With Netflix green-lighting any project with shapes and colors, comedy specials range from amusing to mediocre to feeling as joyless as a DVD enthusiast.
Netflix wants you to realize that you and your friends aren't funny.
With 47 new stand-up comedy specials released on New Year's Day alone, Netflix is banking on your life being so devoid of humor that you'll watch anything. As the company continues to outspend competitors like HBO and CBS, the streaming service is expected to spend $15 billion this year (up from $13 billion in 2018). While they at least do us the favor of keeping Richard Pryor: Live in Concert available to stream, they also green light any project that features shapes and colors.
Netflix's massive collection of comedy specials ranges from amusing to mediocre to feeling as joyless as a DVD enthusiast. Here are five recent specials worth your time–and five that can only be described as crimes against comedy.
1. John Mulaney - New in Town (2012) / Kid Gorgeous at Radio City (2018)
Of Mulaney's three specials, New in Town is required watching, partly due to his unassuming irreverence and partly due to the special's themes about alienation and social anxiety befitting a debut feature. But Kid Gorgeous at Radio City shows the former SNL-writer as a mature comic who's more stylized and practiced in his offbeat, "aw shucks" delivery.
2. Ali Wong - Baby Cobra (2016) / Hard Knock Wife (2018)
Performing while seven months pregnant might be Wong's lucky charm. The Fresh Off the Boat-writer followed up her 2016 special, which inspired Halloween costumes riffing on her large glasses and short dress with a heavily pregnant belly, with a second feature and a second pregnancy. Hard Knock Wife delivers more of Wong's unapologetic humor, from mocking racial and gender stereotypes to comparing a new mother's v*gina to "two hanging dicks."
3. Hannah Gadsby - Nanette (2018)
Gadsby's much-lauded comedy special taps into our recent interest in more empathetic stand-up. The Australian comedian unpacks queerness and gender biases by exploring her own trauma and identity conflicts–mixed with bawdy and incisive observational humor.
4. Iliza Schlesinger - Confirmed Kills (2016) / Elder Millennial (2018)
Schlesinger's style is so consistent and performative that you forget she got her start winning the lackluster stand-up competition Last Comic Standing in 2008. She's passionate about political issues, but she's also a millennial; her social commentary combines the two in manic bits promoting feminist messages while mocking "girl culture." As a result, some of her stream-of-conscious rants are brilliant, while others make you wonder, "Is that what 'problematic' means?" Both are worth it.
5. Hari Kondabolu - Warn Your Relatives (2018)
Kondabolu is a nerd's comic. With a Masters in Human Rights from the London School of Economics, he is strikingly political, deadpan, and acerbic. If that's not to your taste, that's fine. As he self-deprecates in his set, his Indian mother doesn't get him either.
Crimes against comedy include:
1. Ken Jeong - You Complete Me, Ho (2019)
He's the brilliant comedic mind that earned riotous acclaim in The Hangover in 2009 – as in, his unevolved humor is the exact same. From Asian stereotypes to dad-puns, Jeong switches from dirty jokes to praising his wife's survival of breast cancer with little to no segues.
2. Kevin James - Don't Never Give Up (2018)
From 1998-2007, Kevin James was a popular choice for a generic sitcom oaf. Sadly, we've grown up since then. As shown by CBS's shortlived show Kevin Can Wait, which Vulture described as "exactly as awful as you imagined," James hasn't. Plus, he apparently really hates people with peanut allergies.
3. Nick Kroll and John Mulaney - Oh, Hello on Broadway (2017)
To be clear, we wanted to like this so badly. Between John Mulaney's awkward observational humor and Nick Kroll's sharp self-deprecation creating Big Mouth, there was promise in the two joining forces. If you were won over by the Kroll Show's popular Internet fodder, "Too Much Tuna," you'll probably think this special is fine.
4. Adam Sandler - 100% Fresh (2018)
Between 1995 and 2007, many of us grew up under the auspices of Adam Sandler's fart jokes and falsetto nonsense. It's like he's who Kevin James wanted to be. But as we came of age, we had to confront difficult realities: the Tooth Fairy isn't real, WWE wrestling is staged, and Adam Sandler isn't funny.
5. Gabriel Iglesias - One Show Fits All (2019)
Streaming anything by "Fluffy" is a waste of your bandwidth. But we have to admire him for being one of the richest yet universally unfunny comedians of our time.
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Animation is lame and live-action is awesome.
Everybody loves Disney live-action remakes.
In a world plagued by racism, disease, and a seemingly endless bounty of spiraling misfortune, at least we can all agree that Disney knocks it out of the park every time they dredge up an old, animated movie for a live-action makeover because cartoons are for babies.
Sure, some of us thought the original Beauty and the Beast was fine, but could lame, 2D Belle ever hold a candle to 3D Emma Watson? And yeah, the original Lion King was okay, I guess, but there's nobody in the world who preferred cartoon Scar's rendition of "Be Prepared" to the incredible feat of getting a real lion to sing it in the live-action remake.
Being a Disney fan can be hard sometimes, as you have fond memories of beloved childhood movies but also don't want people to make fun of you for liking cartoons. That's why, out of all the corporations in the world, Disney is undoubtedly the most selfless, willing to spend hundreds of billions of dollars to bring their old, outdated movies into the modern age—all for the fans.
After Halle Berry walked back her consideration of playing a transgender character, we look back at how Hollywood has repeatedly fumbled trans representation.
Halle Berry has made headlines this week after turning down a role in which, had she gone through with production, would have represented a transgender man.
Berry, an Academy Award-winning actress known for roles in films like Monster's Ball, Catwoman, and Gothika, took to Twitter Monday night to apologize for considering the role. "Over the weekend I had the opportunity to discuss my consideration of an upcoming role as a transgender man, and I"d like to apologize for those remarks," Berry wrote. "As a cisgender woman, I now understand that I should not have considered this role, and that the transgender community should undeniably have the opportunity to tell their own stories."
The post continued: "I am grateful for the guidance and critical conversation over the past few days and I will continue to listen, educate and learn from this mistake. I vow to be an ally in using my voice to promote better representation on-screen, both in front of and behind the camera."