FILM

It's Time For Hallmark Channel To Make Some Shlocky LGBTQ+ Christmas Movies, Too

No marginalized group has really made it in America until Hallmark Channel panders to them.

Photo by Jadon Johnson on Unsplash

In a recent divergence from their usual agenda of holiday-centric shlock-peddling, Hallmark Channel forayed into the political arena when they decided to pull an exceedingly inoffensive Zola commercial that–*GASP*–featured two women getting married.

Their decision to pull the commercial came as a result of targeted screeching, courtesy of One Million Moms, a fundamentalist Christian hate group who can't do math; there are far less than 100,000 of them, thank God.

Then, because Hallmark is nothing if not a cold, uncaring business (never forget that businesses have zero actual values of any kind, and exist solely to generate profit), Hallmark reversed their decision as soon as they realized that literally everybody else thinks that One Million Moms are insane. More importantly, Hallmark recognized that they were about to be blacklisted by 70% of the country for pandering to an actual hate group over a harmless commercial that is so clearly appropriate to anyone who isn't an outright lunatic.

So now Hallmark is in damage control mode, rolling over and debasing themselves in hopes that someone, anyone will still watch whatever schlocky holiday specials they poop out this year.

But if Hallmark really wants to show they're sorry, they need to go a little bit further than just sending out a Tweet promising that they'll work with GLAAD to vaguely do better. If Hallmark is really sorry, then they need to make an LGBTQ+ holiday movie that's just as schlocky as all the other shlock they spew out.

There are already LGBTQ+ films. The problem is that most of those movies are actually good, and no marginalized group has really made it in America until soulless corporations start pushing out steaming, cookie-cutter turds re-skinned for their specific demographic.

So in the name of inclusivity, holiday cheer, and my all-consuming love for terrible media, I'd like to offer Hallmark Channel a few LGBTQ+ holiday movie ideas that I think would be in line with the rest of their garbage.

The Christmas Daddy

The Christmas Daddy is a Hallmark Channel Original LGBTQ+ holiday thriller (written by a straight white person, of course). It tells the story of Mike Dapple, a handsome New York man in his mid-50s who recently got divorced from his husband. With the holidays coming up and nobody to spend them with, Mike decides to go on vacation to sunny Cabo. There, on the sandy beaches on Christmas Eve, Mike has a one night stand with Jack Crawford, a young, 20-something midwestern guy with a major thing for daddies.

Shortly after returning to New York, Mike and Jack get set up with one another through a blind dating site. Strange, considering Jack was living in the midwest only a few days prior? But as Mike and Jack's paths seem to coincidentally cross again and again, Mike comes to the horrifying realization that all of this might be by Jack's design. Can Mike escape Jack by New Years or will this be his last Christmas?

See, Hallmark? It's not that hard to do what you do. Look, here's another:

A Lesbian Family Christmas

A Lesbian Family Christmas (which, again, will be written by a straight white person because progress only goes so far at Hallmark), tells the story of a lesbian couple hosting a big Christmas party for their two very different families. Evelyn Winchester is an artist, and her parents are very wealthy and well-to-do. Marcie Jaegermeister is a lawyer and grew up in a family of very poor farmers. This Christmas, they're bringing their very different families together for the first time ever, and oh boy, these people are from very different walks of life!

Evelyn and Marcie love each other a whole bunch, but will their love be strong enough glue to bring their very different families together? Is it possible for very different people to find commonalities during Christmas? Hallmark Channel certainly thinks so. Otherwise, this movie wouldn't really be about anything other than two people throwing a nice Christmas party, and hey, that could probably be another Hallmark Channel movie, too.

The Transgender Christmas Princess

This one is so up Hallmark's alley that it's practically coming out their mouth. The Transgender Christmas Princess is just like literally every other Christmas Princess movie that Hallmark Channel has ever made.

Alice Haliburton is a self-insert trans woman with zero personality, currently living in Brooklyn and working at a bakery or something. One day, she accidentally drops an egg on a handsome customer, who asks her out to dinner. She tells him that she is transgender, and he says that's cool and also that he is a Christmas Prince. The Christmas Prince invites Alice to a country that is not America where he's expected to reside over the annual Not America Christmas Pageant. Will she join him and become his Christmas Princess? Alice says yes, officially making her the Christmas Princess.

