Spooky season is upon us.
What's a good scary movie without an equally spooky score?
Great horror can't always rely just on blood, demons, and jump scares. It takes a village—or, rather, the addition of a good composer—to create films that hold the power of keeping their viewers awake at night, and one of the most effective ways to instill fear is with a soundtrack.
We've already discussed our favorite songs that evoke the Halloween spirit, but it's important that we don't let composers go unnoticed as we dive into our favorite spooky music. Below, we've rounded up our favorite scary movie soundtracks, from blockbusters to cult favorites, to help ring in the season
Midsommar (by Bobby Krlic)
How is it possible to make a movie that takes place almost entirely in daylight while still conveying a sense of sheer terror? To help tell his story of a murderous cult in the idyllic Swedish countryside, Midsommar director Ari Aster turned to British composer and producer Bobby Krlic—AKA The Haxan Cloak—to construct an appropriately terrifying soundtrack. Krlic's score relies on atonal strings and elements of ancient Scandinavian music, juxtaposing blissful moments with bursts of unadulterated, violent madness.
Psycho (by Bernand Herrmann)
After filming the iconic shower scene in Alfred Hitchcock's 1960 thriller Psycho, the film's star, Janet Leigh, went to great lengths to avoid taking showers for the rest of her life: "I take baths, only baths," she told the New York Times in 1995. "I have absolutely no intention of stepping into a shower." And while murder scenes might not have been the most realistic 60 years ago, Psycho's climax is bolstered by a screeching string section, courtesy of Bernard Herrmann.
Halloween (by John Carpenter)
Janet Leigh's daughter, Jamie Lee Curtis, would go on to continue the family's horror legacy when she was cast as the teen heroine in John Carpenter's Halloween. The film's score, also composed and performed by Carpenter, remains one of the most terrifying horror theme songs to date. With little more than just a simple piano riff, a swelling string section, and a ticking beat that rattles like a time bomb, "Halloween Theme" might be the scariest song of all time.
Eraserhead (by David Lynch, Peter Ivers, and Fats Waller)
Released in 1977, Eraserhead marked the first feature-length film by David Lynch, who has since become perhaps the most popular surrealist in American cinema. For the body horror film's soundtrack, Lynch laid the groundwork for the forthcoming era of dark ambient music, leaving in non-musical cues that place the listener in the film's black-and-white gloom. Ominous and foreboding throughout, the Eraserhead soundtrack is a transfixing one-way ticket to the distorted Lynchian universe.
The Conjuring (by Joseph Bishara)
While The Conjuring is a more recent addition to the scary movie canon, the supernatural horror film should still be remembered for its chilling score. Courtesy of go-to thriller composer Joseph Bishara, The Conjuring's original soundtrack doesn't stick out quite like that of Psycho or Halloween; instead, like Eraserhead, the score creates an unequivocally spooky ambience with gentle hums of off-kilter orchestration. Rather than creating an instant pang of fear, the music steeps in a brooding sense of suspense—which, when done right, is even scarier.
Jaws (by John Williams)
Even if you've somehow never seen it in your life, few movie theme songs are as embedded in society's collective consciousness as that of Jaws. The 1975 film was scored by John Williams, who drew inspiration from left-wing compositions like Igor Stravinsky's The Rite of Spring and Claude Debussy's La mer. Using just two alternating notes that gradually speed up into a rousing crescendo, the Jaws theme was written to mimic the relentless terror of a shark attack. Like a twisted ballet, the music of Jaws hints at the gruesome fate to come.
Suspiria (by Goblin)
While Radiohead frontman Thom Yorke was a perfect choice to score Luca Guadagnino's 2018 remake of Suspiria, it's impossible to top the soundtrack of the original 1977 version. Composed by Italian prog-rock band Goblin, the soundtrack of Dario Argento's Suspiria blends elements of guitar music, industrial electronics, and sound effects that encapsulate the film's bone-chilling aesthetics.
New releases from Baby Smoove, Yung Baby Tate & more
Many of you are waking up to a good amount of mainstream releases this morning. With new releases from YUNGBLUD and Shawn Mendes, pop fans are having a good day today.
"After The Rain" – Yung Baby Tate<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="7cf66c3c1e1c304ba3a7385dc7152511"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/KeR0GRHiOdM?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>Yung Baby Tate is through with comparisons. The ATL emcee and vocalist finally released her <em>After the Rain </em>EP today, her mother's birthday (the legendary Dionne Farris). It's her first release on Issa Rae's Raedio label, which she was signed to earlier this year. </p><p>The braggadocious EP is filled with both audacious bubble-gum rhymes and brooding soulful crooning. Building off the versatile momentum of last year's confident debut, <em>Girls</em>, Tate has begun to distance herself from the Nicki Minaj comparisons that overshadowed her last project. </p><p>Her honeyed voice glides on "Baecation" and cracks like a whip on melodic trap offerings like "Bounce." Overall, it's her charisma that gives the project its distinctive flair. "Oh damn, I just outdid b*tches again," she snaps on "Rainbow Cadillac." "If they wasn't hating so hard, we probably could've been friends." </p>
"Waiting to Die" – Working on Dying<iframe src="https://embed.spotify.com/?uri=spotify:album:2SbgyrDcbsPnuBEeg2amNK" id="3b0cb" frameborder="0" class="rm-shortcode" data-rm-shortcode-id="cf438e0b18496e0264a98dca40a6a295" expand="1" height="480" width="100%"></iframe><p>The debut project from the platinum-selling production collective Working on Dying, <em>Waiting to Die</em> is a haunting collection of woozy instrumentals and quippy rhymes from indie emcees like Key!, Robb Banks, Lucki, and Father.</p><p>The project is an all-consuming experience. Tracks like "Cedric Benson" and "Loose Screw" are muddied and fast-paced, building on the collective's signature "tread" subgenre. Meanwhile, tracks like "Off the Lead" and "FYB" find newcomers Hula and Lancey Foux casually slinking alongside a distorted gurgle of synths and high hats. WOD's debut will scratch the itch for anyone who loved their grimy work on <em>Eternal Atake</em>.<br></p>
"Belair Baby 2" – LBS Kee'vin<span style="display:block;position:relative;padding-top:56.25%;" class="rm-shortcode" data-rm-shortcode-id="57762b0729001b95cfdfd02db25c8fb8"><iframe lazy-loadable="true" src="https://www.youtube.com/embed/RV4EtSiI1_s?rel=0" width="100%" height="auto" frameborder="0" scrolling="no" style="position:absolute;top:0;left:0;width:100%;height:100%;"></iframe></span><p>LBS Kee'vin's melodic spitfire has earned him a significant amount of buzz in 2020. In January, the Florida emcee <a href="https://www.billboard.com/articles/columns/hip-hop/8548072/florida-rapper-lbs-keevin-signs-visionary-records" target="_blank" rel="noopener noreferrer">signed with Visionary Records</a>, which had just announced a massive partnership with Sony Music. LBS then started cranking out work in 2020, releasing <em>Belair Baby</em> earlier this year, only to quickly follow up with its sequel today. </p><p>With features from 42 Dugg, Juicy J, <a href="https://www.popdust.com/interview-2647880210.html" target="_self">and Luh Kel</a>, <em>Belair Baby 2</em> is a captivating ride that rolls along with confidence. Kee'vin bounces hand-in-hand with Dugg's choppy flow on "Shining," before exhaling a turbulent freestyle on "John Doe" and howling with earnestness on "Toxic" and "Mixed Emotions." Kee'vin covers a lot of melodic ground in the project's half-hour runtime, and it makes for a captivating listen.</p>
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