TV Features

This Haunts Me: Mariah Carey Taking a Bath on MTV's "Cribs"

It was 2002, and Mariah Carey wanted a bath. Now we'll never be clean.

Mariah Carey

Photo by Evan Agostini-Invision-AP-Shutterstock

Before TikTok, before Snapchat, and before YouTube, there was MTV in the early aughts: a lawless land of velour tracksuits and diamond grillz, tiny dogs and spray tans.

And then there was Mariah Carey, who had barely survived 2001 after channeling her lifeforce into the beloved film disaster Glitter, along with the critically panned soundtrack of the same name. And yet, Carey persisted–and took a bath in front of millions of viewers on MTV's Cribs.

Keep ReadingShow less
MUSIC

Janet May Finds Harmony in Music and Activism

Protest movements, music, and human beings are more similar and interconnected than they are different and alone, and Janet May lives her life in a way that reflects this.

Janet May - New York, I am Home (Official Music Video)

Janet May's heartfelt ballads are deeply personal, but she has a decidedly global outlook.

Keep ReadingShow less
Music Features

Why Do Pop's Most Successful Women Still Live in the Shadows of Their Exes?

Halsey clapped back at a concert-goer who kept yelling the name of her famous ex-boyfriend, but it shouldn't have happened in the first place.

hoto by Image Press Agency/NurPhoto/Shutterstock

Whether its her evocative lyricism or unfiltered tweets, Halsey is widely known for her openness on her mental health issues and her personal life.

Keep ReadingShow less
CULTURE

Going to Strip Clubs Doesn't Make Dua Lipa Any Less Feminist

With #dualipaisoverparty trending on Twitter, we need to have a talk about strippers and sex worker rights.

Dua Lipa at Met Gala Afterparty 2023

Photo by Deonté Lee/BFA.com/Shutterstock

In the age of an imperfect cancel culture, Twitter users have harnessed the power of hashtags to superfluous extremes, often at the expense of innocent stars.

Keep ReadingShow less
CULTURE

"Looking Like a Rottweiler": Ari Lennox Takes on Internalized Racism

Another day on Twitter, comparing black women to dogs.

Ari Lennox at OneMusic Festival

Photo by Franklin Sheard Jr (Shutterstock)

Ari Lennox and Teyana Taylor are very familiar with backhanded compliments.

Recently, one user tweeted, "Ari Lennox and Teyana Taylor's ability to have dangerously high sex appeal while simultaneously looking like rottweilers will always amaze me." To which, both singers responded by calling out the cultural toxicity that still attacks black identity. Lennox retweeted the post with the reply, "People hate blackness so bad." Taylor shared Lennox's response, commenting, "No lies detected."


But the discussion launched thereafter delved much deeper than the persistent scourge of cyberbullying celebrities. By comparing the two black women to dogs, the passive aggressive attack drew from a history of anti-black sentiment that's particularly targeted black women.

Lennox took to her Instagram livestream in angry tears to address the history of prejudice, systemic racism, and oppression behind the remark: "How people hate black people so much, how black people can sit up here and say, 'that's not my problem' or 'she does look like a Rottweiler'–that's fine–but you want to talk about being so sensitive?"

Most cuttingly, Lennox addresses the internalized racism behind the comment. In response to the argument shared by many that more culturally sensitive and inclusive language limits freedom of speech, she rejoined: "That's fine…but… Why is this your speech? Why are you so comfortable tearing down black women and no other race?" She called out the prevalence of racism and prejudice within the black community compared to other identities: "When are Hispanic women ever compared to dogs? When do they do that to white women? When are Hispanic men doing that to Hispanic women?"

Unfortunately, intra-racism, or internalized racism, occurs regularly among all groups (let's put aside, for now, the problematic issues with the word 'Hispanic').

Hence, we've tried to adopt a term to address such complex layers of misogyny, racism, bigotry, and all forms of oppression: "intersectionality." While the word's been badly misinterpreted among groups all along the political spectrum, the casual comparison between black women and dogs exemplifies the heart of its meaning. Simply, an individual is "impacted by a multitude of social justice and human rights issues," to the point that even conservative writer David French calls it "common sense": "An African American man is going to experience the world differently than an African American woman," French told Vox. "Somebody who is LGBT is going to experience the world differently than somebody who's straight. Somebody who's LGBT and African American is going to experience the world differently than somebody who's LGBT and Latina. It's sort of this commonsense notion that different categories of people have different kinds of experience."

