very cool battle moment, but not an entirely memorable one––the Spider Demon isn't even a major villain. But in the anime, it's the kind of battle scene that sticks with you, an absolute visual spectacle.

And things only get better from there. Just two episodes later, Demon Slayer features what might be the single most incredible battle animation I've ever seen in an anime. It's no wonder that Demon Slayer has become such a hit when episode after episode delivers such phenomenal animation. In doing so, Demon Slayer proves that not every great series needs to reinvent the wheel. Sometimes, greatness means building the same old wheel better than anyone else ever has before.