FILM & TV

WEEKLY RUCAP | All Stars is back, henny!

Halleloo, ladies! Rupaul is back, and ready add a third queen to the Drag Race Hall of Fame.

RuPaul’s Drag Race | All Stars 4 Official Trailer

WARNING: THIS RUCAP CONTAINS MAJOR SPOILERS!

Hey kitty girls!

Rupaul is back with her new, legendary All Stars in a bombastic season premier that brought more than a few twists and turns. And despite my many fears, it seems that this season aims to not only match the legendary All Stars 2, but chisel it's own place as one of the best seasons of Drag Race we've ever seen. The queens have come to play and honestly, it's relief. This season has definitely been one of the most talked about seasons of the show's herstory - and I was afraid that it wouldn't live up to the hype.

But this premier did that.

We start the episode with the usual work-room walk-in starting with Trixie Mattel rollerblading through the work room door.

She delivers her, now iconic, "Oh hoooney," before almost falling on her face - but she recovers and even gives us an appropriately corny "And that's how I roll." She's perfectly pink, and sporting some 80s neon bodysuit realness. It was so perfectly Trixie and I lived for it. And she wouldn't be Trixie without throwing a little shade, "There's nobody in here. It's like a Morgan McMichaels meet and greet."

Then we had Season 6 club kid favorite, Milk! Serving some "denim pennochio."

It wasn't my favorite look out of the rest of the queens, but it definitely showed of Milk's ability to own any look she puts on. Plus, her opening line, "I just farted," gave me a good chuckle. And honestly, I picked up some definite diva vibes. It makes sense, Milk has seen a lot of success in her post-Drag Race career - but this is Drag Race, and it wouldn't be Drag Race without a little shade.

Then we have bayou queen, Chi Chi DeVayne!

She wears a beautifully made twist on her original entrance look - it's still trash bags, but they're yellow and they don't actually look like trash bags. She looks stunning, even if she can't keep that hat on her head. Not to mention, she brings a certain level of Southern charm that makes you just like her.

Then we have the permanently peppy Brooklyn queen, Thorgy Thor!

She is serving circus clown realness in probably one of the worst entrance looks I've ever seen. But, she makes up for it with her energy, even though she almost broke her foot on the way in.

Then of course, we have the dead bitch, Morgan McMichaels.

And she is slaying in this look! I've seen Morgan on WOWpresents, and I've seen clips of her stellar drag performances, and I am not surprised that the other queens are intimidated by her. She didn't come to play games, and she wants to make sure that every single contestant knows that.

Next is Aja, scooter-ing through in a delightfully skimpy outfit.

And I have to say it, I love her hair, and her make up shows a lot of improvement over the trainwreck that was season nine. She says she has some unfinished business, and I have to say, I was surprised to see her on the cast list. After all, she just finished Season 9 - but hey, I ain't complaining, 'cause this bitch clearly came to play.

Then there's BenDeLaCreme, wearing an atrocious repurposed dress.

Listen, I love BenDeLa, but come on - that dress looks terrible. And why did she have to do the same exact thing she did for her Season 6 entrance. I think Morgan said it well, she feels a little recycled. But, I can't really hate her, because she's too damned sweet!

Next we have one of my favorite entrances, Kennedy Davenport!

She's back, and she's here to show you that she didn't die, SHE CRYSTALLIZED! Sure, it was in a horrible dress, but I don't even care. She's perfect, she beautiful, and even if she looks like she just threw on a bunch of random stuff on a gross yellow dress.

Then we have Miss Shangela Halleloo herself, back in the world for the third time!

She enters in her iconic box, and then reveals into a very Alyssa Edwards-ian dress. I guess the drag daughter doesn't fall far from the tree. I mean, come on, you cannot tell me that you looked at that bow and didn't hear Alyssa's faint tongue-pop in the distance.

And just as the queens speculate about who the tenth queen is going to be, the sirens go off, signifying Rupaul is about to make his entrance. Everyone is confused, and then Ru enters, looking kind of funky in an all red suit, only to reveal that something seems to be wrong - there's someone missing. And after an agonizingly long wait - the mysterious tenth queen is revealed to be...

NONE OTHER THAN SEASON ONE WINNER, BEBE ZAHARA BENET!

Speculations about the mysterious tenth queen have been going on around the internet for ages. But in the end, it seems all signs pointed to Miss Benet's return. And man, what a return it was. I don't know what it is about her, but she exudes this ethereal energy that makes you feel both at ease and incredibly excited. Even though I already kind of knew it was her - I still felt my breath catch when she entered. I mean, look at her.

And the other queens were absolutely gagging - after all, she did win, how are they supposed to compete with someone who already won? We'll just have to see.

Anyway, after the dust settled, we were treated to a rather lackluster reading challenge. I don't know if everyone was just off or what, but they just didn't read very well. Especially poor Thorgy, who just couldn't seem to get a read out without spending twenty or thirty minutes taking me on some weird journey. BenDeLa ended up winning after delivering a surprisingly nasty set. But honestly, I think Kennedy's, "I hate you," towards someone (I think it was Aja) definitely deserved some sort of recognition.

After the reading challenge, Ru revealed that their first Maxi-Challenge would be another Talent Show ala All Stars 2 - and I'm not even mad. I don't know why I love the talent show idea so much - I think it's because we get to see what these queens think they can bring to the table. Ru also informed them that they would be doing the same form of elimination as last season: The winning queen gets to send one of the bottom two home.

