If you'd asked Jawsh 685 about TikTok a year ago, the producer behind smash Jason Derulo collaboration "Savage Love (Laxed –Siren Beat)" would have scoffed.

As far as the 18-year-old was concerned, the app was a "cringe" place to post dance videos and hardly the platform that would propel the music and culture of a teen from the modest suburbs of South Auckland, New Zealand to worldwide stardom.

"I heard of TikTok and thought it was cringe because all I saw was people dancing in front of their fence," Joshua Stylah says. "I thought it was not that cool, but then I downloaded the app for fun and started finding interesting stuff. I would scroll for hours looking at posts, but wasn't posting anything myself."

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"We all see people in the public eye who seem to drop weight right after having babies, but that's just not realistic." Jessie James Decker gets it.

A change in weight can be grounds for online discussion for anyone in fame.

After giving birth, the country-pop singer-songwriter struggled with the expectation to "bounce back" right away.

As a musician, reality star, wife of an ex-NFL player, and owner of her own clothing and accessories line, Jessie didn't want to get out of the spotlight. However, she didn't want the spotlight on her weight.

With so much information out there about nutrition, she didn't know where to start. That's when she found the South Beach Diet®.

"This is the fastest I've lost weight from my pregnancies and it truly feels like the South Beach Diet made it so easy. They send me all the right foods, so I don't have to stress about what I eat!" says Jessie.

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The South Beach Diet® has been around for a long time. It's a doctor-designed plan that's easy to follow. It encourages a meal plan filled with healthy fats, proteins, and non-starchy vegetables, so you're sure to stay satisfied as you lose weight.

The best part about it? Convenient home delivery! There are multiple plans to pick from and you can get breakfasts, lunches, dinners, snacks, and shakes delivered right to your door. Everything is perfectly portioned, making weight loss simple and delicious.

They have all of your favorites, including High-Protein Pancake Mix for breakfast, White Bean Chicken Chili for lunch, a Dark Chocolate Nut Bar for a snack, and Steak and Asparagus for dinner. You also add in fresh grocery items and get to make some homemade meals for the perfect balance of structure and flexibility!

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If Double Chocolate Cookie Bites are in your diet, you know you're doing it right. This tasty South Beach Diet®snack satisfies your chocolate cravings and your appetite, so you can stay on track AND enjoy something sweet.

The South Beach Diet® truly is a total weight loss solution. It even offers a free tracking app and weight loss counseling! If you follow along with your meals, grocery add-ons, and their expert guidance, you may be able to lose up to seven pounds in your first seven days.* Followed by a steady weight loss of one to two pounds per week, you'll be well on your way to your goals.

"If you want to know how I stay in shape, it's thanks to the South Beach Diet," says Jessie. "Trust me: The South Beach Diet works."

As the face of a clothing brand, you need to be confident. The South Beach Diet® gave Jessie the confidence she never knew she could have, losing 25 pounds** as a mom of three.

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*In a study avg. weight loss was 5.8 lbs in the first seven days.

**Expect to lose an average of 1-2 lbs per week while on the program.

CULTURE

See the Fake Resume That Got Lori Loughlin's Daughter into USC

The forged document suggests that one of Loughlin's daughters—probably YouTuber Olivia Jade—was a rowing star.

Olivia Jade Speaks Out - Olivia Jade, daughter of Full House Actress Lori Loughlin By Red Table Talk | Facebook

Last March, Full House actress Lori Loughlin and her husband were charged by the FBI in a now infamous nationwide college entrance exam cheating scandal.

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Emily Ratajkowski, NYT Best-selling Author, Entrepreneur, and Model

Photo by: AWNewYork/Shutterstock

Saudi Arabia is trying to save face.

That seems to be the underlying purpose of a massive festival called MDL Beast, which recently recruited supermodels like Alessandra Ambrosio, Jourdan Dunn, Halima Aden, Irina Shayk, and Elsa Housk to party in the city of Riyadh.

Other attendees—many of whom flew in on private jets—included Luka Sabbat, Peggy Gou, J Balvin, Ed Westwick, Winnie Harlow, Sofia Richie, Scott Disick, Olivia Culpo, and Armie Hammer. Many attendees apparently received "6-figure sums" or offers as high as 8 figures in exchange for their presence and social media posts.

