New Releases

Taylor Swift Finally Has Something to Say

With an awkward (albeit successful) transition from country to pop, the star struggled to grow and change with fans, but now Swift is rediscovering her voice

Taylor Swift

Photo by Tinseltown/ Shutterstock

After a decade of heart-wrenching, soul-shaking, and groundbreaking love songs and breakup anthems, Taylor Swift is finally singing about something bigger than herself.

Whether the criticism for being apolitical wore her down or she needed to rebrand to stay relevant by cultivating a newer, younger fan base, we're relieved. Swift's Reputation era left some fans disappointed. They expected her to tackle the media and her "reputation," but instead, Swift victimized herself and gave us nothing new or lasting. Her latest rollout is plastered with pastel rainbows, making some question if Swift is hinting at something about her sexuality, especially since her most recent single, "ME!," was a rumored coming out. With her new single, "You Need to Calm Down," Swift is finally beginning to break down her walls, calling out the negative nellies of the world and celebrating self-expression.

An anti-hate anthem isn't a new idea for Swift, but here she dedicates a whole verse to uplifting her LGBTQ+ fans. The notable verse smoothly articulates homophobia as a waste of energy: "Why are you mad when you could be GLAAD? / Sunshine on the street at the parade / But you would rather be in the dark ages / Makin' that sign must've taken all night." The sly spelling of GLAAD could go unnoticed, but her lyric "Shade never made anybody less gay" doesn't beat around the bush. She even celebrates gender expression, gutsily asking in the refrain, "Can you just not step on his gown?" "You Need to Calm down" is the adult "Mean": Swift uses the external instead of the personal to explore societal hate, effectively grounding her message in everyday examples.

For the first time in three albums, a Taylor Swift pre-album single is intriguing and insightful. While expectations were low after "ME!," "You Need to Calm Down" delivers a Swift we've never heard before: a grown woman speaking her mind. At last, she's hit her cool-girl stride, effortlessly blending vocals with spoken word components. With an awkward (albeit successful) transition from country to pop, the star struggled to grow and change with fans, but now Swift is rediscovering her voice. She's no longer the raw, thumping country-rock adolescent; she's an adult using her platform to speak out about greater issues. Hopefully, this Taylor sticks around.

CULTURE

Vulture Dehumanizes Drag Queens with Random Ranking

Unfortunately, New York Magazine overlooked the depth of those underneath the makeup, even dwindling some down to a footnote.

When New York Magazine began releasing photos of international drag sensations, many fans were excited to read profiles on the artistic geniuses.

Unfortunately, Vulture's coverage reminded many that a RuPaul's Drag Race bubble exists and not everyone respects the Queens for the artists they are. Instead of treating the magazine's cover stars like those prior, the publication ranked the performers, classifying them as either Top Tier or Bottom Tier. The reductive representation offered no further insight on the fascinating queens—who they are beyond surface level accomplishments or individual placements on the show. While Drag Race is a launchpad for hundreds of queens, Vulture failed to appreciate the profundity of the new generation of Instagram and reality TV celebrities.

The lives of drag performers tend to be disregarded, with fans favoring the spectacle and on-stage characters. This is a reminder that queens embody a type of expression that both embraces and rejects gender to cultivate a new narrative and understanding of personhood. Drag culture is a celebration of self and the ability we have to truly be ourselves. Unfortunately, Vulture overlooked the depth of those underneath the makeup, even dwindling some down to a dehumanizing footnote.

Queens photographed for the publication reacted swiftly, taking to Twitter to criticize the written content and the photos' lighting.

Although Martin Schoeller is known for his up close, unedited style, the article did not match the quality of the photos. Willam Belli (of Drag Race and television fame) called out the journalistic integrity of Vulture's editors, claiming none of the subjects were informed they would be ranked.

