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We're all finding ourselves; Fenne Lily just seems to be a little better at it than most.
Fenne Lily's sophomore LP, Breach, is out today on Dead Oceans.
It's an ambitious and fine-spun collection of indie songs that sound like they were channeled through the cosmos.
Like much of the music coming out today, the album stems from isolation, though not the enforced kind: It was written during a period of self-imposed solitude before COVID-19.
Hailing from Dorset, Lily garnered a great deal of attention for her debut LP, On Hold, which debuted when she was just 18. Now she's returned with a sophomore album about growing older, coming into one's own, and confronting the wilderness of one's early 20s.
The Cocteau Twins' 1990 masterpiece is still the blueprint for dream pop.
For a band whose lyrics were famously difficult to make out most of the time, the Cocteau Twins left an indelible impact on the world of pop music.
The Scottish trio emerged in the 1980s as some of the most notable pioneers of dream pop, a subgenre of alternative rock defined by airy, sublime sonic textures. But it was their sixth album, Heaven or Las Vegas—which turns 30 today—that truly withstood the test of time, affirming the Cocteau Twins' status as perhaps the most important dream pop act of all time.