She's been queer-baiting us this whole time.
It all started with "Kissgate" in 2014.
A blurry photo of Taylor Swift and Karlie Kloss allegedly making out spread like wildfire across the internet, only to be quickly debunked by a rep for the singer. Regardless, the conspiracy theory remained prevalent, with fans dedicating an exorbitant amount of time to unearthing The Truth: that Swift and Kloss had been secretly dating for years.
Swift has always had a dedicated fanbase in the queer community, and rightfully so. For years the singer has been a
powerful LGBTQ ally. But now she's cashing in on that fanbase. Her latest song, "You Need To Calm Down," is an on-the-nose LGBTQ+ anthem. It paints Swift as a gay crusader, dethroning homophobes on the internet and asking those stupid trolls right to their stupid faces: "Why are you mad when you could be GLAAD?" When Swift started promoting new music with a series of clues on Instagram, some fans read into the initial announcements as T-Swift coming out. Despite the undeniable internet frenzy, she never clarified and continued to mislead fans. She played further into the "Kaylor" conspiracy theory, commissioning a mural in Nashville that looks eerily similar to the Victoria's Secret Wings Kloss wore at the 2013 show. Shortly afterwards, Swift posed in a power suit, added rainbow filters to her photos, and rearranged her Instagram aesthetic to include an inordinate amount of blue, pink and purple, which are the bisexual pride colors. At a recent performance, fans noticed that she changed all the pronouns in one of her songs to "her." She even dropped minute hints, such as uploading a photo of chickens in sunglasses, which fans interpreted to imply "cool chicks." Then, she finally dropped "ME!" on April 26, Lesbian Visibility Day, alongside Brandon Urie, a pansexual icon. The "Gaylor" speculation had become a pandemic.
But with the release of "You Need To Calm Down" we finally see that it was all just Swift showing her superfluous support for LGBTQ+ people. Taylor Swift's gaybaited the queer community for publicity, demonstrating a surprising detachment from the very movement she's trying to promote. But this isn't the first time Swift has made tone-deaf promotional decisions. For her Reputation album rollout, she faced heavy criticism for allegedly taunting Kanye West, whom the singer had feuded with the previous year. Reputation's launch date was set for the anniversary of Kanye's mother's death. Swift then tweeted the link to her video for "Look What You Made Me Do" during the MTV VMA's "when the mother of Heather Heyer, a woman killed by the vehicular attack while protesting white supremacists in Charlottesville, was speaking on stage," wrote VICE. "The unfortunate timing is emblematic of how utterly detached from the world Swift is." She was accused of "rehashing old grudges" during her Reputation rollout in 2017, bringing attention to her petty beef during the first year of Trump's presidency, a time when celebrity feuds were the last thing on the public's mind.
Fast forward to 2019, and Swift has allegedly found her political calling. But her inability to recognize her intentionally misleading promotional campaign as queer-baiting and her inability to separate herself from the movement she's trying to empower exemplifies an artist who, in theory, is an LGBTQ+ champion but in practice is as self-obsessed as ever. Her "clues"—many of which still remain devoid of proper context—exemplify a Swift that is still at the center of her own universe. But most of all, fans are just disappointed. "I really thought Taylor was out this time. I really did!" wrote Buzzfeed News. "Now there's a big part of me...that feels like the rollout for Taylor's new song and video was a calculated attempt to queerbait us all."
my entire kingdom for the pureness of heart to think taylor’s orientation is anything other than “capitalism”— Ellen Cushing (@Ellen Cushing)1556252926.0
Now, we can almost say for certain that it was. But perhaps artists who queer-bait, like
Ariana Grande, Dua Lipa, and Swift, are a necessary evil—at least for now. It matters more at this moment in time that queer audiences be empowered and respected, and regardless of her methods, we have to applaud Swift for putting her money where her mouth is. With all the dust beginning to settle, the release of "You Need To Calm Down" reminds us that it's silly to "think of [Swift's] orientation as anything other than capitalism" and that well-timed internet drama is still the pinnacle of the Swift ideology.
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Animation is lame and live-action is awesome.
Everybody loves Disney live-action remakes.
In a world plagued by racism, disease, and a seemingly endless bounty of spiraling misfortune, at least we can all agree that Disney knocks it out of the park every time they dredge up an old, animated movie for a live-action makeover because cartoons are for babies.
Sure, some of us thought the original Beauty and the Beast was fine, but could lame, 2D Belle ever hold a candle to 3D Emma Watson? And yeah, the original Lion King was okay, I guess, but there's nobody in the world who preferred cartoon Scar's rendition of "Be Prepared" to the incredible feat of getting a real lion to sing it in the live-action remake.
Being a Disney fan can be hard sometimes, as you have fond memories of beloved childhood movies but also don't want people to make fun of you for liking cartoons. That's why, out of all the corporations in the world, Disney is undoubtedly the most selfless, willing to spend hundreds of billions of dollars to bring their old, outdated movies into the modern age—all for the fans.
After Halle Berry walked back her consideration of playing a transgender character, we look back at how Hollywood has repeatedly fumbled trans representation.
Halle Berry has made headlines this week after turning down a role in which, had she gone through with production, would have represented a transgender man.
Berry, an Academy Award-winning actress known for roles in films like Monster's Ball, Catwoman, and Gothika, took to Twitter Monday night to apologize for considering the role. "Over the weekend I had the opportunity to discuss my consideration of an upcoming role as a transgender man, and I"d like to apologize for those remarks," Berry wrote. "As a cisgender woman, I now understand that I should not have considered this role, and that the transgender community should undeniably have the opportunity to tell their own stories."
The post continued: "I am grateful for the guidance and critical conversation over the past few days and I will continue to listen, educate and learn from this mistake. I vow to be an ally in using my voice to promote better representation on-screen, both in front of and behind the camera."