The improbably fascinating "I'll Be Gone In the Dark" subverts traditional serial killer narratives.
In the years leading up to her death, Michelle McNamara haunted message boards, libraries, and Sacramento families to get to the bottom of the case that obsessed and consumed her.
McNamara, a true crime blogger whose interest in serial killers morphed into a compulsive desire to hunt and catch them, is the subject of a new HBO documentary series. The first episode, which premiered last Sunday, presents a small window into the mind of a woman who hunted serial killers until she accidentally overdosed on sleeping pills.
It's completely enthralling, a marked subversion of typical serial killer narratives as well as a commentary on their devastating and peculiar appeal.
I'll Be Gone In the Dark (2020): Official Trailer | HBO www.youtube.com
The hit musical will drop on Disney+ July 3rd.
Lin Manuel-Miranda's Hamilton has taken the theater world by storm since its 2015 Broadway premiere.
A hip-hop musical about America's founding fathers doesn't sound immediately appealing, but Manuel-Miranda's brilliant song writing and diverse casting not only captured the attention of audiences, but proved that major change is possible within an art form as encumbered by traditions as musical theater.
Using a Black dialect isn't a meme—it's cultural appropriation.
As Black Lives Matter protests have rightfully taken the world by storm over the past couple of months, we're long overdue for thorough evaluations of just how often aspects of Black heritage have been co-opted by white audiences.
It should be obvious that much of fashion and music as we know it today was invented by Black people. We (hopefully) all know by now that we can no longer accept Blackface and use of the n-word by non-Black people as the norm—and Internet users have tried "canceling" offenders in the public eye, with varying degrees of success.