The Dutch artist and musician's newest release is buoyant dance music inspired by nighttime bike rides.
You might recognize some of the art created by Nick van Hofwegen, aka Young & Sick. It's adorned the covers of Foster the People's Torches and Mikky Ekko's Kids, among many other albums.
You might also recognize his music—and if you don't, you very well may be hearing him everywhere soon. His newest EP, out May 3, is a collection of dance music that's as atmospheric and complex. With its crystalline production, pumped-up rhythms, and dreamy loops of synths and keys, it's tailor-made for clubs, bike rides, or for any time you need a pick-me-up or an excuse to take off and drive. Ultimately, it's the product of a mind that's clearly enamored with its own ability to distill color and sound into shapes and tunes.
The music has a buoyancy to it, a clarity that belies meticulous attention to detail but still meshes well with its sense of electric intensity and free-spirited energy. Standout tracks include "JET BLACK HEART," a track that—despite its brooding lyrics—feels like the sonic equivalent of making it to the top of a mountain after a long trek; the thrilling, bittersweet "IT'S A STORM," and "SIZE OF RELIEF," which layers van Hofwegen's angelic, slightly overdriven vocals over an arrangement of reverb-drenched horns, cool synths, delicate strings, and tense rhythms.
Popdust talked to Young & Sick about the relationship between visual art and music, inspirations for his upcoming EP, and the importance of listening to albums all the way through.
Can you tell me a little bit about your upcoming EP, and the inspiration behind it?
YOUNG & SICK: This collection of work was made right before I went on tour with the Knox. In the back of my mind, while knowing I was gonna be on tour with them, I got really in the mood to make something more uptempo and uplifting, so that drove me to be faster in BPMs than I usually am. I'd also been making a lot of remixes for people, so it tied in with that, too. I took European dance roots and made something more sample-heavy and dancey.
At the time, I was also living in the valley in Los Angeles, and when I was making all the songs I was going on long bike rides in the evening. The songs I'd listen to while riding also shaped what I was creating—it was more dance music, so it made me shift towards that.
Are there any other inspirations, sonically or in terms of place, that you feel influenced your new work?
This EP is very largely inspired by the emotion of the city passing by on the bike. A lot of my inspiration—especially with this record—is drawn from sampling; I'd find a nice little piece of music that I'd chop up, and it would guide me to the next spot.
Have you always been into dance music? Did you grow up going out and dancing?
Growing up in the Netherlands, dance music was always pretty prevalent. I grew up a rock kid. Nirvana was my first love. There was always a lot of dance music around me, though, and when acts like the Chemical Brothers came out and started merging rock music with dance, a lot of people like me got very into that. Dance music has always been around me, and I've always had a big love for it, but it hasn't necessarily always come out in my music before.
YOUNG & SICK - BITTER END www.youtube.com
I know you do a lot of art as well, and it's pretty unique to see someone doing such high-quality work in two fields at once. Which did you start out with—art or music—and how do you see those two fields relating to each other?
That's really kind. I've always done both, as long as I can remember. I've been drawing as long as I've been playing guitar. I always say I feel like they come from the same place, and anyone's brain that can do one can do the other—it's multidisciplinary. They feed off each other so well. If I get stuck in either, I just switch up and keep going. I don't think there was one before the other; it was a chicken-and-egg kind of thing.
Your art and music seem to fit so well together. Do you have any sort of synesthesia? Do you see music in colors, or see them related in that kind of way?
I do think they tie into each other incredibly. I know people have full-on synesthetic things where they actually see color in sound—I don't have that to the full degree, but if I do artwork for my music or others' I tend to listen to it while creating the artwork, to really shape them around each other. I do see a very strong connection between them. When a band or artist gets that connection right, it makes me very happy—when someone's just getting it when the music and art live in the same world, it's such a gratifying feeling.
Did you feel pressure to choose between them? Was there a moment when you decided you weren't going to pick one of the two fields?
I wouldn't say I was pressured to ever choose. There were early moments where I was thinking, I want to use this name for both fields, for doing art for other people and for myself and also for making music, and there were definitely moments where people were kind of wary of that. But I never had to choose, luckily.
Your music and art are very psychedelic. Is that something you're interested in and do you explore spirituality in any way, or where does that imagery come from?
My work draws from 70's psychedelia, and obvious bands like the Grateful Dead that I've always looked up to, in terms of their art and how well they made an insane brand for themselves. I'm a big proponent of that type of art, going that far in detail and tying everything together that well. I'm not necessarily a very spiritual person but I do tend to like the occasional psychedelic… I definitely draw inspiration from that.
What's happening next with your music?
I'm working hard on a follow-up. A lot of musicians like me, as soon as you finish something, it's kind of out of your system. I'm working to follow it up with something different, but in a similar line.
