The Chordaes are taking us back in time this week.
Native New York band The Chordaes are lovers of classic rock- all things nineties included. This shines through in their sound: a sweet blend of classic rock and power pop. Recently, The Chordaes have released a new EP In Itinere which has garnered great reviews from Impose Magazine and more. The band's recent single "What Do You Want From Me?" and it's accompanying visual as received praise from PopMatters and All Things Go. The music video was directed by legendary Phil Harder who has worked with the likes of The Afghan Whigs, Robert Plant, Billy Talent, Prince, Rob Thomas, Matchbox Twenty, Incubus, and many more.
Watch "What Do You Want From Me?" here.
The music video is brilliant (obviously), vibrant, and moody in all the right ways. The visual plays with the line of reality and subconscious, sobriety and intoxication, dream and awake. The pastiche of the Busby Berkely choreography flirts with the groovy seventies feeling they've created with the colors and movement in the visual. The gorgeous colors and layers of the music video only heighten the rich layers of the song. I love that there is a performance aspect to the video showcasing the band themselves.
Comprised of Leo Sawikin (Lead Vocals/Guitar), Ethan Glenn (Drums), Nick McFly (Bass), Dan Cobert (Keys), and Kevin Foley (Guitar/Backing Vocals) the sound of The Chordaes is full and powerful. Today, Leo Sawikin has curated a playlist of his favorite songs from the nineties just for Popdust readers. He says, "This list comprises songs by alternative rock bands who wanted to be more than just plain alt rock and transcended their genres."
Check out Leo's playlist here:
New Radicals | "You Get What You Give"
This song by New Radicals combines Burt Bacharach-esque chords and melodies with a much more grungy vocal approach and arrangement. Major 9 chords ring out on the piano over a straightforward yet restrained beat.
The Sundays | "Here's Where The Story Ends"
A very dreamy song about a breakup. In a lot of ways it has elements of a more stripped down version of a U2 type of song.
Cocteau Twins | "Heaven Or Las Vegas"
This song has a massive and unique wall of sound. Major 7 chord arpeggiations play over a slow but an intense r&b/hip-hop drum approach.
Jeff Buckley | "Je N'en Connais Pas La Fin"
Jeff Buckley's cover of the Edith Piaf classic is absolutely heart wrenching. The arrangement takes on a new character as it is composed of just fingerpicked guitar. The original song has a much more orchestral arrangement.
Radiohead | "(Nice Dream)"
"Nice Dream" is by far one of the strongest tracks on The Bends. The song combines Beatles-esque arpeggiations in 6/4 with a more modern acoustic guitar feel. "Fake Plastic Trees" is another wonderfully sad inclusion that fits with the internal turmoil emoted by Tom Yorke.
Garbage | "Stupid Girl"
"Stupid Girl" by the group Garbage is such an iconic songs from the 90s. The group started by Shirley Mason and Butch Vig strived to be alternative rock that went beyond simple arrangements. "Stupid Girl" takes a simple two step disco feel and combines it with flange guitars and some of the best synth sounds of the era.
The Smashing Pumpkins | "1979
"1979" by the Smashing Pumpkins was also produced by Butch Vig. This song works off of a riff that uses a raw major 7 interval that resolves into a plain octave. The chords and melodies give off a vibe that is simultaneously gritty and clean.
Nirvana | "Heart-Shaped Box"
"Heart-Shaped Box" has always stood out to me amongst Nirvana's other songs. This song is made special by the use of the raw tritone or flat fifth interval to create tension at the end of each phrase. The tension in a flat fifth is much stronger than in any other interval. With multiple guitar tracks playing the interval the power behind it is undeniable.
Elliott Smith | "Bled White"
"Bled White" is by far the most harmonically intricate song is this list. This song is not about the style or arrangement, it's about the melody, chord progression, and lyrics. Simple melodies allow incredibly complex musical and linguistic ideas to glide effortlessly through the mind painting vivid colors and shapes.
Radiohead | "Let Down"
OK Computer is perhaps the most masterfully produced album of the 1990s. Of all the songs on the album, the song "Let Down" stands out the most. The guitar sound is similar to that of "Woman in Chains" by Tears for Fears. That sound is then combined with much more modern sounding synths. These sounds are then put against the Beatles restrained "Ticket to Ride" drum feel.
For more of The Chordaes check out their recent EP In Itniere.
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Breaking down the bias of comfort films.
With the constant onslaught of complicated news that 2020 has brought, sometimes you just want to be able to shut off your brain, relax, and feel happy.
Enter comfort films. These are the feel-good movies that feel like a warm hug when you finish them, the ones that allow you to escape for a short while. We often turn to these types of films in times of trouble or extreme stress, and when we're not sure what films of this nature we should watch, we turn to the Internet for options.
25 years ago, pop stars and rappers were were expected to stay in their respective lanes. But Mariah Carey proved that hip-hop and pop were a match made in heaven—changing popular music as we know it.
Hip-Hop is pop—not in sound, but rather in terms of influence and authority.
Certainly pure pop—pasteurized and whipped into its ultimate peak in the early 2010s—is still breathing, though despite its name, the genre's reign as the chieftain of popular music has ended.
Drake and Bad Bunny are as much of pop stars in 2020 as Carly Rae Jepsen and Kesha were in 2012. Spotify reports that, at this very moment, Cardi B and Megan Thee Stallion's "WAP" is the most-streamed song in the United States. Immediately following that is trap-pop cut "Mood," a TikTok-famous summer bop by 24kGoldn and Iann Dior, two of many rising zoomer rappers who have embraced Hip-Hop's guidance in most melodic forms, like trap-pop, emo rap, alternative hip-hop, and pop-rap. And if that's not enough to give Hip-Hop a throne, Nielsen Music has confirmed that eight of the top 10 artists of 2020 so far are, of course, rappers.