But can you guess her favorite?
Ali Caldwell is the kind of singer who's so much more than a great voice. Sure, she has beautiful vocals and a great range, but she's also deeply introspective, fully understanding her position as a representative voice and inspiration for young black women. Her lyrics explore self-love, relationships, and empowerment in ways that are relatable to her listeners, allowing them to fully connect with her music.
The New Jersey-born singer got her start in Xhale, a three-person R&B group which opened for Boyz II Men. But it wasn't until season 11 of The Voice that Caldwell came to prominence as a solo artist. Coached by Miley Cyrus and widely considered a frontrunner for the duration of the competition, Caldwell ultimately finished as a semi-finalist after giving stunning performances of Dolly Parton's "I Will Always Love You" and Rihanna's "Sledgehammer." She released her first commercial single, "To Be Loved," in 2018 and, coming off a recent stint on The Four: Battle For Stardom, was inspired to write her new song as a means of self-love and acceptance.
Caldwell dropped by to talk with Popdust's own Deascent about the importance of her family's support for her music career, female empowerment, and what it's like being a role model for young women.
Popdust Presents | Ali Caldwell youtu.be
Caldwell performed an impressive rendition of her new song "Colors," an upbeat anthem about letting yourself experience life to its fullest instead of limiting your view to black and white. Afterwards, Caldwell showed off even more of her vocal range in "Why I Sing," a love ballad about receiving artistic inspiration through a great relationship.
Ali Caldwell "Colors" youtu.be
Ali Caldwell "Why I Sing" youtu.be
Then, Deascent forced Caldwell to contemplate the realities of eating human hair and damp tortilla chips. What sort of evil box would ask these questions, and why would anyone allow it to dwell in their office? Can anyone save us from the magic box, or do the questions it forces us to ask fall on deaf ears?
The Magic Box Interview with Ali Caldwell youtu.be
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The classic He-Man meme video stands the test of time as an iconic example of queer-coded art.
In December of 2005, Brokeback Mountain shifted queer-coded cinema into the mainstream.
Prior to 2005, "New Queer Cinema"––a term coined by film scholar B. Ruby Rich in Sight & Sound to define the queer-themed independent film movement, which focused on rejecting heteronormativity and concentrated on LGBTQ protagonists––existed on the fringe of the film world. It's worth noting that while the movement primarily refers to the boom in independent LGBTQ films from 1992 onwards, queer cinema existed for many years prior, albeit without a proper name. But regardless of nomenclature, New Queer Cinema was typically designated for niche audiences, relegated to arthouse showings at best.
There's a big problem with the trailer for Morbius, Sony's upcoming Marvel outing that is definitely not part of the Marvel Cinematic Universe even though it has Michael Keaton reprising his role as Vulture (please let us keep our license, Disney!).
See if you can spot it.
MORBIUS - Teaser Trailer www.youtube.com
If you answered, "Sampling Beethoven's 'Für Elise' to line up with blue-tinted action shots is the absolute lowest effort, brain-dead attempt to signify 'gothic vampire movie' in the entire history of movie trailers," you're correct, but that's still not the biggest problem with Morbius. No, the biggest problem is that Morbius is played by Jared Leto.