It's Almost Like They're Still Getting Away With Stuff...
Cancel culture has gone absolutely crazy.
You can't say anything these days without "triggering" a bunch of SJWs to get together and collectively cancel you. I mean, that's the contention of half the comedy specials on Netflix, so it must be true. They will dig through past comments and behavior to find any excuse. Even after you're dead, you can still get canceled! The whole situation is getting so out of control that it's getting hard to keep track of who is and isn't canceled, so here's a helpful guide to remind you of some of the celebrities whose cancellations may have escaped your notice.
All 4 Women
Everyone knows Mark Wahlberg as the star of the Ted films, and Mel Gibson's son in Daddy's Home 2, but did you know that in his teen years, he was also the perpetrator of a string of brutal, racially motivated assaults, and that he has never acknowledged the racial component of his violent past? But who hasn't permanently disfigured and partially blinded a man while shouting racial slurs? Still, as a result of this normal, not-at-all upsetting history, Mark Wahlberg was officially cancelled in February. Since then, Wahlberg's once flourishing film career has collapsed to the point that he is only starring in five major motion pictures currently in production.
What a normal-looking couple
Jerry Seinfeld made himself a target of cancel culture when he called out college kids for not laughing enough at his brilliant "gay French king" joke, but what really sealed the deal was the fact that, at the age of 39, when Seinfeld was the star of America's favorite sitcom, he was also dating a seventeen-year-old high school student named Shoshanna Lonstein. And yes, he absolutely looked like her awkward father in every picture they took together, but what man in his late thirties hasn't spent some time outside a high school looking to pick up chicks? Unfortunately for Jerry, the cancel cops got a hold of this info, and officially blacklisted him in August, resulting in Netflix only paying an estimated $500 million for the streaming rights to Seinfeld.
Speaking of men and teenage girls, did you know you can be cancelled just for defending someone? That's what happened to Whoopi Goldberg in response to her 2009 comments on Roman Polanski, in which she said of Polanski's 1977 crimes "I don't think it was rape-rape," despite the victim's testimony that she continuously resisted his advances as Polanski gave the thirteen year old alcohol and drugs, and proceeded to rape her.
As a result, Donald Trump Jr. headed the team that cancelled Whoopi last October, which is why she has since appeared on The View only 5 days a week. Goldberg joins the ranks of Quentin Tarantino and a host of other prominent Hollywood figures whose careers have been absolutely tanked by impassioned Polanski defenses that are not at all indicative of a horrible culture that values talented men too much to punish horrifying crimes. Besides, it was only 8 years after Sharon Tate's murder! You can't be held accountable for anything you do in the decade after a loved one dies, even raping children!
Remember when people used to really idolize John Lennon and The Beatles? Their music used to be really popular, and people would even say mean things about Yoko Ono, blaming her for breaking up the band, not anymore. That all went out the window in July of last year, when a Twitter user reminded the world that John Lennon was a serial abuser, and then cancelled The Beatles. Sure, Lennon abused multiple partners, and at least one of his sons, but ever since Lennon was struck with the same post-mortem cancellation that Michael Jackson received, his solo music and The Beatles' entire catalogue have dropped completely out of cultural relevance, and is now valued at only around a billion dollars. "Imagine" that.
Footage recently resurfaced of Drake from a 2010 concert in Denver, in which he brings a girl onstage to dance with her, then takes the opportunity to drape his arms across her chest and kiss her neck before asking her age. When she answers that she's 17, Drake reacts as any 23 year old would when coming to terms with the fact that his behavior with an underage girl was suggestive and inappropriate. He says, "Why do you look like that? You thick. Look at all this," and follows that up with, "I like the way your breasts feel against my chest." Cool.
At any rate, that was nearly a decade ago, and Drake was pretty young himself, there's probably no reason to look further into the now 33 year old's tendency to befriend teenage girls who he ends up dating once they're of age. That's what the people who cancelled him in January—resulting in him being only the fifth richest rapper on earth—want you to focus on. They want you to be concerned about his friendship with Stranger Things star Millie Bobby Brown but let's just talk about his grooming habits instead.
On second thought, maybe the hysteria over "cancel culture" attacking any and every tiny misstep is a little overblown. Sure, Kevin Hart didn't get to host the Oscars, but he definitely still has a career, and James Gunn's brief cancellation was revoked. Maybe it's justified to call people out when they screw up, to push for apologies for minor offenses, and to stop giving money and awards to people who've done truly monstrous things. Maybe cancel culture should actually be going a lot further...
