A new letter from the Artist Rights Alliance demands that politicians receive permission for the political use of music.
Update 8/4/2020: Canadian-American singer-songwriter Neil Young has filed a copyright infringement suit against Donald Trump's presidential campaign for the use of his songs "Rockin' in the Free World" and "Devil's Sidewalk" without a license. The Trump campaign reportedly played the songs at the June 20th rally in Tulsa, Oklahoma, where it's suspected that the late entrepreneur and Republican political figure Herman Cain contracted COVID-19.
The suit states that Young "cannot allow his music to be used as a 'theme song' for a divisive, un-American campaign of ignorance and hate." The lawsuit will serve as a test case for license exclusions in the case of political events.
Imagine pouring your hard work, your talent, and your heartfelt emotions into a work of art for all of humanity to enjoy, only to have it co-opted by a symbol of hatred and division.
For a stunning number of musicians who vehemently oppose Donald Trump's presidency, that is exactly what has happened in recent years. Despite repeated statements that they don't want their music played at his political rallies, Donald Trump's re-election campaign has continued to use music from artists like Adele, Rihanna, The Rolling Stones, Neil Young, Pharrell Williams, Axl Rose, and honestly too many others to mention.
The hit musical will drop on Disney+ July 3rd.
Lin Manuel-Miranda's Hamilton has taken the theater world by storm since its 2015 Broadway premiere.
A hip-hop musical about America's founding fathers doesn't sound immediately appealing, but Manuel-Miranda's brilliant song writing and diverse casting not only captured the attention of audiences, but proved that major change is possible within an art form as encumbered by traditions as musical theater.
Using a Black dialect isn't a meme—it's cultural appropriation.
As Black Lives Matter protests have rightfully taken the world by storm over the past couple of months, we're long overdue for thorough evaluations of just how often aspects of Black heritage have been co-opted by white audiences.
It should be obvious that much of fashion and music as we know it today was invented by Black people. We (hopefully) all know by now that we can no longer accept Blackface and use of the n-word by non-Black people as the norm—and Internet users have tried "canceling" offenders in the public eye, with varying degrees of success.