CULTURE

Late Capitalism Diaries: Disney Owns Your Life

Among the Disney Corporations latest acquisitions are all your private hopes and dreams

From that moment, as an infant, you are laid upon a Minnie Mouse Buddy Blanket to absorb the sights and sounds of Bambi blasting at you from your family TV, your life belongs to Disney.

Swaddled in your Dumbo onesie, drinking from a Tigger bottle, and squeezing a Simba Cuddleez plush, you are innocent of the world's woes, and with the help of Walt Disney's Imagineers, you can remain that way until your dying breath.

Obviously the infinite expansion of Disney's media empire has stunned the whole world in recent years—with Star Wars, Marvel, and Fox all being subsumed by the undying hunger of Walt's frozen zombie head. But you don't just have to limit yourself to watching Disney movies and TV Shows in theaters, on dedicated Television networks, and on the Disney+ streaming service.

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Peter Pan, Disney

Disney's new streaming service, Disney+, premiered on Tuesday to universal complaints.

The system is buggy, it crops out jokes on The Simpsons, and it essentially killed off the Netflix Marvel series. But considering the constant commentary on trigger warnings and the very predictable uproar from a segment of white men whenever a woman or a person of color is placed in a role that could have been given to someone less "political," it's a wonder that there hasn't been more of a backlash against Disney's new content warning.

Along with the usual warnings where sexual themes and violence are concerned, certain Disney movies have been officially labeled as even more racist than others. Pocahontas, for instance, has missed this distinction by tapping into relatively benign "noble savage" stereotypes, rather than playing into grotesque caricatures of inhuman otherness in its depiction of non-white characters. Peter Pan, on the other hand, was not so lucky. It joined the list of movies containing "cultural depictions" so "outdated" that they need a special warning so thoughtful parents can shield their kids from that particular brain-poison (while exposing them to a host of others).

Disney's "Peter Pan" - What Makes the Red Man Red?www.youtube.com

Other movies have earned this recognition include Lady and the Tramp, Dumbo, The Jungle Book, and Fantasia. Some have argued that referring to these wildly dehumanizing portrayals of non-white people (or, tellingly, animals standing in for non-white people) as simply "outdated" places the blame on the era in which they were produced, without taking any responsibility for the impact of producing and distributing such harmful iconography. After all, if Disney is willing to wage an endless fight to maintain their exclusive rights to Mickey Mouse—and for the subsequent deprivation of the public domain—shouldn't they likewise be held accountable for the indefensible content in much of their IP? If the blame doesn't belong solely to them, then why does the profit?

"Jim Crow"in DumboDumbo, Disney

It's a compelling argument, but it overlooks an important point. Namely, Disney is right about the eras that produced such offensive trash. Their movies have always tapped into the zeitgeist—the lowest common denominator of ideas. And for the entire history of "Western Civilization," those ideas have been horribly racist (as well as homophobic, misogynistic, and culturally chauvinistic). Colonialism is the foundation of "Western Civilization." The looting and subjugation of other peoples and their lands have made it possible for the Western world to flourish. The United States, for instance, was "settled" on top of an existing civilization that white men ravaged with the help of guns, biological warfare, and the forced labor of people who were stolen from their homes, then bred and sold and treated as livestock.

This brand of devouring colonialism has been made possible by concerted efforts to dehumanize anyone who doesn't conform to the mold of the dominant elite. And men like Walt Disney perpetuated that brand. Whatever Jordan Peterson might want you to believe, Disney movies have always been propaganda—part of a mythos that defined "the West" in contrast to the rest of the world, holding it up as something worth defending. "Western Civilization" is inextricably linked to these self-aggrandizing myths, and any attempt to undermine derogatory depictions of the Other is fundamentally an attack on "Western Civilization." Worse than the new content warning, Disney has completely omitted Song of the South, erasing the proud tradition of pretending that black people were happy as slaves. The Disney+ claim that "The Vault Is Wide Open" seems to be ignoring a few items in the lock box at the back.