What's the inspiration behind your band name?
My manager used to throw a lot of parties in New Orleans when he was going to Tulane University. He'd ask me, do you know a good name for a party? I'd come up with one and make a flyer, and he'd start passing them out. One day I saw those two words [young and sick] together, sitting next to each other, and I made a poster for him with that name, and he said that was one of his favorite parties. I had that poster up in my bedroom in London when I was living there, and I was looking at it and thought, I kind of need that name. I started putting out songs and making art with it, and it kind of stuck. It's a simple, striking name—you just have to tell someone once and they remember.
Are you going on tour soon?
There's going to be a few shows—LA and New York and some festivals—and I'm doing a bunch of DJ sets as well. We're figuring out what the next tour is because we just came off of one.
You do a lot more than visual art and songwriting. What other fields do you work in?
Remixing is something I've been very fond of lately. Obviously, the art for festivals and other people and that kind of thing has been amazing. Fine art and making things, in general, is definitely a big passion. With music and art, there are so many little nuances within each field.
Are you particularly excited about any of the songs on the upcoming EP?
Every time you make a release, there are a lot of songs that don't end up on it—usually I make about triple the amount, and we send them to the people we work with at the label and they come up with their favorite lists, which were pretty close to what I had in mind for this one. Sometimes it's hard to pick between the songs because you made all of them, so it works well when somebody on the outside picks one and it aligns with your choices. My favorite songs all ended up on this EP. The song that's about to come out, which will close the EP, is called "SIZE OF RELIEF," which is also the name of the EP. I wrote it in New Orleans in such a short time—maybe a two-hour window of making the first loops and all the vocals—and it just felt so right. I just had to change a few things, and detailing and mixing took a lot more time—but initially, it just took a few hours, and when that happens, I just feel so good. That one is definitely one of my favorites.
Anything else you want people to know?
I know it's hard for a lot of people these days to take in more than a few songs at once, but I'd encourage people to take off 20 or 25 minutes and listen to the EP in full.
It seems like kind of a lost art to go through and listen to a full album, but it's super rewarding when you do.
That's kind of how it was meant to be heard. If anyone's able to do that, that'd make me happy.
Young & Sick's debut album was released in 2014. "Size of Relief" is now available on streaming services. Listen here.
Eden Arielle Gordon is a writer and musician from New York. Follow her on Twitter @edenarielmusic.
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Current owner Jeff Lowe claims there are bodies, including "a young American Indian boy," buried on the property
It was recently reported that Carole Baskin had been awarded the property of the Tiger King Zoo—formerly the G.W. Zoo—in Wynnewood, Oklahoma after a judgment found in her favor.
As fans of the Netflix docuseries Tiger King will know, her long-standing legal feud with Joe Exotic (AKA Joseph Maldonado-Passage, né Shreibvogel) over his violation of the Big Cat Rescue trademark resulted in a million dollar settlement in her favor. But for the most part Exotic managed to dodge paying Baskin through a series of illegal property transfers that temporarily protected his animal park from seizure.
Now that Exotic is in prison for attempting to have Baskin murdered—along with illegal animal trafficking and several violations of the Endangered Species Act—a judge has finally ruled that the park is hers, and she will be taking over ownership of the 16-acre property later this year. But Jeff Lowe—the park's current owner and the personification of a mid-life crisis—insists that there are no hard feelings, saying, "She deserves this property."
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From terrible dating advice to Shrek culture, Weird YouTube has it all.
With nearly two billion active users and over 300 hours of content uploaded every minute, it's no surprise that YouTube houses a lot of weirdness.
Beneath its colorful surface – one full of music videos, Fortnite gameplay, and attractive people reacting to mundane things – YouTube brims with bizarre content. From obscure subcultures to strange ideologies, YouTube is rife with proverbial rabbit holes. These tunnels of interrelated videos offer perspective outside of anything close to day-to-day reality.
Embark on a journey along YouTube's "Up next" sidebar, jumping from video to video, ever deeper into algorithmic oblivion. Experience media oddities the likes of which you've never seen before, from the funny to the strange to the dangerous. Welcome to Weird Youtube.
While it's easy to find great sketches and comedy bits on YouTube, a lot of the funniest content has been published entirely in earnest. Hidden gems lay waiting to be found amongst endless expanses of workplace introductions, local commercials, and how-to videos. Luckily, hilariously bad videos rarely exist in a bubble, so finding one usually leads to a whole lot more.
A prime example of this misguided hilarity is the how-to channel, expertvillage. Claiming to be "powered by eHow," expertvillage had been posting "user-generated instructional videos" since 2005, with their most recent video released in 2015.
