FESTIVAL | Future! Weezer! Gorillaz! Lizzo! Festival season strikes in the Fall
Something for oldheads, newheads and indie rock fiends
The rock critic Zoe Camp reckons the competition between Live Nation and AEG for New York music festival domination to an arms race for geographic hegemony, to be the Woodstock in the mind of the east coast set. Last year, in reaction to the warmly-received debut of AEG/Goldenvoice's missile silo, the Panorama Music Festival (they had bathrooms that could flush! oy!) and a dispiriting turn of events at their own Governor's Ball—the third day had been canceled due to fears of a thunderstorm that never ended up happening--the Gov Ball people (a company called Founders Entertainment, now a division of Live Nation) announced that they were going to have one up on those invading Californians and pull off what so many festival organizations couldn't: a New York music festival that you didn't require an obnoxious ferry line. Put together in a rush and settling for a parking lot in Queens, last year's Meadows Music & Arts Festival was a bit of a mess. Headliner and ostensible raison d'etre, Kanye West, who was among those who were supposed to perform on that ill-fated third day, ended up dipping midway and the festival's second headliner, the reliably chartopping Toronto crooner The Weeknd, didn't even make it and had to be replaced with the vaguely polarizing J. Cole.
This year's festivities promise to be different. Extended into a traditional three-day spread, The Meadows is marking a flag on new terrain for the slowly expanding festival season. Competing for attention this month in the Big Apple will be smaller fare: the return of the Village Voice's Seaport Music Festival, which used to run in the early naughties until it was supplanted by something called 4Knots which, itself, mysteriously disappeared this year and Pitchfork Media's plunge into the New York scene, something called Octfest, which has something to do with their AnBev-funded offshoot of a similar name. Both are old school rock events, headlined by Ted Leo and Guided By Voices, respectively, Meadows is, correspondingly, using their newfound Live Nation weight to bring some of the big names in hip hop over to Queen's Citi Field.
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Even to this day, "Dark Tournament" remains the defining shonen "Tournament Arc."
Oftentimes, it's impossible to separate the quality of the anime we grew up watching from the sense of nostalgia those series evoke.
Case in point: Dragon Ball Z. Historically, DBZ is likely the most influential anime series of all time, both redefining the shonen genre for every series that came after it and introducing an entire generation of Western kids to Japanese animation through the legendary Funimation dub on Cartoon Network's Toonami block. Chances are high that if you meet someone who loves anime and grew up in the late '90s or early 2000s, they'll have a deeply personal bond with DBZ.
At the same time, it's hard to argue that DBZ holds up in the modern day, especially for new viewers coming in with fresh eyes. The pacing of the original series is super slow, the fights drag out forever, and while DBZ created so many of shonen's most prevalent tropes ("This isn't even my final form!"), almost everything DBZ ever did has since been done better by other series.
About a year after being accused of selling furniture to ICE detention centers, e-commerce site Wayfair is in another controversy.
Wayfair, the e-commerce website beloved by millennials on a budget who don't want their apartments to look just like IKEA showrooms, is no stranger to controversy.
Last summer, employees of the company organized a protest after allegations surfaced that Wayfair had sold $200,000 worth of furniture to border detention facilities. Now, Wayfair is being suspected of trafficking missing children in their furniture.