Mikaela Straus's debut LP raises questions about the boundary between using queerness as a brand and using one's power to create an inclusive community.
King Princess is a different kind of gay icon.
While many stars have indoctrinated themeslves into the gay community by becoming beloved by mostly gay men, it's rare to see a star become beloved specifically by the lesbian and bisexual/pansexual femme community.
King Princess (whose real name is Mikaela Straus) burst onto the scene at a cultural moment that seemed overripe for a queer femme-focused star. She was preceded by Hayley Kiyoko, whose openly queer music earned her the moniker "Lesbian Jesus," and she's very far from the only queer femme musician around. But other than Kiyoko, she's one of the few to build a successful pop career off of a specifically lesbian-oriented aesthetic. She's garnered quite a following, and her shows have become safe spaces for queer women looking to express themselves openly and loudly.
Strangely, in an interview with Entertainment Weekly, Straus implied that she's not well-versed in the queer female community that loves her so much. "My shows are [filled with] very queer females, which is interesting because I cannot tell you a community that I have been less apart of in my life than that," she said. "It makes me interested in what's happening with them." Presumably, Straus is saying that as she identifies more with drag and nonbinary communities than the queer female sphere, but it's still a confounding statement, delivered without context in an article called "The Unapologetic Queerness of King Princess."
This raises the question: Could all this be an act, a well-timed and excellently executed branding technique? In all likelihood, it probably is, at least in part. King Princess's authenticity (a generally meaningless term) has been criticized extensively, and for good reason—she grew up in the music industry, as her father was a recording engineer and owned Mission Sound Studios, and her great-great-grandfather was a co-owner of Macy's. All of this meant she was offered a record deal at age 11 (which she turned down), but it allowed her to release an extremely successful EP in 2017; "1950" rests at a cool 300 million streams on Spotify.
King Princess - 1950 www.youtube.com
Probably at least a thousand of those streams are this writer's, as "1950" is a gem of a song. Fortunately, her debut LP Cheap Queen continues in that song's vein, keeping with the lush harmonies, hefty beats, and glossy 80s pop and rock influences that made that song such a standout.
In contrast to that song and much of her earlier work, Cheap Queen moves away from explicit references to queer culture and focuses on the dissolution of a relationship; take a step back, and it's largely about performance, curation, and fame. The songs are confident and forthcoming, buoyed by modern beats and rich, warm mixes. In some ways, the album's glistening, glittery finish is anti-DIY, totally committed to its own poshness and self-seriousness.
King Princess - King Princess: Deep Inside Cheap Queen www.youtube.com
In that way, you could see it either as the product of someone born with a silver spoon who's successfully capitalized on queer aesthetics and popular music's most familiar and trustworthy sounds and images—or you could view it as the passion project of someone who truly understands the meaning of drag and camp, and who is, as the Entertainment Weekly article states, "queering queerness, whether she knows it or not."
Ironically, in terms of its subject matter, Cheap Queen actually isn't that explicitly queer. It's more of a discussion of relationships, free from gender and sexuality; its lyrics are pure pop, cut through with a thread of Gen-Z angst but without becoming brooding. Sonically, it's relatively subdued and mellow, avoiding controversy or extremes, perfect for chill playlists or summer nights (perhaps it should've been released in June instead of October).
Cheap Queen is at its most out and proud when Straus sings about drag. The cover photo features King Princess clad in light drag makeup, armpit hair showing, casting a disdainful glare at the camera. King Princess identifies as genderqueer, still uses she/her pronouns, and drag has been a huge influence on her life and work. "Drag for me is just such an extension of my queerness because it was how I learned to become comfortable with myself," she told Entertainment Weekly. "I feel so grateful to drag because…RuPaul and everything that has made drag mainstreamed it in a way where a girl from Brooklyn, who didn't feel like a girl, saw drag, and learned how to become a woman."
King Princess - Playboy School Of Pop www.youtube.com
Drag, of course, began as a way for queer people to express themselves and their sexuality in a creative and liberating medium. Like its aesthetic sibling, camp, it originated largely in black queer communities, working as a subversive form of expression that existed outside of and in opposition to established hierarchies.
Women and lesbians have always dressed as men in drag, but of late, increasing numbers of women and nonbinary femmes have been using drag as a way to subvert expectations of femininity. In an article from The Guardian, Rebecca Nicholson writes, "It's a deliciously complicated web to untangle: these are women, performing as what would have been (historically, at least) a man performing as a woman. These female queens are traversing gender boundaries as well as putting on outrageously entertaining performances, often in the face of prejudice and misogyny, even within queer culture."
The fact that cis women have begun performing femme drag has been met with some discomfort and accusations of cultural appropriation and fetishization, though these arguments have also been criticized. In Dazed, Jake Hall writes, "The irony is that drag is designed to disrupt gender norms – anyone can bind, stuff, pad and 'perform' gender to an exaggerated extent." Many have also argued that criticizing female drag performers places too much emphasis on genitalia and bodies themselves, when drag is supposed to be an inclusive space, one dedicated to the deconstruction of gender and exclusivity, and one that can be liberating for nonbinary people or anyone struggling to come to terms with their gender identity. Plus, queer women and nonbinary people have always been around, and trans women like Silvia Rivera and Marsha P. Johnson were at the forefront of early battles for LGBTQ+ rights.
