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The 5 Best and Worst Moments of the 2021 Emmys

The 73rd Primetime Emmy Awards were LIVE last night

Schitts Creek Emmys 2021

The 73rd Primetime Emmy Awards were LIVE last night, and, as is the case with many awards shows recently, it was filled with moments that were both cringey and rewarding.

We admit that it was kind of nice seeing a bunch of people gathered safely in a room again. But from another whitewashed winning streak to a bizarre ode to the "sexiness" of chess, here are a few moments from last night's ceremony's that were either appalling or worth applauding.


Best: An Awkward Schitts Creek Reunion

After sweeping the comedy category of the 2020 Emmys, the Rose family reunited this year for a hilarious back and forth bit that should have been nominated for an Emmy itself. "Thank you so much, there's nothing on the prompter," Dan Levy began. "Is there a tech guy or something?" Annie Murphy asked.

As the cast fumbled to make the most out of an awkward situation, the back and forth between them slowly revealed that Eugene Levy had caused the writers to pull all of their lines after he pissed them off. Considering most of the ceremony's other comedy bits were atrocious this year, this awkward Schitts Creek reunion was a much needed moment of levity.

Worst: A Lack of Diversity...Again

Ted Lasso Emmys

Ted Lasso Emmys

After once again blabbing on about championing artists and stories of color, the Emmys once again awarded most of their awards to white talent. Pose, The Underground Railroad, and others were severely overlooked. Sure, Cedric the Entertainer was the host, and the nominations weren't nearly as white-washed as they have been in the past, but the ceremony was still rank with white privilege.

For example, in an awkward show of said privilege, The Queen Gambit's Scott Frank ordered that Emmy producers cease their lead-out music, for which they happily obliged. By the time Michela Cohen got her long-overdue award, it all felt rather tokenizing.

Best: Michela Cohen's Award

But that tokenization did not in any way diminish the award itself! Michela Cohen, who was cheated out of a Golden Globe nomination and other well deserved awards earlier this year, finally won an award for her critically-lauded masterpiece I May Destroy You. After two hours of predictable victories for many of the (white) shows this year, Coel snagged a win for Outstanding Writing for a Limited Series or Movie. Her speech was to the point and beautifully concise, and she dedicated her award to the survivors of sexual assault.

Worst: That Weird "Queen's Gambit" Speech

Queens Gambit

Queens Gambit

While The Queen's Gambit was one of the most widely watched shows of the year, the Outstanding Limited Series/Movie winner this year resulted in one of the oddest acceptance speeches of the night. While accepting the award, the show's producer thanked star Anya Taylor-Joy for bringing the "sexy back to chess," before going into tearing down the patriarchy.

It was an odd thing to praise someone for — not to mention that diluting a female artist's contribution down to just being sexy is right in line with what the patriarchy has done and continues to do?

Best: The Bizarre Biz Markie Tribute

When Cedric the Entertainer kicked off the show, he dove into a hilarious and charming parody of Biz Markie's hit "Just a Friend." Meant as an ode to the rapper, who died in July of this year, Cedric roped in other celebrities from around the room to partake in the song including Rita Wilson, who oddly stole the show with her cringe-worthy rapping abilities.

Every Emmys opening is undoubtedly awkward, but this year it was nice to see everyone in person having some fun and letting loose, even if the results were at times uncomfortable.

The ending of Schitt's Creek left fans devastated, to say the least.

The show's sixth season culminated in an equally heart-warming and gut-wrenching finale that saw our beloved Johnny, Moira, David, Alexis moving into the next phases of their lives. Many people mourned the show's conclusion hard, begging its creators for more seasons, but creator Dan Levy was adamant.

"The reason we ended the show in the first place was because I never wanted it to get stale," he told The Hollywood Reporter. "I never wanted to overstay our welcome. I wanted this show to have a legacy that people return to. I wanted it to be included in conversations about great series and not just a great season. And that requires making tough decisions about saying goodbye."

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