Toxic masculinity kills.
"What is your definition of being happy?"
In the second episode of Netflix's latest true crime docuseries, Killer Inside: The Mind of Aaron Hernandez, Stephen Ziogas, Aaron Hernandez's childhood friend, can't imagine what drove his friend to commit first-degree murder. He says, "I think the biggest misconception is he was someone who had everything and threw it all away. From what we know now, can you ever really define that he was happy?" In June 2013, the New England Patriots tight end had fame, wealth, a devoted fiancee, and his first child on the way. Looking back on what followed, Ziogas adds, "He did everything that, in that storybook setting, would make you happy, but obviously he was still hurting."
The three episodes of Killer Inside create a rare, objective look at Hernandez's life, mostly built from audio recordings of Hernandez's phone calls while in prison, security footage from his own home, testimonies from his criminal trial, and interviews with his close friends and former teammates. While those close to him describe him as playful, teasing, and full of life, they also discuss his childhood traumas from his physically abusive father, his long history of anger issues and violent outbursts, and his struggles with his sexuality.
In June 2013, the body of Odin Lloyd, a 27-year-old semi-professional football player, was found in the street with wounds from six gunshots. In what was described as a particularly messy crime, Hernandez murdered Lloyd with motives that are unclear to this day. At the time of his trial in 2015, prosecutors argued that Lloyd was targeted because he'd spoken to people disliked by Hernandez while at a bar in Boston. But friends and photographs paint a friendly relationship between Lloyd and Hernandez, who were respectively dating sisters Shayanna and Shaneah Jenkins. The men bonded over their love of video games and smoking (Lloyd's nickname was the "blunt master").
Why did the beloved New England Patriot murder Lloyd, who was set to become his brother-in-law? The docuseries doesn't offer a clear answer, because those answers ultimately died with Hernandez when he hanged himself in his jail cell in 2017. Hernandez killed himself with his prison bed sheet on the same day his former NFL team visited the White House to celebrate their fifth Super Bowl win.
The series taps into the power of personal testimony mixed with compelling video and audio evidence to unfold a mind-boggling backstory, including a second criminal charge Hernandez faced on top of first-degree murder. He was charged and tried for fatally shooting two men in a car outside of a nightclub in 2012; his lawyer, Jose Baez (noted for defending Casey Anthony), successfully cast doubt on his involvement, resulting in a not guilty verdict. In fact, Hernandez was described as having high spirits prior to his death, with the double-murder charges dropped and an appeal of his life sentence with no parole in the works.
In the larger picture, however, Hernandez was clearly at odds with his own identity, with jarring contradictions causing rifts in both his personal and professional lives. He complained that the Patriots organization "try to ruin all your fun because that want you to only be business [sic]," even asking to be traded in 2013 and struggling to bond with his teammates, who viewed him as impulsive and "immature." He idolized his abusive father, Dennis Hernandez, as "a good man" who was "also really wild," but he resented his mother, whom he felt abandoned him after his father's death. He makes a belligerent call from prison, yelling, "I was the happiest little kid in the world, and you f***ed me up. I had nobody. What'd you think I was going to do? Become a perfect angel?" He grew up attending a safe, "typical American high school" but fostered a bad boy image, keeping company with violent criminals while professing his love for the Harry Potter series to his fiancee and close friends.
And then two issues are weakly covered–disappointingly so–in the third episode of Killer Inside: Hernandez's sexual history, which involved allegations of childhood molestation and represssed homosexuality, and its connection to his perpetual anger; and Hernandez's confirmed brain damage incurred from playing in the NFL. The series' tepid handling of the issues create an abrupt ending, with more emphasis on humanizing Hernandez, a convicted murderer of at least one man, while giving incomplete consideration of how trauma impacted Hernandez's psychology.
Rumors about Hernandez's sexuality persisted both during and after his life, with one inmate coming forward after Hernandez's death to allege that they were lovers in prison (he is not interviewed in the series). One childhood friend recounts discovering his own bisexuality when he and Hernandez would sexually experiment in high school. He affirms, "He [Aaron] wasn't ashamed of who he was. Aaron was proud of his sexuality. It was just, he couldn't say anything—at the time, there was no one in the NFL that had ever broke this news."