In short, Disney's latest effort at woke-washing is an affront to the principles that our society was built on—namely, the principle that the world belongs to white men, and no one else is really a person—but it doesn't go nearly far enough. They are attacking our disgusting history in little ways, but they are still profiting from its relics and using Tom Hanks to put a nice face on the whole operation. Now that Disney owns literally all of culture, they owe it to us to own up to the dark past that defines our society and attack "Western Civilization" head on. Because until we fully dismantle the disgusting ideas at the core of "Western Civilizations" and begin to build an inclusive and global society, we will not have earned the right to call ourselves civilized.

FILM

11 Disney Plus Movies That Are Weird to Watch As Adults

Sometimes ya gotta confront the demons of your childhood, especially when they were created by a bunch of overworked, underpaid animators in a California warehouse.

Disney

If you grew up with a TV, chances are you spent a lot of your childhood watching Disney movies.

Do you ever wonder where all those images and stories went? They must be lurking around in our brains somewhere, having embedded themselves into our psyches when we were at our most impressionable.

Because of this, watching something you last saw as a six year old can be distinctly surreal, especially when you realize just how strange, messed-up, and often, wildly psychedelic so much of the media you consumed as a youth was.

Disney Plus has entered the streaming game, and naturally, it's sure to rake in billions despite the glitches. For better or for worse, Disney was part of most of our childhoods. If you're looking to tap into some of those hidden reservoirs of childhood memories and nightmares, look no further than these 11 odd films. Many of them hold up, but others are full of cracks and flaws you may never have noticed.

1. WALL-E

This heartwarming story appeared to be about a cute little robot, but it actually was very clearly about the climate crisis. In 2019, when scientists predict untold suffering due to global warming and natural disasters are picking up in speed and ferocity, WALL-E's desolate vision of global apocalypse feels...too real. Also, since Elon Musk and Jeff Bezos are considering space communities, the surreal spaceship habitat that houses all the remaining humans in WALL-E hits a bit too close to home.

Empire

2. Fantasia

This film was made in 1940, and if you view any of the clips, you'll notice that every frame seems to have been spawned from some sort of psychedelic experience. What was Fantasia? What is Fantasia? The truth is that no one really knows—Fantasia exists beyond human comprehension, in a sphere all its own—but the music is magnificent and the imagery is so surreal that you'll be amazed that you just accepted it as a kid.

syfy.com

3. Sleeping Beauty

This film was made in 1959, so it can be forgiven for its lack of feminist sensibility, but still… watching the prince plant a totally non-consensual kiss on a woman who is mostly only known as "Sleeping Beauty" is rather disorienting. If you're a woman who was raised on princess movies but are still wondering why you're having so much trouble getting over the impulse to be shy, submissive, and acquiescent, look no further. (The same goes for Snow White, who also goes to live in a house with seven strange men).

1000-Word-Philosophy

4. Robin Hood

Robin Hood was kind of a militant socialist. If you've been motivated by Bernie Sanders in recent years or have been organizing since you were a teen, watching this movie and seeing Robin Hood's dedication to redistributing the wealth can feel oddly resonant and inspiring.

animationsource.org

5. Hannah Montana

This isn't a movie, but watching Miley Cyrus gallivant around in her blonde wig as the super innocent, ultra-perky Hannah Montana will inevitably be disorienting for the adult viewer. Cyrus has spoken openly about the struggles she went through while filming the show, saying that playing Hannah Montana made her "hate her body" and leveling other critiques at the franchise. Watching the show is eerie in that it'll remind you of the days of your innocent youth—before you ever saw Miley Cyrus naked (which simply became a rite of passage around 2012)—but maybe it'll also make you realize that you have a lot of internalized sexism.

HANNAH MONTANA: THE MOVIE, Miley Cyrus, 2009. Photo: Sam Emerson/ ©Walt Disney Co./courtesy EverettEntertainment Weekly


6. Dumbo

Is this movie a critique of animal abuse or an insane, racist acid trip, or a bit of both? The crows are racist (their leader is literally named Jim Crow), and there's a racist song, etcetera. In one scene, baby Dumbo gets drunk and hallucinates a parade of pink elephants. Scarring? Undeniably. Poor Dumbo. This movie is almost sadder to watch as an adult knowing just how sad Dumbo's plight actually is.