If journalists bothered to look beyond the accessible information on a drag queen's career, each artist's influence on our cultural consciousness would be more recognized. In turn, they could become championed members of our society, surpassing Pride coverage and queer-oriented events (ahem Met Gala). Uplifting their stories year round (outside of the reality show format) would increase the number of pivotal voices allowed to transform our culture. If it wasn't obvious enough, these entertainers have contributed to a shift in Western society and impacted younger generations for good: Gen Y and Z are more inclusive and expressive than past generations, which will inform the future, with or without journalistic appreciation. Vulture should know better.

New Releases

Billie Eilish Releases Homophobic New Song

"I wish you were gay" did not go over well with fans.

The music Billie Eilish has released thus far in her short but white-hot career has mostly been anthems of self-empowerment like "you should see me in a crown," with driving synths and aggressive bass, or atmospheric songs about heartbreak like "when the party's over." Now, the 17-year-old pop sensation has come out with "wish you were gay," a song flooded with a sense of longing that's a new addition to her emotional repertoire. But unfortunately, the otherwise quality song is marred by an uncomfortable dose of homophobia.

When the title of the song was first announced, many Billie Eilish fans hoped the song would be Eilish's way of coming out as queer. But when the song dropped, a particular section of lyrics made it clear the song is actually about a man:

"I just kinda wish you were gay

To spare my pride

To give your lack of interest an explanation

I'm not your type

Maybe I'm not your preferred gender orientation."

Then, in a live stream, Eilish confirmed this interpretation.

She says, "The song is called 'I Wish You Were Gay,' and that's so not meant to be offensive in any way. It literally means that I wish he was gay so he didn't like me for an actual reason instead of the fact that he didn't like me." She continued, "And guess what: he just came out to me a couple of weeks ago. So f***ing, I did that s**t! I wrote the song and made him f**k a dude. I'm f***ing proud, bro." She ends the video by adding: "That's okay, he can be gay with other gay guys, and they can be beautiful together. And I can just watch."

Many Twitter users reacted angrily to this news. One user said,

Another thought Eilish should know better, tweeting, "'wish you were gay' is sad and problematic. why are we always used as a joke or to make the straights feel better about themselves when they decide to not be uncomfortable. Although we all make mistakes, Billie is old enough to know what is appropriate and what is offensive."

So not only are fans disappointed that they didn't get the gay anthem they expected, but they're also angry to find that what they did get is a politically tone-deaf song that implies that if a man doesn't like Billie Eilish, then surely he must be gay. Not only that, but the insensitivity of Eilish's explanation of the song is difficult to stomach, in particular, her comment: "And I can just watch," that suggests a fetishization of homosexuality. She also implies that she "made" the man in question gay by releasing the song, a problematic implication that removes this man from the center of his own coming out story.

As society becomes more and more accepting of gay culture, this kind of fetishization of homosexuality, particularly by straight white women, is becoming more and more common. Enter the gay best friend stereotype in which the straight female friend tends not to be offended by her gay male friend's sexuality, but also doesn't take his personhood seriously in the same way she would a straight man. It's this kind of narrative that slips by under the guise of acceptance, but can be nearly as damaging as outright bigotry. We expected more from Billie Eilish.


Brooke Ivey Johnson is a Brooklyn based writer, playwright, and human woman. To read more of her work visit her blog or follow her twitter @BrookeIJohnson.


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Kevin Hart Steps Down as Oscar Host

The comedian-actor has deleted multiple tweets after being slammed for past homophobic remarks.

Kevin Hart at the Hollywood Walk of Fame Star Ceremony

Photo by Featureflash Photo Agency (Shutterstock)

Updated Story:

Kevin Hart withdrew from hosting the Oscars on Friday, after homophobic tweets surfaced from 2011. Among the tweets, many now deleted, Hart said, "Yo if my son comes home & try's 2 play with my daughters doll house I'm going 2 break it over his head & say n my voice 'stop that's gay'." The actor and comedian faced backlash from the LGBTQ+ community, and the academy reportedly asked Hart to apologize for the homophobic tweets, or they would find another host. On an Instagram post on Thursday, Hart said he wasn't going to apologize, saying he didn't want to contribute to "feeding the internet trolls."

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