All too often, those layers of different experiences produce particular forms of prejudices. The original poster, @WinEverUWantIT, was inundated with replies calling out the hypocrisy and misogyny of him, a young black man, criticizing the appearance of two successful black women. "Black men are the weak link in the black community," reads a top comment, followed by, "Let me clarify. Black men like YOU are the weak link in our community."

Lennox then tweeted, "Moms and Dads please love on your beautiful black children. Tell them they're beautiful constantly. Tell them Black people are beautiful. Tell them black features are beautiful." This past summer, Lennox told Buzzfeed she'd had many experiences with social pressure and prejudice to change her features, from her natural hair to her nose. "I would never get surgery and I love my nose," she said. "I just feel this is a conversation that needs to be had. There are black babies that have insecurities 'cause culture says it's funny to insult black features." She uses her platform to denounce the notion that black women's features exist outside society's standards of beauty: "Rocking my natural nose, hair, and skin — that makes me feel so empowered, because there's so many people out there that would rather me not do that," she says. "I refuse to change for them. Knowing that I can encourage someone else to rock their natural self really empowers me, as well."

MUSIC

Nora Rothman, Founder of Queer/Femme Music Community Earhart, Premiers New Single

"Strange" is the bittersweet first single off activist and feminist Nora Rothman's forthcoming EP, 'Nothing New.'

Nora Rothman is setting what should be a precedent for every musician.

The singer-songwriter has long been blending her musical output with activist work, and she practices the feminist ethos that she preaches. Today, she released a new single called "strange"—an ethereal, buoyant new track that meshes her honeyed vocals and bittersweet lyrics with expert production from Kate Ellwanger (aka Dot).

The track is the first taste of her upcoming EP, Nothing New, out on July 12 on female-led label Unspeakable Records. It explores common themes of the human experience such as longing, nostalgia, and the gap between the past and the future.

It's the product of a musician who's spent much of her life blending the arts with social justice work. Rothman was born in Los Angeles, and after migrating to the East Coast to study creative writing at Brown, she returned to LA to pursue music and acting. She took a hiatus from the arts to serve as a field organizer for the Clinton campaign in 2016, and upon Donald Trump's election, she vowed to dedicate herself to uplifting "womxn's" voices through her work ("womxn" being an umbrella term for femmes, gender-nonconforming, and trans people that Rothman uses to describe the demographic her work is intended for).

She released her first EP in 2017. It was followed by a Remix EP that was created with a lineup of all-female-identifying producers such as Birch and Libra Rising, and 50% of the proceeds went to Planned Parenthood. During its release, Rothman vowed to work with exclusively female and gender-nonconforming artists, and since then, she has teamed up with artists such as Pakistani illustrator Areeba Siddique, who created the visuals for Rothman's song "Truth or Dare," and many more. Rothman has also used her artistic platform to support other feminist organizations like EMILY's List, selling out a direct-to-vinyl fundraiser for the foundation, which supports female politicians.

In 2018, Rothman launched Earhart, a platform dedicated to "celebrating femme, trans and gnc artists." Named after the legendary pilot, it's intended to foster support and community among that demographic, and features resources such as running lists of womxn in electronic music and in composition. It also curates regular playlists and features profiles of up-and-coming artists.

Rothman's music itself has drawn comparisons to the work of Joni Mitchell, Nora Jones, and other great songwriters who blend soft guitar-driven melodies with introspective lyrics. It's hard to say whether the best part of her work is that it was created by exclusively womxn or that, with its blend of dream-pop gauziness and 70's folk motifs, it's a pure delight to listen to—or maybe each these things uplifts the other, ultimately creating something truly great and profoundly relevant for our times.

Listen to "strange" here, and stay tuned for Nothing New, out on July 12.


Eden Arielle Gordon is a writer and musician from New York. Follow her on Twitter @edenarielmusic.


POP⚡DUST | Read More...

Jameela Jamil on Abortion Bans: "Women Who Are Poor and Disabled Will Suffer the Most"

Ariana Grande Sued for Instagram Pictures of Herself

Has "Game of Thrones" Lost Its Ability to Write Female Characters?