TV Features

Thank You for Everything, "Steven Universe"

What to say about a cartoon that's given us so much...

Steven Universe The Movie | Official Trailer | Cartoon Network

With its many landmark episodes featuring diversity, mental health, and representation, Steven Universe has proven to be one of the most thoughtful and inclusive shows on TV.

The show has officially reached its conclusion in the final episodes of Steven Universe Future, wherein the eponymous Steven is undergoing some severe growing pains. With the series having come to a close, there's no better time for fans to express how grateful we are for all that it's done. Personally, even though it's a children's cartoon, Steven Universe has meant so much to me in my adult years. Series creator Rebecca Sugar and their team consistently used the show as a vehicle for inclusion, and its timely messages have made me feel seen and heard like no other show before it. Watching Steven Universe has truly been a life-changing experience for its viewers, and all we can do is thank the show for everything it gave us.

Now, where to start?


Thank you for giving us Stevonnie

In a show that consistently blurs the line between gendered constructs, Stevonnie is the perfect representation of Steven Universe's ideals. As a physical fusion of Steven and his female friend Connie, they are a being that transcends the concept of gender to begin with. They're a confident presence and a wonderful role model for trans people. They're also heroic, valiant, and capable of exploring their identity in healthy and productive ways.

In Stevonnie's debut episode, "Alone Together," Stevonnie tests the waters of their new form by interacting with Steven's friends and family and going out for a night on the town. They explore their new identity, ask themselves questions, and become more informed of who they are through conversations with others. Stevonnie is a prominent example of intersex representation, and their ongoing development allows them to further understand what being Stevonnie—and beyond the gender binary—means.

(Personally, I'll always appreciate Steven Universe for giving me outlets like Stevonnie to help me understand my gender identity. One year, for New York Comic Con, I even cosplayed as Stevonnie. It felt so right to embody someone whose gender exploration very nearly lined up with my own, and it's a cosplay I'll always be proud to have worn.)


Thank you for the lovely lesbian wedding

Too many other shows conflate LGBTQ+ storylines with "mature content." For the longest time, audiences, especially younger LGBTQ+ ones in the process of finding their identities, couldn't get that kind of representation in any show without at least a TV-14 rating. But there's no reason that two people getting married, regardless of gender, needs to be portrayed as "mature," and Steven Universe's marriage between two women completely shatters any argument to the contrary.

When Garnet, the Crystal Gems' leader, was revealed to be a fusion, we learned that her strength and wisdom come from the love between the two Gems who comprise her. To that end, Ruby and Sapphire's wedding is nothing short of iconic. The entire episode was reserved to let these two hopelessly-in-love gems to join each other in matrimony. As every character prepared for the wedding, the show celebrated an unabashed on-screen marriage in a show that's accessible to everyone. Once upon a time, it was unthinkable for a children's show to display a scene like this. Steven Universe shining an enormous spotlight on their pride sets a new bar for other shows to do the same in the future.


Thank you for all the diverse racial representation

Between the show's characters and its real-life voice cast, Steven Universe has never shied away from diverse racial representation. People of color proudly fill a cast as colorful as, well, gemstones, as they work to illustrate a world as diverse as ours.

I, for one, am especially proud of all the Filipinix personalities. From Filipina voice actors like Deedee Magno Hall and Shelby Rabara as major characters Pearl and Peridot respectively to the quick reference to Lars' heritage when he made an ube roll, seeing my own culture receive such enormous visibility made me validated and happy.


Thank you for the guidelines on managing emotional health

The characters in Steven Universe experience a lot of hardships. Whether it be PTSD, struggles with growing up, or any form of dysphoria, the Crystal Gems are almost always dealing with some heavy emotional baggage. Steven Universe Future displays this prominently, as Steven himself struggles with the many ongoing changes in his life and has to work through both the physical and mental trauma that he's collected over the years. His growing powers are synced up to his turbulent emotional states, resulting in outbursts that cause more damage than he expects.

But rather than offering a simple solution to everyone's complex problems, Steven Universe prioritizes ways of working through them in our daily lives. Songs like "Here Comes a Thought" and arcs where even the show's most stoic characters become emotionally vulnerable are perfect examples of how this cartoon portrays healthy coping mechanisms. It never tries to be a one-stop shop for emotional recovery, nor does it try to limit anyone's trauma to a solitary explanation. Steven Universe simply states that your struggles are valid and that you can work through them.

Simply speaking, it's impossible to overstate the kind of pillar Steven Universe has become for important social concepts and marginalized communities. So as we reach the show's long-deserved conclusion, expressing heartfelt gratitude will need to suffice.

Thank you for all the memorable characters and heartfelt moments. Thanks to Rebecca Sugar and their fellow creators for introducing us to this world. Thank you for everything you've done, Steven Universe. Thank you for being bold and groundbreaking, from beginning to end.

