Her Debut Album is Dedicated to Her Late Grandmother, and it Holds... So Much. Listen to it Here First
"I dedicate this EP to my brilliant and beautiful nana Zora, who suffered from schizophrenia"...
...says Zāna, speaking of her debut EP, "Not only was I lucky enough to be named after her, I also look like her and, from what I've been told, have some of her personality and wit too." Zāna is a fascinating character, her work sultry, earthy, and just a little bit mold breaking. In speaking about the album she says "each song on this EP touches on different mental health struggles that I have dealt with and that most people experience in one form or another." These influences come through clearly, touching on exactly what she means to, and yet also finding murkier waters beneath even these bold intentions. With that in mind, let's dive in to this sensational career start.
The album opens with "Wish He'd Stayed," a chilled out lounge soul lament. As the title suggests, it's about regret over a breakup. It is calmly resolute, even verging on upbeat, which counterpoints the sadness in the lyrics. A potent nod toward the idea that breakups don't hurt us because they're all tragedy, they hurt because they are the broken memory of happiness. The light jazzy instrumentation makes for easy listening, even as the lyrics make you contemplative.
"Toss N Turn" has an uptempo flavor, continuing the lounge bossa nova vibe of the EP. Zāna's voice breathes a little faster here, adding a gentle, flirtatious vivacity to proceedings. A few production flairs add to the journey of the song, which lyrically feels like the words of someone trying to lose a bad dream or a foul mood. Its muted and diluted positivity is intriguing and begs further listens.
Following next is "Why Can't You." Samba rhythms and light guitar permeate the piece. The chorus features punctuating percussion hits that spike the energy of the track. Zāna here appears to be reasoning with a lover, close friend, or herself. The song offers advice in an intriguingly nebulous delivery, whilst smooth guitar interweaves and eventually culminates in an intricately wah-ed solo.
On "Dreaming" we deal more literally with night thoughts that are hinted at earlier on the EP. Again, the production is pretty astounding. Contrary to a lot of pop in the sphere right now, Zāna sounds like she's using a majority of real instrumentation. This always deserves props, not because there's anything wrong with synth, but because it's gutsy, and retro, which is always appreciated. It also gives her work, and particularly this track, an authentic feel.
Finally, "Gone" opens with a strummed acoustic guitar dim against police sirens. Zāna then jumps in, singing about loss and the pain of same. The metaphor is well worn, but she makes it feel fresh. Guitar ebbs and flows rhythmically behind her, by now, trademark breathy vocals. At this point in listening to the EP you realize something… Zāna takes her time. The pacing of all her tracks is completely un-rushed. This one in particular is seven minutes long. That's a bold move. Even back in the day you had to be Queen or Led Zeppelin to get radio play on tracks that long, yet she drops these pieces like that's just how it's done. It allows her music to grow a mood, and it allows the patient listener to really drop in to what she's doing. More importantly, she never burns out mid-song. The average pop track is a two to three minute fix. Wham, bam, thank you stranger. Zāna's debut EP is a drawn out seduction, and damn does it work on every level.
"I found extreme solace and clarity through writing and producing this EP, and I hope that some of you, if not all of you, can find comfort in it as well."
There's a lot to commend in Zāna's work. Emotion is clearly her selling point, but her effortless cool is not to be underestimated either. The production on this EP is astounding, whoever she is surrounding herself with knows exactly what they are doing, and how to show off her voice at maximum efficacy. Lyrically, you can be forgiven for not catching everything on the first go through (there's a lot to unpack), but rest assured, you will on repeat listens. Zāna feels mystical, modern, and mysterious, yet also yielding, enticing, and just plain old fashioned interesting to listen to. And she does it all without feeling like she's trying too hard. The Beauty of Zora is an impressive debut, and will have you ready for the worlds that are yet to come.
Thomas Burns Scully is a Popdust contributor, and also an award-winning actor, playwright, and musician. In his spare time he writes and designs escape rooms. You can follow him on Facebook, Twitter, and Instagram.
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A cultural misunderstanding may be responsible for Shein's swastika necklace scandal...but it's still an awful company
Popular fast-fashion retailer Shein came under fire this week for selling a swastika necklace on their website.
A Chinese company, Shein has become well-known for their inexpensive clothing and accessories, often featured in so-called "haul" videos on YouTube. Shein has since removed the necklace from their site and issued an apology. But screenshots of the faux-gold necklace—listed for between $2.50 and $4.00 as "Metal Swastika Pendant Necklace"— quickly spread on social media, with users expressing their disgust at the apparent insensitivity to what that symbol represents.
To everyone we’ve offended, we’re really sorry... https://t.co/rm6TCgx99K— SHEIN (@SHEIN)1594381498.0
Earlier this month Shein was called out for cultural insensitivity after listing Muslim prayer rugs—some featuring an image of the sacred Kaaba in Mecca—as "Fringe Trim Carpets" for decorative use and for selling traditional Southeast Asian dresses modeled by white women and renamed to remove cultural signifiers.
Let's take a look at Nazi-inspired fashion.
Villains always have the best outfits.
From Darth Vader's polished black space armor to The Joker's snazzy purple suit, bad guys always seem to show up their protagonists in the fashion department.
Way more handsome than Batman. static.giantbomb.com
But could there possibly be a real world equivalent to the type of over-the-top villain fashion often found in fiction? It would have to be sleek and imposing, austere and dangerous. Probably black.