Dumbo's dreamwww.youtube.com

7. The Black Cauldron

This movie is not as well-known outside of Disney aficionados, as its release almost brought down the entire franchise. Made during Disney's "dark period" when the company was experimenting with horror and new technologies, this genuinely creepy movie is often called the "darkest Disney movie ever." I definitely remember watching this as a kid and being seriously terrified by the skeleton crew and onscreen suicides in this film. In that way, it makes sense that the film has amassed a cult following largely made up of the generation it scarred for life. Sometimes ya gotta confront the demons of your childhood, especially when they were created by a bunch of overworked, underpaid animators in a Glendale warehouse.

Rich Menga

8. Alice in Wonderland

Like Fantasia, some of the imagery in this movie is undeniably eerie and almost too surreal. The fact that Alice winds up at a strange luncheon with a Mad Hatter where time doesn't exist? That she takes something that makes her grow small, then large? That she falls down a rabbit hole? What drugs were the people who made this movie on? Or perhaps the better question: What weren't they on? As a child watching this movie, I imagine that I developed some strange ideas about reality and rabbits that haunted me to adulthood. Also, the movie brings up complex questions about physics, math, philosophy and more—that's a lot for a children's fairytale.

steamcommunity.com

9. Beauty and the Beast

This one has also been discussed ad nauseum, but Belle...lets a man imprison her and then falls in love with him. This is Stockholm Syndrome at its finest. She gets imprisoned and then marries the man who imprisons her. Sure, it's a tale as old as time, but I think that in the recent live-action remake, we all let our feelings about Emma Watson's vocals and the Beast's anthropomorphization overtake the simple strangeness of the tale.

Crosswalk the Musical: Beauty and the Beastwww.youtube.com

10. Cars

Cars is full of adult humor, from the stoner hippie bus character Fillmore to the scene where Lightning McQueen's fans "flash" him. Actually, it's implied that the cars have sex, so that says more than enough. What universe is this?

Slate.com

11. Hunchback of Notre Dame

This movie is adorable and charming in a lot of ways, but it also has an undercurrent of disturbing sadism and sexual violence. Frollo harasses Esmeralda to no end, and she's almost executed at the end of the film. There's torture, death, abuse, hallucinations…

Disney

Then again, all that is part of what made Disney movies so enduring, right? Kids get exposed to a lot growing up, and if all Disney films were all squeaky-clean and innocent, that would defeat the purpose of stories, which are meant to relate to people and resonate across ages and demographics. That doesn't mean that it's not strange to look back on these films after a while, but what's funny is that a lot of these strange films were also some of Disney's greatest. If anything, the grains of reality that Disney built into their fanciful stories are what make these films that much more powerful and timeless.

FILM

11 Classic Movies That Have Not Aged Well

Time to leave the past in the past.

20th Century Fox

When making a movie, writers, directors, and producers always need to consider longevity: Will this movie remain relevant to audiences in five years? Ten? Twenty?

Of course, some movies are made to capitalize on current trends, make a quick buck, and then slip away into the annals of zeitgeists past. You've Got Mail was dated even before AOL went out of style. But for every hacky "hey old people, check out this modern technology!" movie, there's a whole slew of movies that try to capture something honest and sincere in an attempt to appeal to audiences far beyond their era of creation.

Some succeed, earning the status of "classics" as viewers pass them down from generation to generation. But society changes with time, and our greater social ethos changes along with it. As a result, even some "classic" movies fall short when viewed with fresh eyes––and for some of them, perhaps it's time for their "classic" status to be revoked.

Dumbo (1941) and The Jungle Book (1967)

dumbo jim crowDisney

Both Dumbo and The Jungle Book were early, animal-oriented Disney films that imbued a surprising degree of racism into their otherwise still-relevant narratives. Dumbo featured a singing crow who was actually namedJim Crow after the segregation laws of the era. His character design, voice, and mannerisms all mimicked black caricatures of the time period.