However, throughout the docuseries, Dennis Hernandez's severe homophobia is starkly outlined next to his son's admiration of him, underlining the recurring theme of troubled and toxic masculinity in Hernanez's violent outbursts. Additionally, one of Hernandez's lawyers, George Leontire, says that Hernandez confided in him about being molested by a male babysitter as a child (his older brother, DJ Hernandez, has publicly corroborated the story of abuse). Leontire says that he, as a gay man, felt bad for his client: "Aaron asked me if I felt or believed that someone was born gay...Aaron had a belief that his abuse as a child impacted his sexuality. That was one of the things that he held onto as to why he, in his mind, has this aberrant behavior." And then, most egregiously, in 2017 one reporter named Michele McPhee published an unconfirmed story that Odin Lloyd was targeted because he'd caught Hernandez with a man. She was interviewed on a popular Boston sports radio show, where the hosts openly mocked Hernandez about being the Patriots' "tight end." Two days later, Hernandez hanged himself.
In the last minutes of the Killer Mind, we learn that Hernandez's family donated his brain to science with shocking results. In 2017, the same year of Hernandez's death, former NFL player Fred McNeill became the first living patient to be accurately diagnosed with chronic traumatic encephalopathy (C.T.E.), a form of severe brain damage resulting from repeated head traumas. As the disease develops in four worsening stages, symptoms range from memory loss, confusion, depression, and dementia to violent mood swings and suicidal ideation. Shortly after Dr. Bennet Omalu first discovered the disease in professional football players, a study examined the brains of 111 deceased players; 110 were confirmed to have CTE. Examination of Aaron Hernandez's brain showed "the most severe case they had ever seen in someone of Aaron's age," with degeneration well into stage three, comparable to a player well into his 60s.
Hernandez's turmoil over his sexuality is not framed as an excuse for his actions, but overall, the series' tepid handling of the issue creates an abrupt end to the matter, with incomplete consideration of how this impacted Hernandez's psychology. In all likelihood, the combination of childhood trauma, internalized shame, and brain damage created the double loss of life surrounding the Aaron Hernandez case. Odin Lloyd's family has forgiven Hernandez, but the senselessness behind the crime makes its unsettling loss feel frozen in time. In a suicide letter addressed to his lawyer, Baez, Hernandez wrote, "Wrong or right — who knows — I just follow my natural instincts and how it guides me."
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Watch Fritz perform at 3PM on Popdust's livestream on Saturday, May 30th.
Fritz Hutchison just released his debut album, Wild Wild Acres.
It's the kind of album that will make you want to lounge in a hammock all day or ride a horse across the country or just drop everything and howl at the moon—it sounds like that kind of freedom. Hutchison is alternatively blunt and sincere, a trickster with a performative flair and a penchant for sunny hooks.
Pop culture can be useful when connected to politics if it inspires tangible action—but the two can be like fire and gasoline when combined in the wrong way.
In a world where the Kardashians and A$AP Rocky have been name-dropped during literal impeachment hearings, it's hard not to wonder if we're living in a simulation.
Of course everything about Donald Trump's regime has had a simulacra-like quality about it, as full of glitches as any beta website. The former reality TV star has often been called the "social media president," after all, and his prolific Twitter usage grows more surreal by the hour.
We've entered an era where pop culture, social media, and politics blur into each other, tangling in every aspect of our lives. In fact, as the Kardashian, Jay Leno, and A$AP Rocky name-drops reveal, the ties between figures in pop culture and politicians have never been stronger and more influential, able to influence actual policy and political decisions.
Bernie Sanders and Ariana Grande Unite
At the same time Trump is discussing the Kardashians in one of the most high-profile hearings of all time, one of Trump's most formidable opponents is making his own ties to certain pop culture deities. Yesterday, Bernie Sanders was photographed beaming with Ariana Grande, and Grande took to Instagram to voice her support. "MY GUY. thank you Senator Sanders for coming to my show, making my whole night and for all that you stand for !" She wrote on Twitter. "@headcountorg and i are doing our best to make you proud. we've already registered 20k+ young voters at my shows alone. also i will never smile this hard again promise."
