Final Fantasy 7 Remake

Square Enix

They don't make JRPGs like they used to, but maybe that's a good thing.

While classic JRPGs thrived during the PlayStation 1 era and saw major innovations during the PlayStation 2 era, the PlayStation 3 era marked a major fall from grace for the genre. Save for a few major titles like Dark Souls and Ni No Kuni: Wrath of the White Witch, fresh JRPG releases had grown increasingly scarce, and even the more major titles like Final Fantasy XIII were plagued by mixed reviews.

But with the PlayStation 4, JRPGs have seen a return to prominence. Sure, there may not be as many individual releases of bizarre, unheard of IPs like there were during the PS1 era, but PS4 era JRPGs have more than made up for quantity with quality. These are the best-of-the-best:

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Culture Feature

The 5 Most Badass Anime Video Games

The best anime games are the ones that look the coolest and make you feel the most powerful.

Every anime fan who also loves video games (so...pretty much all of us) knows the feeling of watching an epic battle go down and thinking, "Damn, it would be so cool to play that."

By and large, video games based on anime series are not intended to be groundbreaking (although plenty of them do have a lot of literal ground breaking). Most anime games feature relatively simple gameplay with the primary goal of looking cool and allowing players to feel powerful, regardless of whether or not they're actually skilled with a controller.
So what makes a great anime video game, exactly, if not technical excellence? Badassery. Let's take a look.
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TV News

The "Bleach" Anime Is Back, But Why Was It Ever Canceled?

The Bleach anime is finally returning with the Thousand-Year Blood War arc.

Official Trailer #1 | BLEACH: Thousand-Year Blood War | VIZ

Few anime series have had as depressing a trajectory as Bleach.

If you were an anime fan in the early-mid 2000s, three shonen series dominated the medium: One Piece, Naruto, and Bleach. In time, these series became known as "The Big Three"—a term encompassing everything from the massive length of their long-running stories to the size of their fanbases to their obvious influence on the culture surrounding anime.

One Piece, which is still running strong today, has gone on to become the top-selling manga series of all time, and also the third best-selling comic series overall (currently edging up on Batman's number two position's number two position). Naruto remained a flagship title through the end of its anime run in 2017, and then immediately spawned Boruto, a spin-off series following Naruto's son. Bleach, by contrast, just kind of fizzled out, with the anime getting canceled in 2012 right before the final arc.

Bleach's cancellation was a blow from which its most loyal fans never truly recovered. But now, eight years later, the seemingly impossible is happening. Bleach's final arc, "Thousand-Year Blood War," is getting an official adaptation. Moreover, so is Burn the Witch, a Bleach spin-off manga by series creator Tite Kubo. 2020 is quickly shaping up to be the year of Bleach's revival, but this begs the question: Why was the Bleach anime canceled in the first place?

To answer that, it's important to understand how publication works in Weekly Shonen Jump, the Japanese manga magazine where all of these titles are serialized.

Unlike American comic series, which typically debut as single chapter comic books before being compiled into multi-chapter graphic novels, manga chapters usually debut in magazines. Of these manga magazines, Weekly Shonen Jump is the longest-running (since 1968), best-selling, and most prestigious. Success in Weekly Shonen Jump means taking a seat alongside global phenomena like Dragon Ball.

Perhaps the main reason that Weekly Shonen Jump has been so successful is its reliance on weekly "reader surveys" to determine which series people are most enjoying. As such, it's not just hyper-competitive for manga artists to get their series published in the pages of Weekly Shonen Jump; it's also hyper-competitive to continue being published in Weekly Shonen Jump. Any series that consistently performs poorly in reader surveys becomes more likely to get cut, as is currently happening to Naruto creator Masashi Kishimoto's newest series, Samurai 8.

On the other side of the coin, any series that consistently hits the top of the reader surveys is encouraged to run for as long as possible. Thus, while many shorter series complete full runs while maintaining their status in the middle-ground of Weekly Shonen Jump's rankings, the goal is usually to create a top-ranking series that readers can stick with for years and years.

Unfortunately, the pressure to consistently create new story content for an indeterminate period of time doesn't necessarily mesh well with every franchise. One Piece works incredibly well in the context of Weekly Shonen Jump, because its narrative impetus revolves around a pirate adventure, which means author Eiichiro Oda can spend as much time as he wants focusing on elaborate world-building and epic-scale battles. Naruto, too, succeeded in its ability to follow its heroic young ninja from childhood to adulthood, allowing him to grow up alongside the readers. But Bleach didn't have the world-building of One Piece or the character development of Naruto.