Bafflingly, most of expertvillage's "experts" seem to have no idea what they're doing. They also don't seem to cut or reshoot footage after making mistakes, and the videos themselves are barely coherent, let alone instructive. For example, here's a man teaching you how to draw a cartoon whale "to add to your portfolio of cartoon sea creatures," whatever that means.
Easy Cartoon Drawing : How to Draw a Cartoon Whale www.youtube.com
Sure, art may be subjective, but it's hard to imagine anybody in the world could think this man is a qualified art teacher.
Expertvillage's videos are so terrible that entire "fail compilations" sprung up highlighting their most cringe-worthy offerings. But despite all the wonky home improvement, failed science experiments, and sad piano playing, nothing comes close to their instructional flirting videos for men. Meet Alan, co-founder of the long-deceased AskRomeo.com, who's here to teach you "How to Pick Up Female Employees at Grocery Store."
How to Meet Women in the Grocery Store : How to Pick Up Female Employees at Grocery Store www.youtube.com
At first glance, Alan doesn't seem like the kind of person who should be doling out dating advice––he's slovenly, resembling a guy who woke up hungover after a night at the club and didn't bother to change, and his stilted reading of cue cards doesn't exactly inspire confidence. At second glance, he doesn't get much better, advising that "employees are great people to talk to because they have to be nice to you, they're paid to be nice to you." It would all be incredibly problematic if it weren't so absurd. Still, it gets worse. Here's "Conversation Tips for Meeting Women at Grocery Store."
How to Meet Women in the Grocery Store : Conversation Tips for Meeting Women at Grocery Store www.youtube.com
In this informative segment, Alan walks viewers through a mock conversation about assorted donuts ("because it gave a great opinion piece") with an uncomfortable-looking woman. To be fair to Alan, he does genuinely seem very passionate about donuts, suggesting that potential flirts stay honest while talking about the food items near their target. "You shouldn't be lying about the donuts you like."
Alan's not exactly Romeo, but at least he's not "social dynamics instructor" Alex MacRae (kindly recommended by YouTube after watching Alan's offerings), who suggests going up to a girl with blue eyes and saying, "Wow, your eyes are like blueberries. I'm kind of hungry. Can I have?" as he pinches his fingers closer and closer to the camera.
How to Pick Up a Girl in a Bar : How to Flirt With a Girl www.youtube.com
That, in essence, is a rabbit hole––the experience of watching one video that leads to another and another, leading you deeper and deeper into a channel or sometimes an entire online subculture you never imagined existing.
If you spend enough time in any forum online, you'll eventually come across some memetic reference to Shrek, the most well-known being: "Shrek is love, Shrek is life."
On the surface, this may seem like a jokey reference to Dreamwork's 2001 hit movie, and while that's partially true, the rabbit hole goes much, much deeper into an entire subculture based on bizarre, ironic (or possibly post-ironic) odes to the big green ogre.
Should you search the phrase on YouTube, you'll come across this 2014 video, jankily animated in Garry's Mod, depicting a young boy having an intense sexual encounter with a deity-like version of Shrek.
You can look this one up yourself.
The video directly translates a 2013 green text story posted on 4chan, which originated the phrase "Shrek is love, Shrek is life."
Digging deeper reveals an entire community of self-proclaimed "brogres," people modeling themselves after "bronies" in testament to their Shrek fandom. Except unlike bronies who genuinely love My Little Pony, brogres don't actually love the Shrek films. Rather, they love Shrek as a meme, propagating distortions of his image as a sort of anti-fandom.
As such, Shrek-related content on YouTube tends to blend other nostalgic properties incorporated in similarly nonsensical ways, like this animation of Shrek walking through a haunted house, set to the opening theme from the Goosebumps TV show.
Shrek captured on Film www.youtube.com
But why Shrek? The answer lies with a YouTuber named "CBoyardee."
Active from 2006 through 2013, CBoyardee was an amateur animator and game developer who gained recognition for his grotesque animations created using Microsoft Paint. While much of his post history has since been lost (he set his videos to private in 2013 and deleted his entire account in 2014), dedicated fans have reuploaded his most popular content.
One such video, titled "Let's Play Shrek" and originally uploaded sometime in the late 2000s, is the earliest known example of Shrek being used as a form of weird humor outside of a Tim and Eric sketch from 2007. Parodying YouTube "Let's Play" videos, CBoyardee uses an emulator to run Shrek 2 for Gameboy Advance, purposely playing poorly while pretending to get sexual gratification from the game.
Let's Play Shrek (cboyardee reupload) www.youtube.com
CBoyardee mentions Shrek again in his most famous video, Dilbert 2, the original upload of which garnered over a million views in 2011. In it, an existentially broken version of the comic strip character Dilbert tweets, "wwhy shrek is piss. why shrek is piss #italiano [sic]."