Ostensibly, the bevy of stars and their entourages were there to attend a three-day musical festival, which attracted hundreds of thousands of attendees. Their presence was part of Crown Prince Mohammed bin Salman's ongoing attempt to modernize the country and maintain its lucrative relationships with other nations while distracting from the country's history of violence.

It seems to be working. Reports described the event as reminiscent of Woodstock or Coachella, and included a "rave" and "surrealist performers."

According to Armie Hammer's Instagram post, the event "felt like a cultural shift" and "will lead a cultural revolution."



Sofia Richie echoed the sentiment, posting an image of herself and friends, originally with the caption "Saudi Girls." The caption appears to have since been removed, but the photo—which remains—was taken at Riyadh's Ritz-Carlton Hotel, which is the same place where the Crown Prince detained political opponents in 2017.

Saudi Arabian influencer Nojoud Alrumaihi responded to critics and expressed support for the so-called cultural revolution, writing, "It's so sad to see posts based on complete ignorance and absolute media propaganda. While Saudi is pushing so much to change and to become the place it visions to be, we see posts like this from someone who never probably spoke to ONE Saudi person."


Emily Ratajkowski Declines Invitation to MDL Beast, Calls Out Human Rights Abuses

Not everyone was as quick to join the party. According to model and actress Emily Ratajkowski, who declined an invitation, attending the event went against her values and belief in human rights.

"It is very important to me to make clear my support for the rights of women, the LGBTQ community, freedom of expression and the right to a free press. I hope coming forward on this brings more attention to the injustices happening there," Ratajkowski told Diet Prada, an Instagram account that calls attention to injustices in the modeling and entertainment industry.

The Diet Prada account also posted a long critique of the campaign, citing Saudi Arabia's history of human rights abuses and violations.



In another critique of the event, former Teen Vogue editor Phillip Picardi questioned the integrity of the positive messaging that ensued from the festival. "A lot of the messaging of the captions is about portraying SA as changed and accepting, and the trips appear to be coordinated with the government or tourism board," he wrote. "You can't really 'buy' that kind of messaging, and how was your experience there tainted by who organized your trip and what you can or cannot say?"

Model Teddy Quinlivan also made her opposition public, putting things a bit more bluntly. "If you're an influencer and you're promoting tourism to a place to [sic] openly kills journalists and LGBTQ people as well a list of other horrible and archaic laws and politics: You're a f*cking SELL OUT," she wrote. After receiving backlash, she quipped on Instagram, "I've been called a sl*t and a wh*re more times in the last 24 hours by Saudi Arabian trolls and bots than I have in my entire life."

Karen Attiah, a journalist and friend of Khashoggi, also blasted the festival's attendees, citing the inevitable corruption that stems from accepting a sum in exchange for publicity. "I, along with activists and journalists have been living for the past year with risk and intimidation for daring to speak out about Jamal Khashoggi's murder, Mohammed bin Salman and the abuses under his watch," she tweeted. "For Glamour UK to take money from KSA.. it's a slap in the face."

"The dark side of influencer culture is that it really is the ultimate expression of capitalism. Money over human lives. What good is your platform if you overlook Saudi regime's murder and torture for a few bucks? These influencers are just for-hire human billboards," she added.


Jamal Khashoggi's Murder Continues to Reverberate as Five Are Sentenced to Death

The list of Saudi Arabia's injustices is long. Saudi Arabia has actively funded the war in Yemen, which has led to what the United Nations described as "the world's worst humanitarian crisis."

The nation has also been condemned for the detainment and torture of woman activists, for regressive treatment of women, and for "the arrest, imprisonment and harassment of large members of the Shi'a Muslim community and other minority groups" and the "long-standing exploitation and abuse of migrant workers," according to Amnesty USA.

While this has been ongoing, Saudi Arabia gained international attention for the murder of journalist Jamal Khashoggi. Today, the Monday after the festival, five men were sentenced to death for killing the journalist in 2018 after a trial concluded the verdict was not premeditated.

The list did not include any top Saudi officials, nor an advisor to the Crown Prince, according to CNN. Many viewed this as a slap in the face, as U.S. intelligence agencies have posited that the murder was ordered by Mohammed bin Salmad himself.