Ichigo Thousand Year Blood WarShueisha

What Bleach had was a whole lot of style. Following a teenager who gets shinigami (soul reaper) powers, Tite Kubo managed to create a world that felt edgier, more mature, more punk rock than its contemporaries. The series had an incredibly strong hook and a phenomenal first arc, too. After Ichigo Kurosaki becomes a shinigami, he learns that Rukia, his shinigami mentor who transferred her powers to him in order to save his family, has actually committed a cardinal sin according to the leaders of Soul Society (the shinigami world). As punishment for transferring her powers to a human, Rukia will be sentenced to death. This leaves Ichigo with the task of infiltrating Soul Society, defeating its most powerful captains and rescuing Rukia.

To this day, Bleach's Soul Society arc still holds up as one of the best shonen arcs of its genre. The tension is always palpable, and the battles are phenomenal. The problem, though, is that Kubo didn't really seem to know what to do with the series afterwards. The characters in Bleach weren't as strongly defined as the characters in One Piece and Naruto, and the world-building for Soul Society was never especially prominent. So Bleach tripled down on style, essentially repeating similar "rescue" arcs again and again with cool new villains who were, indeed, very stylish.

Sadly, style isn't enough on its own to carry a long-running shonen for years and years. While the battles continued to be very cool, Bleach's plot started to feel weaker and emptier, especially compared to One Piece and Naruto, both of which seemed to have clear narrative arcs that had been set-up far in advance. Eventually, Bleach began falling in the Weekly Shonen Jump ranking. Its solo manga sales dwindled. And while Kubo was allowed to see his series through to completion, the anime was canceled before the manga ever even finished.

The most depressing thing about Bleach is that if it had been allowed to wrap up shortly after Soul Society, it might still be remembered as a phenomenal series instead of a series that fell from grace.

So then why is the Bleach anime returning now, eight years later, to finish its last leg? Maybe demand from Bleach's most dedicated fanbase has finally paid off. Or maybe with recent resurgence of Dragon Ball with Dragon Ball Super, Shueisha (Shonen Jump's parent company) thought that exposing a younger generation of anime fans to Bleach might result in a similar outcome.

Regardless, as a Bleach fan, this is incredibly exciting news. Even considering how the source material fell off the map, the Bleach anime always deserved a proper conclusion. Modern animation can do wonders, too. Just look at how the Demon Slayer anime turned a formerly middle-of-the-rankings franchise into the most popular new series in years. Let's hope that Bleach's "Thousand-Year Blood War" arc will follow the same path.

CULTURE

My Hero Academia Backlash and the Art of the Bad Faith Take

#WeSupportYouHorikoshi is a nice sentiment, but the threat is mostly imaginary.

Shueisha

The My Hero Academia Twitter fandom is up in arms against the evil SJW portion of the My Hero Academia fandom over their brazen attempts to cancel the popular manga series' creator, Kohei Horikoshi...Or at least that's what some bad faith actors want you to believe.

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TV

Why Funimation Removed "Interspecies Reviewers" (an Anime About Rating Monster Girl Prostitutes)

Did Funimation actually acquire a series that they didn't know anything about?

Passione

Funimation holds an awkward, complicated position within the larger anime fandom.

Best known for licensing and dubbing the Dragon Ball franchise in the US, Funimation is a powerhouse entertainment company that played a large part in changing the American anime market from an uber-niche medium into something close to mainstream. They continue to license, dub, and simulcast (airing subtitled episodes of current anime series at the same time that they air in Japan) popular series like My Hero Academia and Attack on Titan, all of which are available through their massive anime streaming service. The vast majority of anime fans, especially the heathens who prefer dubs over subs, will inevitably interact with Funimation.

Considering how vocal the anime community tends to be, that also means Funimation seems to be under constant scrutiny. Some faction of fans are always angry at Funimation for one reason or another, be it a poor translation, a botched merchandise release, or their failure to understand that their favorite voice actor was fired because he actually did make women feel uncomfortable, regardless of whether or not he realized what he was doing, and his countersuit failed in a court of law. Point being, people are always looking for a reason to jump on Funimation, and most of that criticism is undeserved.

But when it comes to Interspecies Reviewers, well, there's kind of no excuse.

Interspecies Reviewers is a new anime series that asks the question: What if there was an entire show centered around a group of men who have sex with giant-tiddy monster girl prostitutes in the red light district of a fantasy world...and then post their reviews of the sex?