Sanders responded, "I want to thank @ArianaGrande for not only being a wonderful entertainer, but also for being such an outstanding advocate for social justice. We must all be prepared – like Ariana has shown – to fight for everyone who is struggling. It was great to meet her in Atlanta last night."
The senator has shown abnormal acumen in terms of using pop culture to his advantage, which can't entirely be said of his primary challengers. Previously, he's aligned himself with Cardi B, Susan Sarandon, and the Congresswomen Alexandria Ocasio-Cortez and Ilhan Omar. While Hillary Clinton garnered the support of thousands of A-list celebrities to no avail and put on a show of performative allyship that wound up looking like loyalty to Hollywood elites, Sanders' choice of allies feels more purposeful and genuine.
Bernie x Cardi B www.youtube.com
Then again, in the eeriest way, the same might be said of Donald Trump. His clear allegiance to Kim Kardashian and Kanye West—both figures who provoke immense ire and loathing among the masses and who, like the worst of car crashes, are incredibly difficult to look away from—aligns well with Trump's general distaste for authority and reason.
We have good reason to question celebrity alliances, as they do seem like excellent marketing for both sides. Celebrities can benefit from appearing more politically engaged through alliances to politicians, and, of course, the latter can reap the adoration of massive fanbases through a few deep connections. In some ways, celebrities and politicians seem united by the sheer amount of money and power they both amass and use to run their platforms.
But there's a long tradition of art blending with political ideology and vice versa. After all, what are politicians and performers, if not master storytellers, capable of rallying hundreds of thousands of people? When has anything been separate from politics?
Political Art vs. Pop Culture Politics
Art has always been political, used as a way of disseminating ideas and ideologies. Pop culture, in particular, is a broad mode of communication between the masses and collective values and ideas. "'Pop-culture' does not belong to just the elites and it is not officially or ideologically acknowledged as the dominant culture any level," writes Ayush Banerjee, "yet its discourse has enormous significance in the formation of public attitudes and values, as well as a profound impact on both domestic and international affairs."
Politics has also always been a theatrical game, and pop culture icons have long endorsed candidates. John F. Kennedy had Frank Sinatra sing "High Hopes" during the 1960s. Nixon famously met Elvis; and then there was Ronald Reagan, who, like Trump, made his way from Hollywood to the Oval Office.
President And King TIME.com
But in a time when silence is widely equated to taking the position of the antagonist, there's never been a time when it's been so imperative for artists to develop political alliances, and vice versa. Similarly, politicians must rely on social media and its language to channel their campaigns, as being out-of-touch with the online world can tank you as quickly as a meme can go viral.
Are celebrity relationships influential and beneficial? "If a celebrity endorsement just benefits a politician looking to boost their profile and prove their cool, then it's a lame effort to manipulate fans with short attention spans," writes John Avlon on CNN. "But if Poliwood draws sustained attention to a real public policy problem, it can serve as a gateway to civic engagement and spur political action."
Overall, the general consensus seems to be that pop culture can be useful when connected to politics if it's linked to tangible action—but the two can be like fire and gasoline when combined in the wrong way. "Politicians are not celebrities; they do not deserve fawning worship," writes Mark E. Anderson. "They are public servants, who can and should be scrutinized, and must be held accountable for their actions."
Arguably, with the rise of #MeToo and cancel culture, celebrities are being held to higher standards than ever before (which isn't saying too much, but still). Perhaps the intermixing of politics and pop culture doesn't mean that the simulation is breaking. Maybe the walls between the worlds are just falling down.
In some cases, this intermixing of pop culture and politics leads to the kind of apocalyptic cognitive dissonance that's plagued the entire Trump impeachment hearing circus. On the other hand, seeing Ariana Grande and Bernie Sanders beam together—both so full of hope for a better world—feels like the beginning of something, and God knows we all need something to get us through the next 18 months.
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