Unfortunately, my excitement was short lived. Half of the queens decided they were all going to be doing the same thing, which was a major let down after the surprisingly diverse set the previous season's queens brought. I expected the show to wind up being just boring.

Boy was I wrong. There was a lot of dancing, sure. We had Shangela provide a perfect Alyssa Edwardian dance routine, but with her own twist. Bebe did an amazing Lion King-esque dance/lip-synch that literally transported me out of my body. Kennedy slayed it, as always, but is it really all that impressive if you expect it? Yes. It is. That was a dumb question. And Aja, Jesus Christ, AJA - she did a FLAWLESS performance that ended with a death drop from the top of a huge box to the ground!

BenDeLa slayed with a parody burlesque performance that involved her ripping off bra, after bra, after bra, revealing increasingly ridiculous pasties. It was hilarious, and honestly, I expected nothing less from her. She and Aja were definitely the highlights of the evening.

Thorgy and Trixie both stood out from the crowd, with Trixie doing a beautiful song with an instrument that I cannot identify. And Thorgy blending drag and violin in a fun little performance. They were different, but unfortunately, they both fell a little flat in terms of energy - especially after Aja.

Then we have the lower end of the spectrum. Morgan tried to perform one of her own mixes, but fell flat - it wasn't that it was bad - it was just boring. Chi Chi decided she wanted to look completely busted, and decided to go out with no heels, no pads, and a wig she got from Party City. And then there was Milk, who delivered a weird and dull performance to one his own mixes that basically included him strapping cardboard dresses to himself.

I wasn't surprised to see Aja and Ben take the top, and Morgan and Chi Chi end up on the bottom. The deliberations were definitely different from the last season, with most of the cast (excluding BenDeLa) agreeing that a "group consensus" wasn't going to work.

They each come out and deliver a fun lip synch to Nicki Minaj's "Anaconda," with Aja doing a more poppy-sexy kind of move, and BenDeLa doing a perfectly shtick-y, fun routine. BenDeLa ends up taking the win and (falsely) stating that the group has come to a consensus and that means that she's going to send... Morgan home!

But, much like last season, I doubt this is the last we'll see of Morgan. After all, Rupaul has her back.

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Let's Not Be (feat.)-Obsessed

(feat. Me)

Earlier this month, Drake jumped on a song by a mostly unknown Memphis rapper. The song is now one of the most popular in the country. Two weeks later, its music video has over 20 million hits on YouTube, almost 30 million plays on Spotify, et cetera et cetera. Now BlocBoy has a feature in XXL. Articles like "BlocBoy JB is now in the running to become America's next top rapper" from The Fader have begun to pop up around the internet. Suffice to say that, as a result of one song feature, this persons life has changed forever.

Drake is so powerful, it's creepy. Few people on Earth without "CEO" or "President/Prime Minister" in their title have a greater influence over large populations of people as he does. You'd be hard pressed to find more than a few hip-hop artists of this generation who've come up without the help of a Drake cosign. He hopped on "Tuesday" and created iLoveMakonnen, remixed "Tony Montana" and out came Future, gave "Versace" a verse and helped birth Migos. It's amazing to think back now on his 2012 "Club Paradise" tour, which featured such up-and-coming rappers as Kendrick Lamar and A$AP Rocky as opening acts. Today, that same show would cost you an arm and a leg, then your other arm and your other leg too if you purchase secondhand.

Cosigns and song features long precede Drake, and hip-hop was on a track towards the mainstream even before he entered the set of 'Degrassi'. But in a music space where a single artist can vault another artist to nationwide (even worldwide) fame solely on the basis of a single guest appearance, it makes sense that features have become comparably as significant to a song's success as the quality of the music itself. It's why you'll see weak album tracks like "White Sand" (Migos feat. Travi$ Scott), "Lil Baby" (2 Chainz feat. Ty Dolla $ign) and "Relationship" (Young Thug feat. Future) over-performing their superior counterparts—in this case, songs like "Countin", "Open it Up" and "Me or Us", respectively. Furthermore, in an environment where songs often gain popularity in proportion to the number of famous people involved, it makes commercial sense for musicians to pair up more often, regardless of actual artistic considerations.

At first this was all really cool. "Watch the Throne" put together the game's two biggest names, and it couldn't have been more hyped. Years later it happened again, with "What a Time to be Alive". Of course, both albums turned out to be slightly underwhelming—good but not great, and of lesser quality than any of the involved artists' individual works. What were the lessons learned? Perhaps that putting two artists together isn't simple arithmetic, if you're a listener. Or, if you're a label, that a collaborative album of enough star power can sell regardless of quality.

In 2017, it felt like we learned the second lesson but not the first. There was the 21 Savage-Offset album which was pretty good, and the Travi$ Scott-Quavo tape that was supposed to be even better but ultimately turned out worse. Metro Boomin' and Gucci Mane put in a solid project with a couple of certified bangers, but Young Thug's mixtape with Future was nt worth a second play through.

I think it's great that rappers these days are friends, and the violence and territorialism of the 90's isn't really around anymore. And I'll admit I'm part of the problem here: when the hype machine starts rolling on, say, the rumored Migos-Young Thug tape, I'm right up on it. I'd also never presume to tell anyone else what to listen to. But maybe we could do more to reward quality of music, rather than this additive fame factor, by being aware of ourselves.

BlocBoy is better than Drake on "Look Alive". We're at the point now where that sort of thing really doesn't matter.

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