The Jungle Book, which came out over 20 years later (but only two years after the end of Jim Crow laws), continued a similar stereotype with King Louie, a villainous orangutan coded as a black man who sings to Mowgli about wanting to act more human. To Disney's credit, the Jim Crow character has been removed from Dumbo entirely, both in the live action remake and the upcoming Disney+ streaming service release of the original.

One important point to note is that unlike many of the other entries on this list that should probably be retired completely, Dumbo and The Jungle Book both hold historical relevance. Their racist scenes are largely reflective of the larger, segregation-era and post-segregation-era sentiments in America during the 40s and 60s respectively. They continue to hold importance within the larger canon of Western animation but should be viewed with the caveat of being products of their time. The same cannot be said for many of the rest of the movies on this list.

Porky's and Animal House

animal houseUniversal Pictures

Consider this entry a catch-all for basically every "teen boys sexing it up" comedy of the late '70s and early '80s. All of these types of movies follow a group of raucous guys who engage in shenanigans revolving around sex with women. This would be fine if not for the fact that "sex with women" really means objectifying women, lying to women, peeping on women, and getting women very drunk and doing things to them without their consent. Female characters in these movies never seem like real people, existing entirely to fulfill the wishes of male viewers. It's no wonder that many of the men who grew up watching these movies still hold ridiculously toxic views about women.

Revenge of the Nerds

revenge of the nerds20th Century Fox

Revenge of the Nerds is a lot like all the movies from the previous entry, except it goes a step farther by including an outright rape scene and passing it off as comedy. Here's the set-up: One of the nerds, Lewis, has a crush on Betty, the girlfriend of a jock named Stan. At a costume party, Betty waits in a bedroom to have sex with Stan. Lewis steals Stan's costume and has sex with her instead. Betty thinks she is having sex with Stan because she consented to have sex with Stan. She did not consent to have sex with Lewis. Therefore, Lewis raped her using deception. HAHAHA, right?

Of course, Betty is a non-character written by sexists, so she responds by falling in love with him. This has lead many other sexists to decide that this is not rape. They are incorrect. Rape by deception is rape. The act portrayed in this movie is rape. Anyone who disagrees is objectively a rape defender and a sexist. Feel free to out yourselves in the comments.

Ace Ventura: Pet Detective

ace venturaWarner Bros.

Ace Ventura: Pet Detective is just another wacky Jim Carrey romp where a big, loony goofball catches a murderer by...publicly removing her clothes to reveal that she's actually a pre-op transgender person? Wait. That's pretty messed up. Everyone gags and apparently this is supposed to be very funny? Looking back on it, Ace Ventura: Pet Detective basically boils down to a big "transgender people are gross!" joke. Lame.

Breakfast at Tiffany's

breakfast at tiffanysParamount Pictures

Breakfast at Tiffany's features Mickey Rooney in yellowface performing what might be the worst hate crime against Japanese people ever committed to film. Why did they do this? Just...why?

Indiana Jones and the Temple of Doom

indiana jones monkey brainsParamount Pictures

As an action film, Indiana Jones and the Temple of Doom still holds up surprisingly well. The action continues to feel original and creative, even after being copycatted for decades. The portrayal of Indian and Hindu culture, on the other hand, is absurdly offensive. Essentially bastardizing foreign cultures for shock value, Indiana Jones and the Temple of Doom popularized long-lasting, incorrect myths such as the "Indians eat monkey brains" trope. Not cool.

Chasing Amy

chasing amyView Askew Productions

Imagine a movie coming out today in which a straight man romantically pursues an out lesbian in an attempt to "change her back" and then actually succeeds. Such a film would be unfathomable. But back in the late '90s when LGBTQ+ communities weren't nearly as visible in the public eye, Chasing Amy seemed not only plausible, but cutting edge. Unlike a lot of the other films here, Chasing Amy doesn't intend to turn marginalized people into jokes––it just fails to understand them.

