The young singer adds a nostalgic twist to pop music in her new single.
Marisa Maino seems like she tried a little bit of everything before she moved in to pop music.
From ballet to acting to jazz music, Maino has constantly fought against industries' conventions in order to act on her own creativity. Now she creates work that speaks to her own experiences, reflects her quirky personality, and generally wins over crowds pretty quickly. Previous singles " Hot" and "Boy Toy" have balanced odd yet compelling lyrics with a throwback musical aesthetic. Her latest single "Ever Young" continues her signature style with a retro-lab 80s Miami feel.
The song begins with a plucked, ethereal electric guitar that gives way to a synth beat. Musically. it's straightforward and uncluttered, as if saying, "You now this sound, and you know what to do with it." The reverb is drawn out, and the driving beat feels like streetlights going past a car window. Maino's voice is a simultaneous plea for youth and the ability to transcend it, even as she knows that it can't be done.
Maino is showing off all her good sides here. You listen to this, and it has all the familiarity you want from a pop-song with its own edge. Its lyrical content has more depth and complexity than a typical dance floor track, toying with philosophical issues that transcend pop song clichés. Vocally, she's on point, evoking a tribute to 80s neon divas while her own unique sound remains palpable throughout.
In short, "Ever Young" is a track that can drive you to the dance floor when it's not pumping up your time in the gym. We've covered Marisa Maino before and look forward to her next nostalgic twist on pop music.
Thomas Burns Scully is a Popdust contributor, and also an award-winning actor, playwright, and musician. In his spare time he writes and designs escape rooms. You can follow him on Facebook, Twitter, and Instagram.
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If you're mad because "Batwoman was never black," there's something you need to know...
TV's newest incarnation of Batwoman, Ryan Wilder, is Black.
The CW's Batwoman has always had a progressive streak. In the first season, Orange Is the New Black alum Ruby Rose plays Kate Kane, Bruce Wayne's cousin who dons the Batwoman cowl to protect Gotham City. Just like every other superhero show, Kate's romantic life factors into the plot. Unlike the rest, however, Kate is an out lesbian, making her the first leading lesbian superhero in television history.
But after the first season, Ruby Rose announced that she was leaving Batwoman for unspecified reasons, allegedly related to burnout from the ridiculously long work hours required from a superhero series lead. This meant that in order for Batwoman to continue, the CW would need a new star.
Enter Javicia Leslie, former co-star of CBS comedy-drama God Unfriended Me. Prior to Leslie's casting, fans of the show wondered how Batwoman might handle the transition of actresses. Would Kate Kane just look completely different in season 2 with no canonical explanation?
Nope. As it turns out, Javicia Leslie's Batwoman will be an entirely new character: Ryan Wilder.
The rocker celebrates his 45th birthday today
Jack White almost became a priest.
But then again, did he? The iconic rocker has regularly beguiled the press. "I'd got accepted to a seminary in Wisconsin," he told 60 Minutes Mike Wallace back in 2005 in what seemed like a moment of genuine candor. "At the last second, I thought, 'I'll just go to public school."
Whether you believe that story or not, the blues-rock polymath, who turns 45 today, has led an undeniably punk life and crafted some of the most sacred rock music in history. Two decades after The White Stripes' self-titled debut, Jack White has remained purposefully slippery with the public. He told publications that he and Meg White, his then-wife and White Stripes-cohort, were the youngest of ten siblings and claimed that his label, Third Man Records, used to be a candy company, among other outlandish claims.