So yeah, that's the show, and each episode is pretty much exactly what you'd expect. The main characters go to a different monster prostitute, have sex, and then review the experience.

Technically, Interspecies Reviewers isn't hentai. While the monster girls' boobs are drawn in full detail, genitals are never explicitly shown. Categorically, it's billed as shonen (manga for boys) with a strong ecchi (anime with sexual overtones) bend, meaning its main draw is fan service. But let's be clear here: It's closer to hentai than a lot of hentai.

Not that there's anything wrong with liking that. We're not here to kink-shame, and people are welcome to enjoy whatever gets them off (presuming it's consensual and doesn't hurt anybody, of course). But Funimation is not an adult content streaming service, and while they do have a good number of ecchi shows, none of it comes close to Interspecies Reviewers––again, a show that is explicitly about men reviewing monster prostitutes.


Funimation's decision to not only license and simulcast the first three episodes, but to actually dub the first episode in English, was a little bit jarring. Then, after three episodes, they pulled the show, stating:

"After careful consideration, we determined that this series falls outside of our standards. We have the utmost respect for our creators so rather than substantially alter the content, we felt taking it down was the most respectful choice."

The title of this article is a bit of a misnomer. The real question isn't why Funimation removed Interspecies Reviewers,but why Funimation acquired Interspecies Reviewers in the first place when it so obviously "falls outside of [their] standards."

We're not talking about a show that buries the lead. The very first episode revolves around the two main characters, a human man and an elf-man, ragging on each other for having sex with older women of the opposite species. The human man has sex with a 500-year-old elf who looks like a 20-year-old, and the elf man has sex with a 60-year-old human woman. Both think their partner is hotter and a better lay, and they proceed to debate the women's qualities.

This is the episode that Funimation dubbed. They brought voice actors into a studio to say lines like, "If you think of them like plump orc girls, older humans are pretty damn sexy, plus they're way softer than orcs, which is a big time boner bonus."

Oh, and there's also a manga which is significantly further along than the anime, and if anyone at Funimation did any vetting, they would have realized that yeah, it only gets worse. A lot worse.

All of this begs the question: Did Funimation actually acquire a series that they didn't know anything about?

On one hand, it's understandable that Funimation might be scrambling for content. They have more competition than ever before, with Crunchyroll still standing as the most prominent anime streaming platform and Netflix, Amazon, and Hulu setting their sights on anime audiences, too. But if they're going to claim they have standards, they really should have someone at least reading a series' description blurb before acquiring it.

MUSIC

Bakénéko Blends J-Pop, Alt Rock, and Anime in Stellar Debut Single "Remember"

Strong themes of duality bleed throughout Bakénéko's fantastic premiere.

Bakénéko Blends

Borrowing their name from a shapeshifting cat yōkai (or supernatural creature in Japanese folklore), LA-based alt J-POP duo Bakénéko effortlessly blends genres and languages in their first single, "Remember."

Much like a cat that can turn into a human, Bakénéko also excels at dualities. "Remember" opens with an upbeat guitar/synth track in the tradition of legendary electronic artists like Porter Robinson and CHVRCHES. Then the vocals cut in and "Remember" transforms into something familiar but also wholly original. Singer/songwriter M performs the main verses in Japanese and the chorus in English, but her voice remains constant—pretty, soft, and drenched in melancholy. The dissonance between the upbeat composition and downbeat vocals conveys a deep sense of pained nostalgia. "Remember" would fit in effortlessly amongst some of the best anime ending themes.

Bak\u00e9n\u00e9koBakénéko Blends

Centered around a personal reflection on fighting within a relationship built on genuine love, "Remember" aptly expresses themes of duality through its lyrics, too. The first pre-chorus translates to: "If the world sees only black or white / Then lets mix a grey zone together." This message of blending black and white into grey lies at the very core of Bakénéko's identity. "Until the viral growth of anime, I grew up shunned by two cultures," said M. "Wielding both languages is me finally embracing my Japanese heritage and American upbringing. Both have flaws, both have wonders, and that's okay. I'm okay."

Bak\u00e9n\u00e9koBakénéko Blends

While "Remember" marks Bakénéko's premiere, both members of the two-person group (composer/producer, B, and M, who did the sound design along with vocals and songwriting) have been working in the TV and film audio production industry for years. Their work can be heard everywhere from E! Network to Facebook Watch and Amazon Prime. We look forward to hearing what they'll put out next, but in the meantime, be sure to follow them on Instagram and Twitter for some "otaku trash" opinions.