It was so bad, it was funny.
Everything in life is funny.
Remember that the next time you feel creeping alarm about climate change, impeachment proceedings, or Brexit. As George Carlin once said, "There's a humorous side to every situation. The challenge is to find it." But in the age of Twitter and op-eds about bad dates with comedians, it's hard to keep track of what's funny and what's cringey. In the last decade, we've been treated to all variations. From critics lamenting that Hannah Gadsby's emotional comedy isn't "real" stand-up to Dave Chappelle returning to say exactly what's on his mind regardless of the political climate, our cultural understanding of what constitutes comedy is currently in flux.
Is Mike Birbiglia's vulnerability funny? Is Bo Burnham's peppy musical satire funny? We're saying yes. Why? On the enduring power of comedy, American humorist Mark Twain once said, "Humor must not professedly teach, and it must not professedly preach, but it must do both if it would live forever"–which is lovely, but Richard Pryor frankly put it better when he said, "Two things people throughout history have had in common are hatred and humor. I am proud that I have been able to use humor to lesson people's hatred."
That is to say: Some comedic talents have shone undeniable light upon our existential dread, and for that we're thankful.
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Animation is lame and live-action is awesome.
Everybody loves Disney live-action remakes.
In a world plagued by racism, disease, and a seemingly endless bounty of spiraling misfortune, at least we can all agree that Disney knocks it out of the park every time they dredge up an old, animated movie for a live-action makeover because cartoons are for babies.
Sure, some of us thought the original Beauty and the Beast was fine, but could lame, 2D Belle ever hold a candle to 3D Emma Watson? And yeah, the original Lion King was okay, I guess, but there's nobody in the world who preferred cartoon Scar's rendition of "Be Prepared" to the incredible feat of getting a real lion to sing it in the live-action remake.
Being a Disney fan can be hard sometimes, as you have fond memories of beloved childhood movies but also don't want people to make fun of you for liking cartoons. That's why, out of all the corporations in the world, Disney is undoubtedly the most selfless, willing to spend hundreds of billions of dollars to bring their old, outdated movies into the modern age—all for the fans.
After Halle Berry walked back her consideration of playing a transgender character, we look back at how Hollywood has repeatedly fumbled trans representation.
Halle Berry has made headlines this week after turning down a role in which, had she gone through with production, would have represented a transgender man.
Berry, an Academy Award-winning actress known for roles in films like Monster's Ball, Catwoman, and Gothika, took to Twitter Monday night to apologize for considering the role. "Over the weekend I had the opportunity to discuss my consideration of an upcoming role as a transgender man, and I"d like to apologize for those remarks," Berry wrote. "As a cisgender woman, I now understand that I should not have considered this role, and that the transgender community should undeniably have the opportunity to tell their own stories."
The post continued: "I am grateful for the guidance and critical conversation over the past few days and I will continue to listen, educate and learn from this mistake. I vow to be an ally in using my voice to promote better representation on-screen, both in front of and behind the camera."