Dilbert 2 (Highest Quality) www.youtube.com
But all this was just a primer for CBoyardee's true Shrek masterpiece: "Re: Shrek is Dreck," a video in which CBoyardee rehashes a fictional argument with a user on a made up forum called "shrekfaqs.net" over the user commenting "Shrek is dreck." An outraged CBoyardee insists that "there's some people who Shrek matters a whole goddamn lot to" and calls the user a "subhuman piece of shit."
Shrek is NOT Drek! www.youtube.com
"Shrek is NOT Drek" instantly transformed Shrek fandom into a popular meme on weird corners of the Internet, soon resulting in a real Shrek-based forum called "shrekchan.net" which launched in 2012 but has since been taken down.
Cory in the House Anime OP www.youtube.com
But while many of YouTube's rabbit holes, even the weirder ones, are ultimately harmless, some run especially dark and deep.
In February 2017, The Verge published an article titled "Adults dressed as superheroes is YouTube's new, strange, and massively popular genre." The article details a prolific trend of videos featuring adults dressed up as fictional characters, usually Spider-Man and Elsa from Frozen, who engage in violent and sexual acts often involving peeing, pooping, pregnancy, physical abuse, simulated intercourse, and needles. While this would be disturbing enough on its own, the kicker is that these videos are being strategically tagged and marketed towards children, frequently appearing as recommended videos on Kids' YouTube and generating millions of views. Moreover, the videos were all monetized, meaning the creators were making tons of profit.
The issue ballooned from there, as people uncovered more and more YouTube channels gearing themselves for children while depicting bizarre, violent, and sexual content. BBC profiled a slew of videos depicting Peppa Pig getting all her teeth pulled out by the dentist. Another child-oriented channel called "Toy Freaks" had somehow become the 68th most popular channel on YouTube with videos of a 46-year-old man seemingly forcing his two young daughters into disturbing toddler roleplay and peeing videos. There were gory claymation and trypophobia-triggering content (fear of small holes), all featuring popular characters from Disney, Marvel, Paw Patrol, etc., with nonsensical keyword-ridden titles explicitly intended to game algorithms to show up in children's video feeds on YouTube Kids.
The controversy came to be known as Elsagate, spawning an entire subreddit dedicated to preventing these bizarre channels from reaching young audiences.
Influential YouTubers like Phillip DeFranco provided breakdowns.
Why We Need To Talk About The Insane YouTube Kids Problem… #Elsagate www.youtube.com
Ethan Klein from H3H3 brought Post Malone on his show to discuss the phenomenon.
Post Malone and H3H3 Try to Make Sense of "Elsagate" www.youtube.com
Other channels, like "Investigating Youtube" sprung up solely to provide in-depth coverage and calls to action on the topic.
Elsagate - A Call to Action (Top Ten Worst #Elsagate Channels) www.youtube.com
YouTube ultimately responded by hardening its guidelines on content involving family-friendly characters, purging or demonetizing over 50,000 channels and over two million videos.
Still, conspiracies persist, with many believing these videos were much more sinister than an exercise in gaming YouTube algorithms for profit, but rather an attempt to normalize children to sexual abuse and pedophilia. The scariest part is that these conspiracies might not be so far removed from the truth.
Many videos of children on YouTube garner incredibly disturbing comments and some parents seem even to welcome it, allowing (or potentially even compelling) their underage children to upload sexualized content to the platform. One such instance was recently documented by "PaymoneyWubby," who discovered an ASMR (Autonomous sensory meridian response) channel featuring a little girl, often dressed in skimpy outfits, blatantly alluding to sexual acts in her content.
Kids doing ASMR is a problem www.youtube.com
All of this is to say that YouTube houses vast expanses of content, much of it largely unexplored. For every popular channel with millions of views, there are hundreds of thousands more with only a few. The diversity on YouTube is as expansive as the diversity of people––there are vibrant communities dedicated to niche hobbies and interests, unwitting hilarity, sad outposts, lonely bastions, and in some cases, grave danger.
In many respects, YouTube functions as a wonderful hub for irrelevant content. Without YouTube, the Internet would be missing a lot of its weird memes and alternative humor. Comedic anomalies like CBoyardee might never have found an outlet, let alone an audience. On the other hand, YouTube amplifies larger social concerns that didn't exist before the Internet Age.
Our laws aren't yet properly equipped to handle issues like Elsagate. Outside of YouTube's own policies, there are no explicit legal means of stopping people who want to publish dangerous content geared towards children, or possibly even worse. There are no real laws against parents encouraging their kids to publish pedophile bait. Even well-meaning parents aren't always equipped to comprehend the dangers their children face on a seemingly innocuous app like YouTube Kids.
Journey down the rabbit hole, but do so with caution. There's plenty of treasure to be found, but also a whole lot of dirt.
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