CRIMINAL MINDS - Official Trailer

Have you ever been reading up about a true crime case, only to discover that something about it seems familiar—and then suddenly you realize that it's because you watched a variant of the case on Criminal Minds?

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HBO/BSkyB/Kobal/Shutterstock

Last night, the whole world could be heard simultaneously screaming "DUMDUMDUMDUMDUMDUM" at their televisions or laptops as HBO's Game of Thrones premiered for its eighth and final season.

The iconic series once again offered viewers an incredible opening sequence, some truly meme-able moments, and a decent excuse to drink heavily on a Sunday night. Many people felt the episode included too much exposition and hardly any new information, but that doesn't mean that we weren't left with plenty of questions to haunt us while battling our Monday morning hangovers.

WARNING: Spoilers ahead.

Does Daenerys...kind of suck now?

Usually, we would say that anyone who makes Sam Tarly cry deserves to spend some time in Ramsay Bolton's lair of castration, but when the perpetrator is Khaleesi of the Great Grass Sea, Breaker of Chains, and Mother of Dragons, we're left with mixed feelings. On one hand, she's arguably the best character on the show and her ever-changing hairstyles alone excuse her every wrongdoing, but on the other, she didn't even apologize for murdering Sam's whole family. How can we not kind of root against anyone cold-hearted enough to stand passive in the face of sweet Sam's trembling lower lip? Plus, add all the times she had to be talked out of genocide last season, and you start to wonder if maybe Season 8 will feature a mad queen before it's all said and done.

Is Bran the baddest mother fucker in Westeros?

Every line out of Bran's expressionless mouth during episode one was absolute gold. Imagine meeting someone for the first time and interrupting her bitch-off with your sister with something simple and pleasant like, "The Night King has Dany's dragon. The Wall has fallen. The dead march south." And then later, "Oh me? What am I doing? Oh, just waiting for an old friend. An old friend who I caught in the act of incest so he pushed me out a window paralyzing me forever and making me a spooky ghost boy, in fact."

Is Cersei sleeping with Euron somehow creepier than when she slept with her twin brother in the presence of their incest child's corpse?

Yes. Yes it is.

Oh wait, is Sansa the baddest mother fucker in Westeros?

Name a more iconic exit line than, "I used to think you were the cleverest man in the world." Plus, her new lady of the North looks?! Hell. Yes.

Was that a sly reference to the bizarre season 7 Ed Sheeran cameo?

When Bronn is hanging out with the prostitutes (which seemed to serve little purpose beyond HBO straining to include their requisite number of boobs) the women have the following exchange: "That boy Eddie." "The ginger?" "That's him." "Came back with his face burnt off." "He's got no eyelids now." "How does he sleep with no eyelids?" Hmm…

How old is Tyrian?

Tyrion, Varys, and Ser Davos watch Jon and Dany from afar and contemplate the possibility of the two getting married. When the comment is made, "Why would they listen to old men?" Tyrian retorts that he isn't old. Which brings up the question...how old is he? How old is anyone? Is it Hollywood magic or the lack of sun in the north that has kept Jon Snow looking like a brooding 23-year-old for the last eight seasons? Is Dany 16 or 34? How long do dragons live? Does evil increase the skin's collagen production, explaining Cersei's youthful glow? HBO we need some birth certificates!

Can we collectively sue HBO for that F*%KING jump scare?

What's scarier than a dead little boy speared to a wall surrounded by a swirl of disembodied limbs? A SCREAMING, FLAMING DEAD BOY SPEARED TO A WALL SURROUNDED BY A SWIRL OF DISEMBODIED LIMBS THAT ARE ALSO ON FIRE.

Does Arya...like boys?

I mean, not to like, make assumptions about someone's sexuality but...um…*cough*...we were pretty surprised by Arya's loving looks to Gendry, because, erm, well...we kind of maybe thought she was...a les– very committed warrior who didn't have time for love connections.

Can Jon Snow be burned?

We know that part of Khaleesi's whole thing is that she's the "unburned," which is part of why she can hang out with fire breathing monsters without breaking a sweat. If Jon really is a Targaryen, does that mean he also can't be burnt? Can you be a true Targaryen/dragon king if you can't spend the occasional night inside a funeral pyre?

Hopefully, all of these questions and more will soon be answered. Until then, check out the trailer for season 8 episode 2. Valar Morghulis, nerds.

Game of Thrones | Season 8 Episode 2 | Preview (HBO)youtu.be


Brooke Ivey Johnsonis a Brooklyn based writer, playwright, and human woman. To read more of her work visit her blog or follow her twitter @BrookeIJohnson.


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TV Reviews

"Dirty John" Is Too Relatable

Dirty John is incredibly frustrating, but quality actresses make an unbelievable survival story seem all too realistic on screen.

