New tracks from Valerie June, Kevin Abstract, Norah Jones, AURORA, and more.
Each one of this week's best new songs is a miniature revelation in itself, trippy enough to open your mind to new worlds.
For the record, the creator of this list has never taken acid; but these songs are what she imagines it would feel like, and truly, who needs drugs when you have songs like these? Transcendence, peace, revelations, a feeling of interconnectedness, swirly imagery—it's all here for your listening pleasure.
1. Drinker: Wave
Bicoastal NY/LA duo Aaron Mendelsohn and Ariel Loh (aka Drinker) have gifted the world with a gorgeous piece of pop psychedelia in the form of their new single, "Wave," released on Wednesday. The haunting track starts slow and ethereal, building up to a climactic tower of synths punctuated by bell-like guitar tones. A slow burn that's rewarding the whole way through, it's the kind of song meant for lying on a dock at sunset, sifting through memories and feeling the first hints of evening chill. Lyrically, it's a testament to the strangeness of time—the way it continues to move forward, but the past always seems to surge into the present. "Who is this? I'm stuck inside a wave," goes the refrain, a line that could be about dissociation, or fear of the future, or déja vu. "I feel like we've been here before," sings Mendelsohn, "but it wasn't you that I was here with." Hypnotic in its spaciousness, disconcerting in its dissociative leanings, this is an immersive sonic experience that bodes well for the duo's upcoming EP release on May 3.
2. Valerie June: Little Wing
Valerie June - Little Wing www.youtube.com
Valerie June has returned with a cover of Jimi Hendrix's "Little Wing," and it's absolutely breathtaking. Mystical and pure, raw and electric, it's a compilation of whirling guitars, whistling strings, distant organs, and eventually a horn section to drive it all home. June sounds a bit like Stevie Nicks, but perhaps even more weather-worn, her voice is ageless, meant for staticky radios. She proved her songwriting abilities on 2017's The Order of Time, but this cover is a testament to her aptitude as an arranger and a conveyer of raw emotion. In a way, it seems to come straight from a timeless dimension where there are only peace and starlight, and yet, at the same time, it cuts through to the core of something distinctly of this world, some pain known only to humankind. If you listen to one song this week, listen to this one.
3. Novo Amor: I Make Sparks
Novo Amor - I Make Sparks (official audio) www.youtube.com
Nobody is better at making soupy lullabies than Novo Amor, but he's made a particularly beautiful one with "I Make Sparks," a title that—despite its swaggering implications—moves beyond the realm of woodsy folk. Ideal for the ending frames of a film, the song is a miniature vacation in itself. Light strings cast flickering lights over Amor's frail, breathy vocals, and though his voice never grows to anything more than a whisper, the music swells and grows throughout, reaching a satisfyingly disorienting conclusion.
4. Aurora: The Seed
AURORA - The Seed www.youtube.com
For a slightly more energized but equally intense listening experience, AURORA's newest release, "The Seed," will do the trick. It sounds perfect for, say, the finale of a show like Game of Thrones—hopeful and dramatic, full of rhythmic humming and intense violins, designed for scenes of armies charging over snowy hills.
In essence, this is a song about environmental destruction—one of many, certainly, as we approach the end times. "When the last tree has fallen and the rivers are poisoned, you cannot eat money, oh no," she sings. Ominous, indeed; maybe avoid this if you're actually going to take acid because it could potentially send you on a bad trip.
5. Kevin Abstract: Georgia
Kevin Abstract - Georgia (ARIZONA baby) www.youtube.com
Kevin Abstract announced his newest project, ARIZONA baby, in a cryptic Instagram post a few days ago. But the first single, "Georgia," is transparent and honest, a welcome return to Abstract's distinct solo work. On this song, he draws lyrical inspiration from the old classic "Georgia On My Mind" and spins it into a web of bells, swirling electric guitar, and gritty basslines. At heart, it's a love song, a tribute to the free-fall of true emotion, communicated through rapidly panned vocals and electronic vocal effects layered over a slow beat. Abstract is a master of his craft, and with the release of ARIZONA baby, he's continued his tradition of making some of the best atmospheric rap out there. (For better or worse, it was produced by Jack Antonoff, which may explain its sonic similarities to Lana Del Rey's "Venice Bitch"—the high-pitched synth is definitely the same—but that's another story).
6. Norah Jones: A Song With No Name
A Song With No Name www.youtube.com
This song is the sonic embodiment of a tall glass of water, a breath of fresh air, a drive upstate in the midst of a New York City summer, a comedown after a wild night. In classic Norah tradition, it's easy on the ears and heart, just ambiguous enough to feel applicable to almost any kind of subdued situation, but has enough nuance to merit multiple listens. Striking lyrics cut harshly against soft acoustic guitar and not much else—"If I had a gun, if I had a knife, if I had your love if I was your wife," she sings, as gentle piano twinkles in the background.
Special Mention: LSD
LSD - It's Time (Official Audio) ft. Sia, Diplo, Labrinth www.youtube.com
This list wouldn't be complete without mentioning LSD, the project of Sia, Diplo, and Labrinth, whose debut LP dropped this Friday. But unless you have a taste for poorly crafted, shamelessly algorithmic, and lyrically embarrassing pop music, spare yourself the pain and skip this one.
Eden Arielle Gordon is a writer and musician from New York City. Follow her on Twitter @edenarielmusic.
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The quarterback said "I will never agree with anybody disrespecting the flag of the United States of America or our country." And then he tried to apologize. And only made it worse.