In a tweet, UN Special Rapporteur Agnes Callamard—author of a 101-page report on the murder—condemned the verdict, writing that "the sentence today is anything BUT justice."


The Implications of Visiting Saudi Arabia: BTS, Nicki Minaj, and the Politics of Performance

This is far from the first time that stars and influential people have sparred over whether or not to collaborate with Saudi Arabia.

In July, BTS made the decision to perform in Riyadh, having been personally invited by Crown Prince Mohammed bin Salmad. They faced criticism but defended the decision. "If there's a place where people want to see us, we'll go there. That's how we feel," bandmember Jimin said at the time. The K-pop stars joined the ranks of artists like Mariah Carey, Enrique Iglesias, and David Guetta in deciding to perform in Saudi Arabia.

On the other hand, the same month BTS performed, American artist Nicki Minaj made the decision to pull out of a Saudi Arabia show. Like Ratajkowksi, she cited support for women, the LGBTQ community and free press, according to her statement.

Thor Halversson, president of the UN's Human Rights Foundation, lauded Minaj for her decision at the time. "This is what leadership looks like," he said. "We are grateful to Nicki Minaj for her inspiring and thoughtful decision to reject the Saudi regime's transparent attempt at using her for a public relations stunt… Minaj's moral stance differs from celebrity performers like J-Lo and Mariah Carey, who in the past have chosen to line their pockets with millions of dollars and stand with dictatorial governments as opposed to with oppressed communities and imprisoned human rights activists."

All this raises a knot of questions. When is art separate from politics, or is it ever? Are influencers and advertisers separate from politics?

In a situation where artists and influencers' positive PR is literally being purchased by the state, it's hard to say that these people can or should separate themselves from the political implications of their actions. While music and performance can create a bridge across political and ideological differences, in today's political theatre—when public personas are inextricable from their political contexts—musicians and content creators are increasingly obligated to actively align themselves with human rights, or face the Internet's ire. However, in a world where influencers still flock to Saudi raves, one question that remains is: At what point does an apolitical stance become indistinguishable from taking the position of the oppressor?

In a recent New Yorker article, Jia Tolentino addresses the phenomenon of the "Instagram face."

This social media-optimized visage, she writes, is a "single, cyborgian face. It's a young face, of course, with poreless skin and plump, high cheekbones. It has catlike eyes and long, cartoonish lashes; it has a small, neat nose and full, lush lips. It looks at you coyly but blankly, as if its owner has taken half a Klonopin and is considering asking you for a private-jet ride to Coachella."

If you've spent any time online, you probably know what Tolentino is talking about. "Instagram Face" is a term that refers to any of the artificially beautiful faces we see that could only exist online and thanks to a great deal of surgical enhancement. It's deeply linked to money, to plastic surgery, and to the utilization of light, texture, and power through image manipulation. It's inspired by Kylie Jenner and her brood. It's white but tanned, often freckled and always pouty-lipped. It is "as if the algorithmic tendency to flatten everything into a composite of greatest hits had resulted in a beauty ideal that favored white women capable of manufacturing a look of rootless exoticism," writes Tolentino. It is everything and nothing at the same time.

Handsome Squidward and Bella Hadid: Beauty as Pain

While thinking about these faces—shaped by highlighter and lip kits and edits and plastic surgery, blown-out and contoured and often captioned with Lizzo lyrics or quotes about either sadness or female empowerment or some combination of both—I began to realize that they reminded me of something.

Admittedly, they reminded me of a lot of things. Humans have always idealized unattainable beauty, and, in a way, the Instagram Face is like a modern iteration of ancient Greek sculpture. They symbolize humanity's aspiration to physical perfection, refracted through capitalism and technology—but they also resemble the iconic Handsome Squidward from the SpongeBob episode "The Two Faces of Squidward."

In the episode, Squidward gets hit with a door and after two weeks in the hospital, he finds himself converted to a Chad-type, complete with a very strong jawline. He is immediately photographed and thronged by groups of fans who attack and injure each other in an attempt to steal his clarinet and clothing. Unable to escape the rabid crowds, Squidward runs to the Krusty Krab and begs SpongeBob to change him back, so SpongeBob smashes him in the face with a door until he becomes...something surreal and bloated, something doomed and too beautiful for this Earth. He becomes Handsome Squidward.