Crash

crash movieLionsgate Films

Crash was never a good movie. Crash never deserved its Best Picture Academy Award. Crash was a white director's shoddy attempt to boil down racism, race relations, and racial tensions into a simplified, melodramatic package meant for consumption by white people. Insane scenes delight in racially charged nonsense, like when a Persian shopkeeper, driven mad by racist slights, attempts to murder a Latino locksmith for no reason. Or when a racist white cop "redeems" himself by rescuing a black woman from a car crash after basically molesting her earlier in the movie. Crash was never and will never be anything better than stinky, stinky garbage. Please, throw Crash out.

Big

big movie20th Century Fox

Big may be a fun Tom Hanks romp full of whimsy and keyboard dancing, but it's also a movie where a little kid uses magic and lies to seduce and sleep with a grown woman named Susan. Ultimately, Susan discovers the truth and watches Tom Hanks turn back into a child, after which she presumably kills herself. Seriously, this poor woman needs to live with the knowledge that her emotional maturity is on par with a twelve-year-old and that she slept with a literal child. Where does a person go from there?

Welcome back to "Now in Theaters: 5 New Movies for the Weekend."

This week we have more live-action Disney and also Matthew McConaughey's bare ass.

WIDE RELEASE:

Dumbo

Tim Burton's take on Disney's 1941 animated classic, Dumbo, looks...fine. Tim Burton's visual flair is certainly apparent, but that hasn't been enough to make his last few movies particularly interesting. There's some serious talent in the cast (Michael Keaton and Danny DeVito), but it's worrying that the trailer focuses on two generic, wide-eyed youths spewing schlock lines like, "You can do it, Dumbo!" I'm sure it's fine. Everything is fine. The world isn't on fire. Enjoy your live-action Disney reboot.

LIMITED RELEASE:

The Beach Bum

THE BEACH BUM Trailer # 2 (NEW 2018) Zac Efron, Matthew McConaughey Movie HDwww.youtube.com

Matthew McConaughey plays Moondog, a prolific weed-smoker and sometimes poet who spends his days having sex and doing drugs in Florida. It's written and directed by Harmony Korine (Spring Breakers), so whether or not you enjoy The Beach Bum will probably come down to a few different factors. First, do you like Korine's distinct, hyper-colorful aesthetics and meandering plot lines usually full of unlikeable characters? Second, do you like Matthew McConaughey going all-out and showing his butt? And most importantly, are you very high?

A Vigilante

A VIGILANTE Official Trailer (2019) Olivia Wilde, Thriller Movie HDwww.youtube.com

A Vigilante follows Olivia Wilde in the role of a former domestic abuse victim-turned-vigilante who kills domestic abusers. But rather than dwelling on the violence, like most similarly conceived movies do, A Vigilante seems to focus more on the pain and darkness of Olivia Wilde's character. Wilde's performance is supposedly a real standout here, so if you're looking for a gritty, potentially upsetting denouncement of abusers this weekend, check this one out.

Screwball

Screwball - Official Trailerwww.youtube.com

Screwball is a documentary about baseball. If you think that sounds boring, I did too until I watched the trailer. Damn, that's an entertaining trailer. Director Billy Corben (Cocaine Cowboys) recounts Major League Baseball's most notorious doping scandal in 2013, wrapping in star players like Alex Rodriguez and Manny Ramirez. Many of the illegal activities seem to be rehashed by child actors dressed as adults, which sounds incredibly stupid but looks funny. If you have even a modicum of interest in sports or true crime, be sure to put this on your list.

Diane

Diane - Official Trailer I HD I IFC Filmswww.youtube.com

Diane is an aging boomer who dedicates her time to helping others, thinking about her friends and trying to bond with her drug-addicted son (yes, that's Pete from The Office). But she's got some personal demons of her own to confront too, and she's not getting any younger. It's hard to tell exactly what the movie is about from the trailer, but it currently boasts a perfect 100% on Rotten Tomatoes, so if you're looking for a serious drama this weekend, keep it in mind.


Dan Kahan is a writer & screenwriter from Brooklyn, usually rocking a man bun. Find more at dankahanwriter.com


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