The trope of the struggling musician exists for a reason; it's undoubtedly hard to make a living in music.

But once you hit the big time and can easily sell out arenas, the money starts rolling in. The 2010s were a transformative time for music and a lucrative time for these 10 musicians. Most of these statistics are from Forbes, who "measures the industry's top-earning musicians annually for the Celebrity 100 by looking at touring data from Pollstar, music consumption numbers from Nielsen and interviews with managers, agents and many of the stars themselves."

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Culture Feature

Best Celebrity Death Hoaxes, RANKED

Celebrity death hoaxes are pretty funny.


Why would anybody want to make up a story about a celebrity dying, knowing fully well that it's a blatant lie?

Attention? Power? Notoriety? Such is the mystique of the celebrity death hoax, a bizarre practice whereby someone spreads a fake rumor about a famous person's death.

Of course, celebrity death hoaxes are easily dismissed, considering the fact that the celebrity in question is always alive. All the celebrity needs to do is, y'know, absolutely anything, and then everyone with a brain will think to themselves, "Oh, that celebrity can't send a tweet if he's dead, so he must be alive." But as long as they manage to last, celebrity death hoaxes can be a great source of entertainment–especially the unbelievably stupid ones.

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Paul McCartney Buries Lennon Rivalry and Settles the Beatles vs. Stones Debate

McCartney discussed a variety of topics with Howard Stern, from Chinese wet markets to Peter Jackson's new documentary

Earlier this week Paul McCartney called into The Howard Stern Show to settle some old beefs and discuss Peter Jackson's upcoming documentary, The Beatles: Get Back.

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Colbert, Fallon, and Kimmel to Host a COVID-19 Benefit That Could Be the Biggest in TV History

One World: Together at Home is likely to draw a huge global audience

Global Citizen

On Saturday, April 18th, Stephen Colbert, Jimmy Kimmel, and Jimmy Fallon will be joining late-night forces to host a global television event.

The event, entitled One World: Together at Home, will promote the international fight to end the COVID-19 pandemic and raise money for the World Health Organization. From 8-10PM EST, it will be broadcast live on the big three American TV networks—ABC, CBS, and NBC—as well as around the world and on a number of cable networks and streaming platforms.

Any TV event set to be broadcast on all three of those networks would automatically be a pretty big deal, but with a huge portion of the world currently under some form of shelter-in-place or stay-at-home order—and a lot of TV and movies being shut down or delayed—this event has the potential to draw in a truly historic number of viewers. Of course that depends on whether the organizers can put together the kind of entertainment that will convince people to put down Animal Crossing to tune in. With that in mind, let's take a look at the lineup as it currently stands.

Along with the hosts of The Late Show, The Tonight Show, and Jimmy Kimmel Live!, the event—which has been curated by Lady Gaga in cooperation with Global Citizen—will feature appearances from Alanis Morissette, Italian opera star Andrea Bocelli, Billie Eilish, Billie Joe Armstrong of Green Day, Nigerian singer Burna Boy, Chris Martin of Coldplay, David Beckham, Eddie Vedder of Pearl Jam, Elton John, Idris Elba, Colombian Singer J Balvin, John Legend, Kacey Musgraves, Keith Urban, Kerry Washington, Chinese pianist Lang Lang, Lizzo, Colombian Singer Maluma, Paul McCartney, Priyanka Chopra Jonas, Indian actor Shah Rukh Khan, Stevie Wonder and some of the muppets of Sesame Street.

In other words, there will be recognizable stars for just about any part of the world and any age group. While it might not reach the level of the World Cup final—which draws an audience of over 500 million—One World: Together at Home has the potential to far-surpass the viewing numbers of an event like the Oscars. With any luck, it will, because the money raised will go to the WHO's COVID-19 Solidarity Response Fund, which equips healthcare workers around the world and helps to provide food, shelter, and healthcare to people in need.

So tune in on Saturday at 8:00 PM, and donate if you can afford to. Because right now everyone could use the entertainment, and the whole world needs some help.


This Week, Lady Gaga Released the "Chromatica" Album Cover—and Raised $35 Million for COVID-19 Relief

Gaga's album has been delayed, but she's rolling out imagery that reminds us of the fashion that made her famous—and channeling all her time into raising money for coronavirus funds.

Lady Gaga has performed so many different roles over the past decade that it's easy to forget that in her early days, she was a fashion pioneer.

Gaga's wild outfits—from the iconic meat dress to the Haus of Gaga "Bad Romance" music video creations—earned her a front page spot on tabloids and helped launch her pop career.

She's just released the cover art for her new album, Chromatica, and it's as futuristic, complex, and opulent as anything we've seen from her before.

