The singer sat down with Popdust to talk about his new single, his relentless work ethic, and his plans for world domination
Born in Oman to Egyptian parents, Pre Kai Ro's complex music sensibilities can partially be attributed to his international upbringing.
pre kai ro - "el camino" prod. by olsem (Official Video) | kashkam www.youtube.com
During his childhood, he lived in Oman, Egypt, Ireland, UK, and Dubai, and was exposed to vastly different music as a result. "My environment was always split in the sense that inside the house, I was being exposed to purely African and Middle Eastern music," said the budding R&B singer. "[But] I was simultaneously becoming obsessed with Hip-Hop, R&B and Rock." Pre Kai Ro's production has always been dark and 808 heavy, but his voice is light and inviting, bouncing along effortlessly as he frankly discusses heartbreak, and his relentless grind for stardom. Popdust caught up with the singer to discuss his new single, "Baby Boy," and his plans for the future.
How did you find your sound?
When I was 10 I won a school talent show while living in Dublin after performing a rendition of "21 Questions" by 50 Cent. My mother was impressed but horrified. From then on, it was kind of a constant development of my sound and identity in music. It wasn't until 2016 while attending university in Nottingham, England when I [got serious]. I had spent years posting acoustic covers online, and already developed my sound [as a result.]
Did anyone, in particular, inspire you to get into music?
My biggest inspirations to this day are (in no specific order) Kanye West, Frank Ocean, Bon Iver, The Weeknd, and Future. I want to emulate their work and pay homage.
You've released a good deal of projects and have been grinding steady for a while now. What have you noticed change about your sound and creative process over the years?
For my first project, Mood with Olsem - an incredibly talented French man I consider my brother - we were at a point where the process was just extremely quick. He would send me a beat he just made and I would record in my room, usually with the first melodic and lyrical idea that came to mind. Tracks like "Queen of The New World" and "Need Me" would be finished in less than an hour. Our latest project, Vibe, was actually produced, written, recorded, mixed and mastered within 48 hours. Now that I'm focusing more on singles, the formula stays the same, but I'm trying to revisit certain songs to get them as "perfect" as they can be.
Was the process similar for "Baby Boy?"
I remember producer [Don Fuego] said he hadn't met an artist who could work as quickly as I did, so he gave me a challenge where he would nap for 30 minutes and expect a full ballad to be written by the time he woke up. I wrote about the turbulent artist life I'm living and how it seems to affect every form of relationship I have. "Baby Boy" is actually based on a culmination of messages I'd received from significant others about my absence as I continued to focus more on my career. Long story short, [everyone] felt "Baby Boy" had a certain magic about it.
What are your plans for the rest of the year? Tour? What can we expect from "King?"
My plans are to drop a single per month for the foreseeable future. I'm refusing to be limited by [everyone else's] expectations of me. I want to continue releasing the music that makes me and those around me feel something. If it doesn't move me, I refuse to let it move anybody else. I'm aiming for global domination, and that type of thing requires patience and careful planning.
- Pre kai ro - Cold (Prod. J.Cardenas) - YouTube ›
- Pre Kai Ro – Bonita Lyrics | Genius Lyrics ›
- pre kai ro Is On His Way To The Top As He Unleashes A Fury In ... ›
- Pre Kai Ro – Baby Boy Lyrics | Genius Lyrics ›
- yung pharaoh 🦅 (@prekairo) • Instagram photos and videos ›
- pre kai ro - garden ft. papi lotus - YouTube ›
- pre kai ro on Spotify ›
- pre kai ro - cold (Prod. J.Cardenas) - YouTube ›
- yung pharaoh (@prekairo) | Twitter ›
- pre kai ro's stream on SoundCloud - Hear the world's sounds ›
The classic He-Man meme video stands the test of time as an iconic example of queer-coded art.
In December of 2005, Brokeback Mountain shifted queer-coded cinema into the mainstream.
Prior to 2005, "New Queer Cinema"––a term coined by film scholar B. Ruby Rich in Sight & Sound to define the queer-themed independent film movement, which focused on rejecting heteronormativity and concentrated on LGBTQ protagonists––existed on the fringe of the film world. It's worth noting that while the movement primarily refers to the boom in independent LGBTQ films from 1992 onwards, queer cinema existed for many years prior, albeit without a proper name. But regardless of nomenclature, New Queer Cinema was typically designated for niche audiences, relegated to arthouse showings at best.
There's a big problem with the trailer for Morbius, Sony's upcoming Marvel outing that is definitely not part of the Marvel Cinematic Universe even though it has Michael Keaton reprising his role as Vulture (please let us keep our license, Disney!).
See if you can spot it.
MORBIUS - Teaser Trailer www.youtube.com
If you answered, "Sampling Beethoven's 'Für Elise' to line up with blue-tinted action shots is the absolute lowest effort, brain-dead attempt to signify 'gothic vampire movie' in the entire history of movie trailers," you're correct, but that's still not the biggest problem with Morbius. No, the biggest problem is that Morbius is played by Jared Leto.