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Let's take a look at Nazi-inspired fashion.
Villains always have the best outfits.
From Darth Vader's polished black space armor to The Joker's snazzy purple suit, bad guys always seem to show up their protagonists in the fashion department.
Way more handsome than Batman. static.giantbomb.com
But could there possibly be a real world equivalent to the type of over-the-top villain fashion often found in fiction? It would have to be sleek and imposing, austere and dangerous. Probably black.
Maybe it's him. Maybe it's fascist ideology.
Let's call a spade a spade. From an aesthetic standpoint, the Nazi SS outfit is very well-designed. The long coat tied around the waist with a buckle portrays a slim, sturdy visage. The leather boots and matching cap look harsh and powerful. The emblem placements on the lapel naturally suggest rank and authority. And the red armband lends a splash of color to what would otherwise be a dark monotone. If the Nazi uniform wasn't so closely tied with the atrocities they committed during WWII, it wouldn't seem out of place at Fashion Week. Perhaps not too surprising, considering many of the uniforms were made by Hugo Boss.
Pictured: A real thing Hugo Boss did. i.imgur.com
Of course, today, Nazi uniform aesthetics are inseparable from the human suffering doled out by their wearers. In most circles of civilized society, that's more than enough reason to avoid the garb in any and all fashion choices. But for some, that taboo isn't a hindrance at all–if anything, it's an added benefit.
As a result, we have Nazi chic, a fashion trend centered around the SS uniform and related Nazi imagery.
History of Nazi Chic
For the most part, Nazi chic is not characterized by Nazi sympathy. Rather, Nazi chic tends to be associated with counterculture movements that view the use of its taboo imagery as a form of shock value, and ironically, anti-authoritarianism.
The movement came to prominence in the British punk scene during the mid-1970s, with bands like the Sex Pistols and Siouxsie and the Banshees displaying swastikas on their attire alongside other provocative imagery.
Very rotten, Johnny. i.redd.it
Around this time, a film genre known as Nazisploitation also came to prominence amongst underground movie buffs. A subgenre of exploitation and sexploitation films, Naziploitation movies skewed towards D-grade fare, characterized by graphic sex scenes, violence, and gore. Plots typically surrounded female prisoners in concentration camps, subject to the sexual whims of evil SS officers, who eventually escaped and got their revenge. However, the most famous Nazisploitation film, Ilsa, She Wolf of the SS, flipped the genders.
The dorm room poster that will ensure you never get laid. images-na.ssl-images-amazon.com
Ilsa was a female SS officer and the victims were men. She spent much of the movie wearing her Nazi uniform in various states, sexually abusing men all the while. As such, Ilsa played into dominatrix fantasies. The movie was a hit on the grindhouse circuit, inspiring multiple sequels and knock-offs and solidifying Nazi aesthetics as a part of the BDSM scene.
Since then, Nazi chic fashion has been employed by various artists, from Madonna to Marilyn Manson to Lady Gaga, and has shown up in all sorts of places from leather clubs to character designs in video games and anime.
Lady Gaga looking SS-uper. nyppagesix.files.wordpress.com
Nazi Chic in Asia
Nazi chic has taken on a life of its own in Asia. And unlike Western Nazi chic, which recognizes Nazism as taboo, Asian Nazi chic seems entirely detached from any underlying ideology.
A large part of this likely has to do with the way that Holocaust education differs across cultures. In the West, we learn about the Holocaust in the context of the Nazis committing horrific crimes against humanity that affected many of our own families. The Holocaust is presented as personal and closer to our current era than we might like to think. It is something we should "never forget." Whereas in Asia, where effects of the Holocaust weren't as prominent, it's simply another aspect of WWII which, in and of itself, was just another large war. In other words, Nazi regalia in Asia might be viewed as simply another historical military outfit, albeit a particularly stylish one.
In Japan, which was much more involved with WWII than any other Asian country, Nazi chic is usually (but not always) reserved for villainous representations.
OF COURSE. i.imgur.com
That being said, J-Pop groups like Keyakizaka46 have publicly worn Nazi chic too, and the phenomena isn't limited to Japan.
In South Korea, Indonesia, and Thailand, Nazi imagery has shown up in various elements of youth culture, completely void of any moral context. For instance, in Indonesia, a Hitler-themed fried chicken restaurant opened in 2013. And in Korea, K-Pop groups like BTS and Pritz have been called out for propagating Nazi chic fashion. Usually such incidents are followed by public apologies, but the lack of historical understanding makes everything ring hollow.