Alice and the Christmas Prince travel to Not America for the Not America Christmas Pageant. There, the Christmas Prince's family turns out to be a bunch of stuffy old people who prefer to do things The Old Way. None of this pertains to Alice's gender identity, which is nobody's business apart from Alice. More like, the old people want one kind of Christmas ornament, and Alice and the Christmas Prince want a different one. It's not that serious. We get some goofy Christmas hijinks, and then at the end, the old people are like, "You're a great Christmas Princess, Alice, and we guess The New Way is okay, too," and Alice looks at the Christmas Prince and says, "I learned from the best!"

I'm happy to write any of these scripts for you, Hallmark, please don't be afraid to ask.

Photo by: chadmadden / Unsplash

It's been a deplorable year for optimists.

Alternate facts, climate change, genocide, corruption, the looming threat of nuclear holocaust: It all equates to a not so holly jolly holiday season. For millennials it all felt so different a mere decade ago. The snow would fall slowly and stick to the ground for weeks on end, rather than evaporate in a few days. On Christmas Eve, many of us would curl up in our jammies with our families underneath a heavily decorated pine tree and watch all the varietal but thematically similar Christmas specials spewed across basic cable (Dolly Parton for some, Charlie Brown for others). We'd listen to these ridiculous, and at times problematic, Christmas songs and ignorantly bask in the holiday season's unrealistic cheer. It was all so campy and all so naive, but in hindsight, it makes some of us sigh with bitter nostalgia. What a gift it was to completely disconnect for a few days, to eat that shit up. But in 2019, the task feels insurmountable, even privileged, and offensive. But doesn't everyone deserve a break?

Christmas Makes Me Cry (From The Kacey Musgraves Christmas Show / Live From The Ellen D...www.youtube.com

Kacey Musgraves thinks so, and on her whimsical new Christmas special, it's impossible not to be charmed, or at least grin at its farce. Recounting Christmas shows of yore, Musgraves doesn't quite "reimagine" the Christmas Special as initially advertised, but instead delivers a traditional offering in shiny new wrapping paper a la Amazon Prime. Filmed on a live set, in front of a live audience, it's all quaint and theatrical. From can-can dancers dressed as candy canes to Troye Sivan's shimmering green blazer and pink button-up to a dancing reindeer to Musgraves fluorescent sparkles and shimmering red and gold dresses, it's all unapologetically in your face.

A Christmas special this exuberant wouldn't be possible unless the cast of characters were up for the task, and Musgraves does an excellent job of rounding up the most unproblematic, happy-go-lucky people in pop culture. No one else could sing Mele Kalikimaka with as much Bikini Bottom candor as Zoey Deschanel. Camila Cabello's voice is like butter alongside Musgraves, and Fred Armisen's bone-dry, dead-eyed demeanor as he's continually interrupted by construction workers while singing "Silent Night," (get it? Cause it's not silent), is reminiscent of the simple times of early SNL. All the while, Musgraves offers awkward quips of dialogue with charming sincerity. "I really, really appreciate you making the time to come here," she says to Lana Del Rey as if her surprise cameo was unplanned.

But the show's biggest highlight comes in the form of its narrator, Daniel Levy. While Musgraves delves into the holiday melodrama, Levy's playful sass contrasts Musgraves's campiness with a few bitter realities of 2019. "So Kacey had an emo moment in her bedroom," he says at one point. "Because sometimes, just sometimes, a great singing career, a bunch of Grammy's and this over the top bathroom just aren't enough." He jumps in at opportune moments to lightly criticize the most dated aspects of Christmas. When Musgraves asks Levy to remain cheery, he replies sarcastically, "Cheer? In this corporate political climate, okay, sure."

The commentary doesn't go much farther than that, but his frisky derision quells any cynics and attempts to silence critics who will undoubtedly find Musgrave's relentless optimism dated or insensitive. The politically active country star is a die-hard liberal, but Musgraves is also a massive proprietor for taking a step back from reality and engaging in simple pleasures every now and then. "It can be easy to forget that right now there are literally jellyfish that light up, and plants that can change your mind, and Northern lights and shooting stars," she told Billboard. Musgraves has an uncanny ability to warm the hearts of even the most bitter scrooges. It's what made Golden Hour such a captivating record, and while her Christmas special doesn't hold a torch in comparison, it radiates a similar narrative. Just play along. It's Christmas after all, and you deserve to feel happy, even if just for an hour or two.

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