King Princess’s “Cheap Queen” Is Performative Queerness
Mikaela Straus’s debut LP raises questions about the boundary between using queerness as a brand and using one’s power to create an inclusive community.
Mikaela Straus’s debut LP raises questions about the boundary between using queerness as a brand and using one’s power to create an inclusive community.
The show, based on Terri Cheney’s column of the same title, provides a uniquely nuanced depiction of mental illness—and highlights the gaps that still exist in the ways we tell stories about it.
Are you tasked with hosting a Halloween party this year? Let us help you with the music.
Jenny from the Block and People’s two-time Sexiest Man Alive are back.
It appears at critical moments in “Gummo” and “Mulholland Drive,” among others, and always seems to signify something absolutely terrifying.
The choice to have a towering, beefed-up unicorn playing a sweet guitar solo and breathing rainbow fire as the centerpiece of their tour poster is a sign that the groups are leaning into this criticism with a tongue-in-cheek sense of humor.
The Alabama Shakes frontwoman’s debut solo album is a warm revelation, both powerful and unmistakably hers.
Non-profit organization Sandy Hook Promise’s latest back-to-school PSA is shockingly effective.
Caroline Calloway’s ghostwriter just came clean about their fraught relationship. Their story tells us a lot about the world we live in, and most of it’s not pretty.
You know the picture.