So the question then: is Nazi chic a bad thing?
The answer is not so black and white.
On one hand, seeing Nazi chic on the fashion scene may dredge up painful memories for Holocaust survivors and those whose family histories were tainted. In this light, wearing Nazi-inspired garb, regardless of intent, seems disrespectful and antagonistic. Worse than that, it doesn't even seem like a slight against authority so much as a dig at actual victims of genocide.
But on the other hand, considering the fact that even the youngest people who were alive during WWII are edging 80, "forgetting the Holocaust" is a distinct possibility for younger generations. In that regard, perhaps anything that draws attention to what happened, even if it's simply through the lens of "this outfit should be seen as offensive," might not be entirely bad. This, compounded by the fact that Nazi chic is not commonly associated with actual Nazi or nationalistic sentiments, might be enough to sway some people–not necessarily to wear, like, or even appreciate its aesthetics, but rather to understand its place within counterculture.
Ultimately, one's views on Nazi chic likely come down to their own personal taste and sensibilities. For some, Nazi chic is just a style, an aesthetic preference for something that happens to be mired in historical horror. For others, the shadow of atrocity simply hangs too strong.
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The country band, FKA Lady Antebellum, are suing a Black blues singer over the rights to their new name.
Last month, the country band formerly known Lady Antebellum showed their support for the Black Lives Matter movement by changing their name to Lady A—a name that had already been used by Black blues singer, Anita White.
Now, Lady A (the band) are digging themselves an even deeper grave by suing Lady A (the singer). But, hey! At least their original band name isn't racist anymore.
"Today we are sad to share that our sincere hope to join together with Anita White in unity and common purpose has ended," Lady A (the band) said in a statement to CBS News. "She and her team have demanded a $10 million payment, so reluctantly we have come to the conclusion that we need to ask a court to affirm our right to continue to use the name Lady A, a trademark we have held for many years."
According to the lawsuit, Lady A (the band) had been using that nickname in tandem with their original name, Lady Antebellum, since as early as 2006, and it became an official trademark for the band in 2011. The lawsuit also reads that "prior to 2020, White did not challenge, in any way, Plaintiffs' open, obvious, and widespread nationwide and international use of the Lady A mark as a source indicator."
The suit says Lady A (the singer) has identified as that name since 2010, although she told Rolling Stone she's been using the stage name for 20 years, adding: "It's an opportunity for them to pretend they're not racist or pretend this means something to them. If it did, they would've done some research. And I'm not happy about that. You found me on Spotify easily—why couldn't they?"
Although Lady A (the band) and Lady A (the singer) have seemingly been in a constructive discussion over their shared name, the singer's ultimate opinion is that this is an issue of "white privilege."
No Weapon formed against me shall prosper #LadyABluesSoulFunkGospelArtist #TheRealLadyA https://t.co/KBYGnlw6Lw— Lady A (@Lady A)1594250961.0
Under a trademark coexistence agreement, it is possible for two artists to share a trademark so long as the artists in question don't interfere with each others' enterprises; for example, two singer-songwriters can both be known as Alex G because they access different markets. The Lady A debacle could possibly fall under this agreement, if both the band and the singer comply.
But, as Lady A (the singer) pointed out, Lady A (the band)'s decision to sue their namesake is indicative of their white privilege. From the start, the band's choice to change their name was met with a debate over whether or not it was actually constructive in achieving racial justice.
The world "antebellum" literally means "before the war," but it has since come to be most often associated with the Civil War; for example, the Antebellum South describes the period from the late 18th century to the end of the Civil War, when the southern United States depended on and profited off of slavery.
Due to the racist undertones of the word "antebellum" and the recent spark in Black Lives Matter activism, Lady A (the band) shortened their name—although we all still know what the word stands for. Though the band claimed the word "antebellum" was referencing the style of architecture of the home where they took their first band photos, to use the word at all was a gross move. To then adopt a Black artists' name as your own without doing your research and sue that artist is incredibly backwards logic.
Though it's understandable why Lady A (the band) would feel such a strong attachment to the name, perhaps they'd be better off changing their name entirely. Considering the fact that their only other statement regarding the Black Lives Matter movement was a photo of a Martin Luther King, Jr. quote (and no mention of Black Lives Matter at all), it seems clear that Lady A (the band) aren't set on achieving racial justice or effecting any real change—this legal battle is just an attempt at self-preservation.