Swift transforms into the most manly of men for her new self-directed video.
Throughout her many years spent in the public eye, Taylor Swift has faced unimaginable scrutiny over both her professional and personal lives.
But the 30-year-old pop star is still chugging along, having released her seventh studio album, Lover, last year to generally favorable reviews. On one of the record's highlights, "The Man," Swift ponders how she might be perceived and spoken about if she were a man. To help bring that vision to life, she was made over into Tyler Swift—yes, that's really her in prosthetics—to play a macho, manspreading dude in the new music video for "The Man," which she directed herself.
Swift is a known fan of subtle references in her material, and "The Man" comes full with a basket of Easter eggs. Here are just a few that we caught—knowing her, there are likely many more hidden in there.
Taylor of Wall Street
In the second verse, Swift sings: "I'd be just like Leo in St. Tropez." From commanding an office to being surrounded by scantily clad women on a boat, the music video draws a few visual parallels to The Wolf of Wall Street, in which Leonardo DiCaprio starred as infamous stockbroker Jordan Belfort.
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Watch Fritz perform at 3PM on Popdust's livestream on Saturday, May 30th.
Fritz Hutchison just released his debut album, Wild Wild Acres.
It's the kind of album that will make you want to lounge in a hammock all day or ride a horse across the country or just drop everything and howl at the moon—it sounds like that kind of freedom. Hutchison is alternatively blunt and sincere, a trickster with a performative flair and a penchant for sunny hooks.
The mysterious New Jersey indie-electronica outfit pairs a vibrant and arresting music video with a cut from their latest album, Oh Uncertainty! A Universe Despairs.
In the wake of their 2019 LP Oh Uncertainty! A Universe Despairs, the New Jersey psych-pop group Blood Cultures has released their new video for "Broadcasting."
"Broadcasting" sounds massive in its electronic scope, melding distorted industrial indie-pop with the band's anxious lyrics. "When this ends the way you know it will / with a bang, will you be laughing still?" Blood Cultures asks in a far away falsetto, crafting a vibrant yet troubled sonic narrative to challenge the listener. The video, directed by Saleem Barbados, embraces that same kind of high-strung juxtaposition, featuring Bharatanatyam dancer Anjali Mehta as her evocative choreography plays out against the harsh squat buildings and corrugated metal of Brooklyn.
"I was raised in New Jersey, after my parents immigrated from Pakistan," Blood Cultures says of the track. "Growing up with one culture inside your home, and another one at school, in your community, and in media is a hard thing to navigate in terms of understanding who you are and where you belong, if anywhere. The struggle for identity is almost a guarantee for any first-generation-American, but when we present those struggles with pride, it becomes a lot easier to see that we're not alone in facing them; that these feelings are universal." Mehta's embodiment of the explorations in "Broadcasting" feels beautifully vital, deepening the song's questions of belonging and isolation in a magnetic visual dialogue.
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