He needs to set aside his greed for one minute, and consider the fact that we all need him to STFU
On March 6, 2020, Tesla CEO and Grimes' baby daddy Elon Musk tweeted, "The coronavirus panic is dumb."
One month later, the novel coronavirus was the number one cause of death in the US, as it remains to this day. Whatever you can say about people's various responses to the virus, some level of panic was clearly warranted.
- Elon Musk and Grimes' Baby Will Be the Antichrist - Popdust ›
- Grimes Doesn't Get It: Elon Musk Is Not Like Bernie Sanders - Popdust ›
The global reach of the Black Lives Matter protests in the wake of George Floyd's death uplift the fight for racial equality in all nations.
Protests over the unlawful death of George Floyd haven't disrupted just American cities, as demonstrations all over the world have taken place this week.
In London's Hyde Park, Star Wars actor John Boyega gave an impassioned speech to the protesters. "I need you to understand how painful this sh*t is. I need you to understand how painful it is to be reminded every day that your race means nothing and that isn't the case anymore, that was never the case anymore." He continued, "We are a physical representation of our support for George Floyd. We are a physical representation of our support for Sandra Bland. We are a physical representation of our support for Trayvon Martin. We are a physical representation of our support for Stephen Lawrence," he said, referencing the infamous 1993 murder of a Black UK teen. Lawrence was just 18-years-old when he was stabbed to death by a two white men who were known to spout racist, anti-Black, rhetoric.
The singers magnetic hit, which debuted at No. 1 on this day in 1967, still fiercely resonates
On this day in 1967, Aretha Franklin's "Respect" debuted at No.1 on the U.S. charts. The Otis Redding re-imagining would become the definitive song of the 1960's Civil Rights and Feminist Movements.
At just 24-years-old, the soon-to-be Queen of Soul took a song that was a desperate plea for companionship and transformed it into a cutthroat demand for equality. "Come to me for I'm begging, come to me for I'm begging, darling," Redding howls in his version. "Your kisses, sweeter than honey," Franklin croons on her re-imagining almost in direct response. "And guess what? So is my money." When Franklin's version continued to grow in popularity, Redding felt both emasculated and proud. "The next song is a song that a girl took away from me. A good friend of mine." Redding said playfully before diving into his rendition during his 1967 performance at the Monterey Pop Festival.