In the midst of this sacred tradition enters King Princess, who has largely avoided mainstream controversy thus far. Most publications have branded her as a victorious new kind of queer icon. It's hard to say how her legacy will hold up, but for now, she seems to have hit a sweet spot between ingenious branding and a genuinely meaningful message.
Whatever you think of King Princess and the way she uses queerness, she is creating an inclusive space where queer people can congregate and celebrate their identities, with all their inherent fluidity, confusion, and contradictions. And in a way, wasn't that always the point of queer activities like drag, which are inherently, beautifully performative? Aren't they supposed to be about the presentation, the artifice, and the show, highlighting the cracks in the idea that anyone has a fixed gender identity and shattering the idea that anyone is exempt from performing their gender, style, and selfhood all the time?
Maybe King Princess should have the final word on this. "Growing up, I thought it was much more simple," she told Vice. "I was just like, 'I'm gay.' But now that I have the words to describe how I've always felt, it makes it complicated." She's quick to clarify that this is a good thing. "I like that complication, because we are all walking dichotomies of some sort. We are all just walking contradictions. I don't think any of these identities are mutually exclusive."
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The playwright and AIDS activist died at 84.
Larry Kramer, AIDS activist and artist, passed away today at 84.
Kramer was known for his books Faggots and The American People, as well as climate-changing plays like The Normal Heart. His close friend and literary executor, William Schwalbe, told CNN that Kramer died of pneumonia."Larry made a huge contribution to our world as an activist but also as a writer," said Schwalbe, who had known Kramer for 57 years. "I believe that his plays and novels, from 'The Normal Heart' to 'The American People' will more than stand the test of time."
"Did we mention sex?"
Since Hugh Hefner's death in 2017, Playboy's been re-branding itself to appeal to millennials by hiring fine art photographers for high concept photo shoots, naming a gay man and proud Taylor Swift fan as its executive editor, re-committing to printing nudity, and replacing its original motto, "Entertainment for men," with "Naked is normal."
The next issue of the 66-year-old publication will feature Kylie Jenner, the make-up mogul and "self-made billionaire" who was raised before America's eyes on Keeping Up with the Kardashians (you know, that 17-season reality TV show about the millionaires who make their livings as walking Instagram ads, because they're "self-made").
The 22-year-old posted a photo on Instagram of herself and boyfriend Travis Scott (the two share a one-year-old daughter, Stormi). Jenner poses nude in just a cowboy hat, embracing a shirtless Scott for Playboy's "Pleasure" issue. According to Playboy's website, the theme "is a celebration of the things that bring us joy: sex, art, food, music, spiritual connection, travel, cannabis and community. And did we mention sex?"
The magazine adds, "In this issue, we aren't only showcasing the artists and creators who bring us joy; we're also shining a light on visionaries and revolutionaries who are fighting to expand access to pleasure for all."
Even if we put aside our wonderment at what cultural, linguistic, and spiritual rot we're witnessing in the pages of Playboy these days, since when is a "men's lifestyle" and entertainment magazine ever not about "pleasure?" And when did Kylie Jenner become a "visionary?" And if she constitutes one, where is the adult film world's rising auteur, Bella Thorne, who recently directed a "beautiful and ethereal" film as part of P*rnhub's Visionaries Director's series? The questions are endless.
- Is that Lil Nas X's hat?
- How does Kylie manage to look both 17 and 53 at once?
- What does Travis Scott, like, do all day?
- Is this photo a philosophical take on how only nature can nurture true love?
- How much did that watch company pay to be included on Travis Scott's wrist?
- How do we know that's really Kylie?
- Then again, what percentage of Kylie is really Kylie, these days?
- What happens if I sort of dig this?
- Would Gloria Steinem hate me if I kind of dig this?
- Was Kylie Jenner popular in high school?
- How hot was it outside? It looks hot.
- Didn't a cowboy hat make it feel even hotter?
- Why wear a cowboy hat on an already hot day if your hot cakes are out?
- Is "Kylie Jenner" a palindrome?
- Oh. No. "Kylie Jenner" backwards is "renneJ eilyK." What's up with that?
- Why did Travis Scott get to wear clothes?
- Was that a sexist thing? I'd hate to think Kylie was involved with a sexist thing.
- What does their daughter want to be when she grows up?
- If their daughter grows up to be a Playboy bunny, will Travis Scott be fine with that?
- Who's going to send this cover to their daughter on her 18th birthday?
- If art is dead, did Instagram kill it?
- What happens if I think Playboy's "Pleasure" theme sounds pretty cool?
- Also, why does the theme sound like the description for a music festival?
- Is this subliminal advertising for Coachella?
- "Are you there, Coachella? It's me, Kylie": Is that the caption?
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