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Gaming

ROLE PLAYGROUND | Monster Hunter: World doesn't dazzle like I thought it would.

It's really not my cup of tea.

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Listen, I sat down with every intention of playing Monster Hunter: World and loving the hell out of it. It's a game that's beautiful and grand, but this grandiose beauty got lost in the game's playability. I also walked into this game blind - having never played a MH game before in my life. And sure, that definitely hindered my experience - because I know that this series has specific conventions, but that shouldn't matter.

A big game like this should be able to appeal to more than just fans, and obviously it has, but I feel like there are some key issues that need to be addressed. While the world is beautiful, and the character designs are fun and funky, it gets screwed over by clunky fight controls that overshadow the game's more innovative moments.

THE GAME

Monster Hunter: World takes place on a continent called The New World, a mostly uninhabited continent filled with a lush, harsh environment. Several fleets have come to the island and created settlements for both research and obviously hunting and tracking the many creatures that inhabit the island. You take control of your Hunter, and along with your Handler, are called with the Fifth Fleet - which has been summoned by the Research Commission.

Upon arrival, you barely survive an encounter with a massive Elder Dragon, Zorah Magdaros, and make it to the settlement of Astera. Once you settle in, you are told that the Fifth Fleet is responsible for figuring what draws the Zorah Magdaros to this lush, new world by tracking it's movements and setting up camp based on where it goes. And by clearing out other hostile monsters, of course.

THE GOOD

There's a lot of good in this game, obviously. It's received massive acclaim upon its release. I think the biggest part has to be the lush world design and the active environments within that world. From the very beginning, I was treated to a world so beautiful and vibrant and got I mesmerized by it. It's very difficult for an open world to feel so alive - and I'm thankful that these guys made it such an important aspect of the game.

I know that when I travel around this world for a hunt - I'm going to interact with an environment that reacts to me, and that matters! It mostly works really well, it makes the hunts very dynamic and if it weren't for the controls - I'd keep singing praises.

Of course, the environments aren't the only thing that this game has going for it. I was surprised at how much I liked the character designs. I'm usually a less-is-more kind of guy - growing up with Enix's out-there designs would do that to you - but there's a certain charm in the way Monster Hunter does things. The big weapons seem small next to the large enemies - and the freedom in the character creator helps you make whatever kind of character you want! It's nice.

THE BAD

The bad part of this game concerns me the most. In a game that revolves Monster Hunting, the controls just need to be better. A lot of this bled through from previous games - and I understand that, and I'm sure that a lot of people have gotten used to them. And obviously a lot of other people have managed to power through - but I just couldn't. From the first fight - I struggled.

I didn't struggle because the game was hard (or harder than a game like this should be), I struggled because the fighting mechanics were annoying. The combo system felt slow and obnoxious - even with the so-called fast movement weapons like the sword and shield.

New controls should be a learning curve, but I feel like there should be a level of intuitiveness that just wasn't there for me. It really breaks the immersion and makes the game less fun, which is unfortunate, because there is a lot of really good stuff here. But games need good controls and I don't think Monster Hunter: World has them.

THE BOTTOM LINE

This game is hit or miss. It was a definite miss for me, and I won't be purchasing my own copy. I'm glad my little brother has his! I do think that some people will find it fun, and the obviously already have, so I'd definitely say rent the game first. In some way? Maybe? But yeah, I didn't enjoy it, because the controls weren't fun.

I don't care how beautiful a game is - it has to be fun.

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Gaming

ROLE PLAYGROUND | Why is Iconoclasts so good?

I'm not always the most partial to platformers, but I'll be damned if Iconoclasts isn't a whole lot of fun.

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Platformers are a delicate art form.

They have to be fun, but not repetitive. The puzzles have to be difficult, but not too difficult. And, if you don't have an incredibly interesting story - then you better have some damned fun gameplay. It's a tricky rope to walk - and a lot of them times people stumble.

Joakim Sandberg's Iconoclasts manages to balance perfectly. The game's Metroidvania style of exploration combined with a fun, quirky combat system makes this game feel both incredibly familiar and refreshing. It's brilliant, and even if it does have a few misses here or there, that should not detract from how wonderful of a game it is.

THE GAME

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In Iconoclasts, you play as Robin, an mechanic who assists the other members of her village, Settlement 17, against the laws of their totalitarian religious regime, the One Concern. Non-Concern approved mechanics have been outlawed, due to the Concern's control over the Ivory Oil industry - and anyone who breaks this law will be subject to Penance, a powerful machine that destroy houses and villages that go against the Concern's wishes. Unfortunately for Robin, it seems the Concern is onto her - and the people she's supposed to be helping.

THE GOOD

First and foremost, I need to talk about the sheer amount of story and lore that this game presents you with. After completing the first little puzzle you're presented with, you come upon Settlement 17. It's a small village, and you are well-known there as both a mechanic and friend, but people also fear you. As you progress through their first section, you learn that you are operating against the laws of the land, and people are blaming you for the destruction of their village.

There's a lovely, sad moment in the very beginning when you enter the house of an older woman and her young son. They are housing a man who has lost his home and his wife to Penance. He doesn't understand why their god has looked down on them - they never did anything wrong. Afterwards, you talk to the older woman - her son brings in a wrench of his own - and his mother freaks out! She can't have her son breaking laws, and sends you away for being a bad influence.

[LXBII91517213704] You, with Mr. Andress, the main staying with the woman and her son.1.bp.blogspot.com

All of this happened so fast, and it told me so much about the world that Sandberg is attempting to create. Beneath the vibrancy and fun colors, he's created people who are hurting - and it mostly works in the game's benefit.

Of course, that's not to say that this game is incredibly serious and dramatic. It does a good job balancing the serious moments with the fantastic and/or humorous. The fast-paced game-play also keeps you from getting too bogged down in reading a lot of lore - you are able to learn things organically and through story-related cut scenes. And, much like most exploration-oriented games, you have the option to explore deeper and learn more if you wish.

Another brilliant part of the game is it's diverse cast of characters and companions - the first of which you meet within the first two hours of the game. I can't speak for all of them, because I'm still making my way through the rest of the game - but the characters I've met have been some of the best I've seen. Even compared to most AAA titles - I have cared more about these characters than most other game characters I've seen.

THE BAD

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I think that this game suffers from the same problems that a lot of games of this kind have - difficulty spikes. Listen, I know that games - especially platformers - are supposed to have level of difficulty when it comes to both puzzles and creatures fought, I understand that, but it really hurts the game in my eyes. It breaks the immersion and often has me wondering why it was even added.

Difficult should increase gradually as the player plays the game, unless the game was created to be difficult, which is not the case here. Of course, this isn't an issue that everyone has - and I accept that. But when you have a game that's as surprisingly story-driven as Iconoclasts, then it needs just a little more balance than what we were given, okay?

There's also an issue of tone. As I said in the GOOD section, the game has a lot of darkness beneath it's poppy, pixelated world - and I feel like the vibrancy can almost distract from that. I know that it was a choice, but I don't think it was a totally right one most of the time. That's all I can say without getting too spoiler-y, but let me know what you think.

THE BOTTOM LINE

Iconoclasts is a brilliant platformer - and despite it's issues, it's definitely worth a play through. It's a solid game with a lot of content, and it's only $20 on Steam - so it's not like you're throwing away a lot of money. So, go ahead and play it, and be sure to tell me what you think!

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