Gaga's album release has been delayed due to COVID-19, which she announced in another Instagram post:

That doesn't mean that the perpetually and often mind-blowingly active star has been taking a break, though. Tonight, she's speaking (virtually) at the World Health Organization's press conference to announce the next #TogetherAtHome virtual concert series, slotted for April 18, which will feature Paul McCartney, Lizzo, Billie Eilish, Stevie Wonder, Elton John, Alanis Morissette, Billie Joe Armstrong, Common, Kacey Musgraves, J Balvin, and of course, Lady Gaga herself.

The show will be co-hosted by Jimmy Kimmel, Jimmy Fallon, and Stephen Colbert.

In a recent briefing, Gaga announced that along with Global Citizen, she's raised $35 million in the last week for The Who's COVID-19 Solidarity Response Fund.

In the meantime, while we wait for Chromatica, we can rewatch the futuristic "Stupid Love" video and bask in the glory of Gaga's "kindness punks" dance cult.

Lady Gaga - Stupid Love (Official Music Video)


You Can't Change My Mind: Bob Dylan Is Overrated

I don't care how much you love Bob Dylan—his work is not literature.

Marilyn Monroe, Elvis Presley, and Bob Dylan.

What do these three figures have in common? They were all popular figures of mid-century American culture, adored in their time, who have since ascended to the god-like level of pure icons—worshiped as something not quite human. But only one of them is still alive.

Bob Dylan - Subterranean Homesick Blues

There are other differences, of course. Dylan became an icon much more on his own terms than either Presley or Monroe, and his talent as a songwriter is not really in question. Everything he writes feels a bit "timeless," including his latest releases.

But it's still weird to see the announcement of a new Dylan biopic starring Timothée Chalamet. How many people become the subject of two separate biopics—not to mention two documentaries by Martin Scorcese—during their lifetime? And while Chalamet seems like he could do a great job with the role, he'll be competing with the six performances by six different actors—three of them Oscar winners—which were apparently required to capture Dylan's polymesmeric essence in I'm Not There.

I'm Not There Poster Promotional poster for "I'm Not There"

The latest film, with the working title Going Electric, will cover the era of Dylan's life in the mid-60s, when he made a controversial transition from acoustic folk music to an electric guitar and an embrace of rock and roll. It's roughly the same terrain that Cate Blanchett's portion of I'm Not There covered, but with a movie all to itself this time, with director James Mangold of Walk the Line taking the helm. It's a promising project, and I'm sure I'll go see it and probably walk away with some new appreciation for Bob Dylan's life and work… But I will still think he's overrated.

If you introduced me to one of the many Dylan albums I've never heard before, and it immediately became my favorite album, and I listened to it on a loop for a week straight, then I would still think Dylan was overrated. People revere him as a mythic figure—the progenitor of lyricism, protest, and smoking a cigarette while wearing sunglasses. A breathless 2016 article in The Guardian, describing a surprising turn in Dylan's career, claimed that he "has always been fond of turning his own iconoclasm on the idea of iconoclasm." What a stunning revelation…

Dylan with cigarette and sunglasses

It's this kind of fawning, empty adulation that irks me when I think of, not Dylan himself, but his idolaters. And perhaps it's not that they are more absurdly devoted than the die-hard fans of David Bowie, Paul McCartney, or Taylor Swift, but that they hold positions of authority that allow them to wield their fandom over the rest of the world.

Maybe it's time for me to admit the true source of my grudge—the original offense that this latest announcement has brought back to the surface. In October of 2016 Japanese novelist Haruki Murakami was expected to win the Nobel Prize in literature, and I was prepared to have some mixed feelings about it—he's a very good writer, but I don't love his work the way many do—but then the Nobel committee threw a curveball and announced their selection of Bob Dylan…for literature!

Haruki Murakami Pictured: an actual literary figure

I don't care how much you love Bob Dylan—his work is not literature. The committee lauded Dylan for "having created new poetic expressions within the great American song tradition." In other contexts, he has been placed alongside timeless poets such as Keats and Rimbaud, but as that same Guardian article (a defense of the Nobel selection) points out, his lyrics are not nearly as effective when allowed to fend for themselves on the page—"the words and the music cannot be separated." Another way to say that is that his lyrics are not actually poetry—or at least not great poetry.

If they really wanted to give Bob Dylan a Nobel Prize, they could have created a new prize for music, or scrapped the literature prize in favor of a broader category of "the arts." Hell, they could have given him a peace prize for his protest songs, and he would have made more sense than a lot of the recipients of that award. But literature? They might as well have given him the prize in medicine for healing all our hearts.

Dylan Clown

His songs do not transcend music, and his person does not transcend humanity. He is not a god, and it does not take six people to portray him on screen. Hopefully Going Electric, when it comes out, will humanize Dylan, rather than adding to his overblown myth. Until that time, I'll be over here bathing in all the delicious hate this article is about to receive.