As a crowd of onlookers gazes on in awe, Handsome Squidward dances across the screen. He moves like a drugged ballerina, bogged down by the weight of his beauty.

Handsome Squidward ~ The Short Versionwww.youtube.com

He bears a striking resemblance to Michael Phelps in stature and Bella Hadid in features. Perhaps it's no coincidence that Hadid is the first result that comes up on Google when you search "Instagram Face." Hadid, like Handsome Squidward, didn't always look like she does.

Instagram Face is a product of money—of plastic surgery, injection, or incision. Like Handsome Squidward, its beauty is artificial and painful and precarious.

Perhaps Handsome Squidward's defining characteristic is that he is always falling. He carries an air of doomed glory around him. His beauty is apocalyptic and self-annihilating. In the modern world of the Instagram Face, beauty is pain, collapse, falling, breakage. It's breaking one's face open and filling it with collagen and chemicals and projecting it through software in hopes that what blooms from the wreckage might garner attention, acceptance, adoration, and eventually, compensation.

The Instagram Face and Capitalism: Beauty as Collapse

When I see Instagram faces, digitally manipulated and paid for in order to sell, I experience a feeling of falling. Instagram faces are inherently doomed, as we all are, to age out of their beauty, to fall prey to the passage of time, to slip down and hit the earth. The bearers of Instagram faces, I assume, are forced to deal with the ugliness of the ordinary: the way faces peel and breathe and sweat and bleed, the way bodies contort and sag and excrete. For a brief moment, in the free-falling sphere of the online vortex, they are beautiful. For a moment, they are infinite, immortal, not-alive.

In that, they bear a resemblance to the most elusive and tantalizing aspects of capitalism, which—for all I criticize it—can look truly beautiful. That's part of its charm. Though, of course, we know that capitalism is killing people and killing the planet, brainwashing us into idealizing completely arbitrary traits, and always has been. Capitalism has motivated everything from colonization to trauma on the Internet, because it works. It is so difficult not to aspire to its promises and not to hoard the wealth and objects that one has. It is so difficult to extricate ourselves from it, even though we know it's killing the planet and so many people.

Still, the idea that we might be able to streamline and photoshop and buy ourselves into a life that feels like a Goop catalogue looks will never stop being tantalizing. No matter how much we preach self-love, our culture is still confused by a desire to transcend our human limitations even at the cost of our humanity. No matter how much we preach radicalism and liberation, we still live in a society built on competition. This sick mindset may be guiding us towards total climate collapse; but then again, have we ever not been falling?

Empowerment and Shifting Possibility: Beauty as Power

Of course, not everything about the Instagram Face is bad, or, at least, it's not implicitly worse than the beauty standards we've always glorified. The Face is becoming increasingly attainable to all genders. In a way, it does level the playing field, offering people the opportunity to change themselves on many levels. And it can offer confidence boosts. "On one hand, some people may find that conforming to a beauty standard can help with confidence and self-esteem," writes Julia Brucculieri for The Huffington Post. Still, even that self-esteem and confidence (like most of what gives us thrills within beauty-obsessed capitalism) teeters on thin ice. "That confidence boost, though, will likely be short-lived, especially if you become increasingly obsessed with presenting an altered version of yourself on social media."

There is, of course, the argument that we shouldn't criticize girls and women for posting selfies or for editing themselves, which makes a valid point. There is a tremendous amount of sexism inherent in a lot of criticism of women owning and celebrating their beauty, sexuality, and flesh prisons.

Still, when I see these faces I can't help but feel like capitalism has devoured female empowerment, regurgitating it just like it's capitalizing on social justice without really changing anything while whiteness has remained in power; it's just morphed. The modern era was supposed to be post-feminist, a time of body positivity and liberation. When did it become about mutilating ourselves, about endlessly deifying "glow-ups"? Has the human algorithm always leaned towards competition, and will we ever successfully hack it?

Are the Kardashians' billions a sufficient balm for knowing that their fans are harming themselves and ingesting toxic diet products in order to achieve a look similar to theirs? Most likely.

But when I scroll through Instagram, I still can't help but feel like those fish watching Squidward fall through the glass. I can't look away from this dazzling, collapsing world.