Eric Bana

Photo by Debby Wong (Shutterstock)

This week's pipeline from true crime to entertainment culminated with the finale of Bravo's Dirty John, which aired Sunday.

While the miniseries is not the first podcast to be adapted to television (HBO's 2 Dope Queens and Amazon's Lore and Homecoming are notable examples that predated it), the show marked the first true crime-turned-podcast-turned-TV-drama. Based on the #1 podcast of the same name, the eight-episode first season features Connie Britton giving a painfully believable portrayal of real-life mother Debra Newell, a highbrow interior designer and four-time divorcee in her late 50s. While she thinks she's met the perfect man online, Dr. John Meehan (Eric Bana) soon reveals himself to be a conman and unrepentant asshole with a penchant for mood swings, drug binges, and entreaties for forgiveness—which Debra grants, again and again.

DIRTY JOHN Official Trailer (HD) Eric Bana, Connie Britton Bravo Serieswww.youtube.com

Created by Alexandra Cunningham and directed by Jeffrey Reiner, the show excels in its depiction of sheltered Californian socialites. Debra is portrayed as a blind optimist who resists the reality of John's physical and emotional threats to her family, despite glaring red flags such as threats to shoot her daughter in the head and his escalating possessiveness over her—and her finances. Additionally, Debra endlessly coddles her two adult daughters, Veronica and Terra, entitled millennials played by Juno Temple and Julia Garner, respectively. Both girls are very privileged, very blonde, and very distrustful of the new man in their mother's life. Most apparent in all three women's performances is that Britton, Temple, and Garner even capture the child-like vocal fry of the real-life Newell women, whose voices feature in the Dirty John podcast.

Temple, in particular, excels as the brash and abrasive older daughter whose genuine concern is muddled with her elitist offense that a lower-class outsider has insinuated himself in her family's inner world of designer bags and luxury penthouses. In contrast, Garner's performance as the younger daughter is kept intentionally low-key and peculiarly infantile.

Spoilers ahead

However, for the finale, the show doesn't hold back in re-enacting John Meehan's knife-wielding attack and attempted abduction of Terra Newell, the family member whom we're led to believe is the weakest and most vulnerable. Here, the show's greatest gamble is hinging the entire climax on the subtleties of Terra's personality, which suddenly manifests as a self-assertive and independent survivor—who stabs her attacker 13 times in the parking lot outside her apartment, rather than be dragged into the trunk of his car. The transformation is almost unbelievable—except that part actually happened. In 2016, the real John Meehan died of his injuries in the parking lot where he attacked her. The real Newell girls even suspected that John would target Terra, believing her to be weak. In the show, Garner's nuanced performance is what makes an unbelievable survival story seem believable on TV in a triumph of fight-or-flight instinct.

As for the real Debra Newell, she wanted her story told as a cautionary tale of the perils of both online dating and blind devotion. She commented on the series, "It's a story to tell others to make them aware of what could happen to them. You almost have to remove yourself a little bit." In her personal life, Debra still calls herself "a naturally happy person," but it took the tools of time, therapy, and the removed sense of media to see her story clearly. She said, "[Therapy] had so much to do with being able to be healthy again. I had a lot of guilt at one point. I had to learn [the mechanics of] what had happened to me." But she's a fan of Connie Britton's portrayal. Debra praises, "She got my voice and my mannerisms down perfectly. I was in a dangerous situation, and there wasn't a lot of opportunity for Connie to show the lighter side of me — I'm not always that nice or serious!"

Yet, the show isn't exactly sympathetic toward Debra. To be clear, Dirty John is incredibly frustrating. But that's largely due to the incensing nature of the late Meeham's crimes and manipulations. His history of deception, impersonation, and conning every woman in his life (including his own family members) is perhaps the heaviest focus of the series. Debra, the character, is less important; her previous marriages aren't explored, while her naivety often is, and her family's Southern Californian ethos gives off plenty of Mean Girl vibes to provide comic relief. Above all, her initial refusal to doubt John is frank and infuriating, but it's primer for the show's midpoint climax; Debra's conflict foreshadows her decision to take John back even after her family presents proof of his elaborate lies, which include wearing stolen scrubs every day to allege he's a doctor and waxing morose about traumatic deployments in Iraq despite never serving in the military.

Dirty John is a concrete depiction of how unexpectedly, eerily enthralling it is to be under someone's "coercive control." One of the reasons the podcast garnered over 33 million listeners in the first place is because of how relatable Debra's experience is. Because of course, Debra didn't think of herself as a vulnerable target. "Remember," she said in an interview after this week's finale, "it's Hollywood. First of all, I don't feel desperate. I think that it's very natural to want to have a companion and to be in love." She reflected, "It really helped relieve me, to some degree, knowing that it is such a common thing, unfortunately. But I now know what happened to me and that it could happen to anyone."

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