Maybe it's him. Maybe it's fascist ideology.
Let's call a spade a spade. From an aesthetic standpoint, the Nazi SS outfit is very well-designed. The long coat tied around the waist with a buckle portrays a slim, sturdy visage. The leather boots and matching cap look harsh and powerful. The emblem placements on the lapel naturally suggest rank and authority. And the red armband lends a splash of color to what would otherwise be a dark monotone. If the Nazi uniform wasn't so closely tied with the atrocities they committed during WWII, it wouldn't seem out of place at Fashion Week. Perhaps not too surprising, considering many of the uniforms were made by Hugo Boss.
Pictured: A real thing Hugo Boss did. i.imgur.com
Of course, today, Nazi uniform aesthetics are inseparable from the human suffering doled out by their wearers. In most circles of civilized society, that's more than enough reason to avoid the garb in any and all fashion choices. But for some, that taboo isn't a hindrance at all–if anything, it's an added benefit.
As a result, we have Nazi chic, a fashion trend centered around the SS uniform and related Nazi imagery.
History of Nazi Chic
For the most part, Nazi chic is not characterized by Nazi sympathy. Rather, Nazi chic tends to be associated with counterculture movements that view the use of its taboo imagery as a form of shock value, and ironically, anti-authoritarianism.
The movement came to prominence in the British punk scene during the mid-1970s, with bands like the Sex Pistols and Siouxsie and the Banshees displaying swastikas on their attire alongside other provocative imagery.
Very rotten, Johnny. i.redd.it
Around this time, a film genre known as Nazisploitation also came to prominence amongst underground movie buffs. A subgenre of exploitation and sexploitation films, Naziploitation movies skewed towards D-grade fare, characterized by graphic sex scenes, violence, and gore. Plots typically surrounded female prisoners in concentration camps, subject to the sexual whims of evil SS officers, who eventually escaped and got their revenge. However, the most famous Nazisploitation film, Ilsa, She Wolf of the SS, flipped the genders.
The dorm room poster that will ensure you never get laid. images-na.ssl-images-amazon.com
Ilsa was a female SS officer and the victims were men. She spent much of the movie wearing her Nazi uniform in various states, sexually abusing men all the while. As such, Ilsa played into dominatrix fantasies. The movie was a hit on the grindhouse circuit, inspiring multiple sequels and knock-offs and solidifying Nazi aesthetics as a part of the BDSM scene.
Since then, Nazi chic fashion has been employed by various artists, from Madonna to Marilyn Manson to Lady Gaga, and has shown up in all sorts of places from leather clubs to character designs in video games and anime.
Lady Gaga looking SS-uper. nyppagesix.files.wordpress.com
Nazi Chic in Asia
Nazi chic has taken on a life of its own in Asia. And unlike Western Nazi chic, which recognizes Nazism as taboo, Asian Nazi chic seems entirely detached from any underlying ideology.
A large part of this likely has to do with the way that Holocaust education differs across cultures. In the West, we learn about the Holocaust in the context of the Nazis committing horrific crimes against humanity that affected many of our own families. The Holocaust is presented as personal and closer to our current era than we might like to think. It is something we should "never forget." Whereas in Asia, where effects of the Holocaust weren't as prominent, it's simply another aspect of WWII which, in and of itself, was just another large war. In other words, Nazi regalia in Asia might be viewed as simply another historical military outfit, albeit a particularly stylish one.
In Japan, which was much more involved with WWII than any other Asian country, Nazi chic is usually (but not always) reserved for villainous representations.
OF COURSE. i.imgur.com
That being said, J-Pop groups like Keyakizaka46 have publicly worn Nazi chic too, and the phenomena isn't limited to Japan.
In South Korea, Indonesia, and Thailand, Nazi imagery has shown up in various elements of youth culture, completely void of any moral context. For instance, in Indonesia, a Hitler-themed fried chicken restaurant opened in 2013. And in Korea, K-Pop groups like BTS and Pritz have been called out for propagating Nazi chic fashion. Usually such incidents are followed by public apologies, but the lack of historical understanding makes everything ring hollow.
So the question then: is Nazi chic a bad thing?
The answer is not so black and white.
On one hand, seeing Nazi chic on the fashion scene may dredge up painful memories for Holocaust survivors and those whose family histories were tainted. In this light, wearing Nazi-inspired garb, regardless of intent, seems disrespectful and antagonistic. Worse than that, it doesn't even seem like a slight against authority so much as a dig at actual victims of genocide.
But on the other hand, considering the fact that even the youngest people who were alive during WWII are edging 80, "forgetting the Holocaust" is a distinct possibility for younger generations. In that regard, perhaps anything that draws attention to what happened, even if it's simply through the lens of "this outfit should be seen as offensive," might not be entirely bad. This, compounded by the fact that Nazi chic is not commonly associated with actual Nazi or nationalistic sentiments, might be enough to sway some people–not necessarily to wear, like, or even appreciate its aesthetics, but rather to understand its place within counterculture.
Ultimately, one's views on Nazi chic likely come down to their own personal taste and sensibilities. For some, Nazi chic is just a style, an aesthetic preference for something that happens to be mired in historical horror. For others, the shadow of atrocity simply hangs too strong.
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