Drew Brees, a man who makes literally millions of dollars for throwing a ball, has come under fire for insensitive comments he made about NFL players kneeling during the National Anthem to protest police brutality.
"I will never agree with anybody disrespecting the flag of the United States of America or our country," Brees said in the interview with Yahoo Finance. He clarified that this was in part because he envisioned his grandfathers, who fought in World War II, during the National Anthem. He continued, saying, "And is everything right with our country right now? No. It's not. We still have a long way to go. But I think what you do by standing there and showing respect to the flag with your hand over your heart, is it shows unity. It shows that we are all in this together. We can all do better. And that we are all part of the solution."
This isn't the first time Brees made it clear that he cares more for the idea of a make-believe unified America than he does for actual human lives. In 2016, he criticized Colin Kaepernick for kneeling during the anthem, saying it was "disrespectful to the American flag" and "an oxymoron" because the flag gave critics the right to speak out in the first place.
Colin Kaepernick kneeling in protest of racist police brutality
Of course, the flag's alleged ideals have been proven to only be applicable to wealthy, white men—men like Brees. Sure, his grandfathers did a noble thing when they fought under the US flag during WWII, and no one, including Kaepernick, has ever said that sacrifice isn't worth respecting. Thanks to the sacrifices of many people (including the enslaved Black backs upon which this country was built, including the scores of routinely abused Black soldiers who fought for American lives), America has offered opportunity and peace for many, many people. In particular, Ole' Glory has been very kind to men like Brees: rich, white men who still control the majority of the power and the wealth in the United States.
But what about the rest of us, Drew? What about George Floyd whose neck was crushed by a police officer who kneeled on him so casually that he didn't even take his hand out of his pocket? What about Ahmaud Arbery, who was shot for the crime of being Black and going for a jog? What about Breonna Taylor, a black woman who was murdered by police in her home in the middle of the night for a crime that had nothing to do with her? What about Tony McDade, Drew–have you heard his name? Have you heard about the 38-year-old Black trans man who was gunned down in Florida last week? Do you understand why these people's family's may harbor just a bit of disrespect for your precious flag?
Is it possible for you to realize, Drew, that your wish for "unity" is not a wish for progress, but a wish to maintain the status quo? When you call for unity under the American flag, you're talking about your flag, the flag that represents a long, sordid history of racial oppression and violence. There is no unity where there is no justice. When you say that "we are all in this together," what you're saying is that we all have roles to play in the version of society that has served you so well. For your part, you'll be a rich, white man, and for Black people's part, they'll continue to be victims of state-sanctioned murders– but hopefully more quietly, hopefully in a manner that doesn't make you uncomfortable?
When you say, "We can all do better. And that we are all part of the solution," what you mean to say is that POC and their allies are at fault. Sure, you probably agree that Derek Chauvin took it a bit too far, and you probably feel a little self-conscious that he's brought all this "Black rights" stuff up again. But when you say "all," you place blame on the victims who are dying under a broken system. And what, exactly, do you expect POC to do differently, Drew? Ahmaud Arbery was just out jogging, and still he died. George Floyd was just trying to pay a cashier, and still he died. POC and their allies try to peacefully protest by marching in the streets or taking a knee at a football game, and still white people condemn and criticize. Still the police shoot.
After much criticism, Brees did attempt an apology on Instagram, where he posted a hilariously corny stock photo of a Black and white hand clasped together. His caption, though possibly well-intentioned, made it even clearer that his understanding of the movement for Black lives is thoroughly lacking.
Highlights of the "apology" include his immediate attempt to exonerate himself from culpability, claiming that his words were misconstrued, saying of his previous statement: "Those words have become divisive and hurtful and have misled people into believing that somehow I am an enemy. This could not be further from the truth, and is not an accurate reflection of my heart or my character." Unfortunately, Drew, white people like you are the "enemy," as you put it, because by default you are at the very least part of the problem. No one is accusing you of being an overt racist, Drew; no one thinks you actively and consciously detest Black people. But your lack of empathy, your apathy, and your unwillingness to unlearn your own biases are precisely what has persisted in the hearts and minds of well-meaning white Americans for centuries.
Next, you say, "I recognize that I am part of the solution and can be a leader for the Black community in this movement." No, Drew. Just no. Black people don't need white people's savior complexes to interfere in their organizing; what they need is for us to shut up and listen. What they need is for us to get our knees off of their necks.
Finally, you say, "I have ALWAYS been an ally, never an enemy." This, Drew, is suspiciously similar to saying, "But I'm one of the good whites!" The fact of the matter is that feeling the need to prove your allyship is not about helping a movement; it's about feeding your own ego. Not only that, but your emphasis on "ALWAYS" does a pretty good job of making it clear that you don't think you have a racist bone in your body and that you have taken great offense at any accusations to the contrary. I have some news for you, Drew: Every white person is racist. Sure, the levels vary, and while you may not be actively and consciously discriminating against POC, you have been brought up in a racist system, and your implicit biases are as strong as any other white person's. Your job now is to unlearn those biases and confront those subtle prejudices in yourself and in other white people. Maybe the first step in doing so is just shutting your f*cking mouth about kneeling at football games. Maybe you should even consider taking a knee yourself.
For other non-BIPOC trying to be better allies, check out one of these 68+ anti-racism resources.
We're glad they're on our side.
The world is up against a seemingly insurmountable threat, but luckily, we've got a crack team of heroes on the case.
Sure, there's already the girl with super strength, the guy who can fly, and the anthropomorphic, trash-talking animal tailor-made for merchandise. But this is a threat of intergalactic proportions, and we're going to need all the help we can get if we want to survive.
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